Play Along Piano

Tags

Renaissance

''Matona mia cara'', Orlando di Lasso (1532 - 1597)

FarrierPete

2:57	Est. Play Time
116	Measures
	1,136Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	12	0	3	5	100 %
	11	0	2	5	100 %
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	12	3	5	100 %
	11	2	5	100 %
Baritone	11	3	5	100 %
Bass	12	1	4	98 %

Schiarazula Marazula

Fermate

1:04	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	6	0	0	3	100 %
	6	0	0	3	100 %
	5	3	1	5	100 %

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	6	0	0	3	100 %
	6	0	0	3	100 %
	5	3	1	5	100 %

Suite Española, Gaspar Sanz

PreludeAndFugue

11:54	Est. Play Time
425	Measures
	1,784Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar		32	35	8	6	97 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar		32	35	8	6	97 %

Adoramus te Christe (TTBB)

esmeadows

1:08	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone	9	0	2	6	100 %
Tenor 2	11	0	3	7	100 %
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone	9	2	6	100 %
Tenor 2	11	3	7	100 %
Bass	8	1	5	94 %
Tenor 1	8	1	6	91 %

Meine Seel erhebt den Herrn

Bartók forever

0:24	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		14	0	4	6	100 %
		12	0	1	6	100 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		14	0	4	6	100 %
		12	0	1	6	100 %

A Hornepype (shortened)

Bartók forever

3:19	Est. Play Time
76	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		22	3	3	9	100 %
		13	11	0	7	93 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		22	3	3	9	100 %
		13	11	0	7	93 %

N. Vicentino: Madonna, il poco dolce

intasei

1:19	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Superius	12	0	4	6	100 %
Contra	15	0	6	5	96 %
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Superius	12	4	6	100 %
Contra	15	6	5	96 %
Tenor	13	4	6	96 %
Basso Continuo	12	3	6	96 %
Bassus	12	3	6	96 %

Anthony Holborne - The Fairy round - for guitar

Daniel Rubin

1:12	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		21	30	2	7	100 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		21	30	2	7	100 %

Lachrimae Antiquae for Guitar Duo, John Dowland

PreludeAndFugue

1:36	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
II		24	1	4	8	97 %
I		17	1	2	8	89 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
II		24	1	4	8	97 %
I		17	1	2	8	89 %

Modus Ludendi Pleno Organo Pedaliter. SSWV 157

Bartók forever

3:03	Est. Play Time
33	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	15	4	5	98 %
	18	6	5	98 %
	15	4	5	98 %

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	15	4	5	98 %
	18	6	5	98 %
	15	4	5	98 %

What Then Is Love But Mourning

Bartók forever

0:39	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Countertenor		7	0	1	4	100 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Countertenor		7	0	1	4	100 %

Canaris

Bartók forever

0:54	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		19	1	7	6	100 %
		18	0	2	6	71 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		19	1	7	6	100 %
		18	0	2	6	71 %

Es_ist_ein_Schnee_gefallen

FarrierPete

0:21	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	0	1	5	100 %
Bass	8	0	1	5	100 %
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	1	5	100 %
Bass	8	1	5	100 %
Soprano	5	0	5	100 %
Tenor	8	0	5	100 %

Cantio Belgica SSWV 108 (shortened)

Bartók forever

2:18	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	16	0	4	6	98 %
Orgel	18	0	5	7	97 %
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	16	4	6	98 %
Orgel	18	5	7	97 %
	14	1	7	93 %
Fagott	9	1	6	94 %
Violoncello	11	1	6	76 %
Klarinette in B	12	3	7	61 %

Passametzo

Bartók forever

3:06	Est. Play Time
31	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	12	4	6	100 %
		16	0	2	5	100 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	12	4	6	100 %
		16	0	2	5	100 %

Psalmus sub communione SSWV 156 (TIP)

Bartók forever

5:33	Est. Play Time
96	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel		20	0	6	7	80 %
		23	0	7	7	88 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel		20	0	6	7	80 %
		23	0	7	7	88 %