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Play Time: 2:10 - 3:20

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Renaissance
''Matona mia cara'', Orlando di Lasso (1532 - 1597)
FarrierPete
2:57 Est. Play
Time
116 Measures
1,136Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 12 0 3 5 100%
Treble 11 0 2 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 12 0 3 5 100%
Treble 11 0 2 5 100%
Baritone Bass 11 0 3 5 100%
Bass Bass 12 0 1 4 98%
 
A Hornepype (shortened)
Bartók forever
3:19 Est. Play
Time
76 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 22 3 3 9 100%
Bass 13 11 0 7 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 22 3 3 9 100%
Bass 13 11 0 7 93%
 
Modus Ludendi Pleno Organo Pedaliter. SSWV 157
Bartók forever
3:03 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 15 0 4 5 98%
Bass 18 0 6 5 98%
15 0 4 5 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 15 0 4 5 98%
Bass 18 0 6 5 98%
15 0 4 5 98%
 
Cantio Belgica SSWV 108 (shortened)
Bartók forever
2:18 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
Bass 14 0 1 7 93%
Fagott Bass 9 0 1 6 94%
Violoncello Bass 11 0 1 6 76%
Klarinette
in
B		 Treble 12 0 3 7 61%
 
Passametzo
Bartók forever
3:06 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 12 4 6 100%
Bass 16 0 2 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 12 4 6 100%
Bass 16 0 2 5 100%
 
Cabezón - Tiento sobre Cum Sancto Spiritu
Patrx2
2:50 Est. Play
Time
99 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 21 0 6 6 93%
Treble 12 0 3 3 19%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 21 0 6 6 93%
Treble 12 0 3 3 19%
Bass 17 0 4 4 70%
Bass 11 0 2 3 17%
 
Lachrimae Antiquae for Guitar Quartet
PreludeAndFugue
3:12 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I Treble 10 0 1 7 100%
II Treble 11 0 2 8 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I Treble 10 0 1 7 100%
II Treble 11 0 2 8 100%
III Treble 11 0 1 7 100%
IV Treble 21 0 3 8 96%
 
Guillaume Dufay - Credo from Missa l'Homme Armé (partim) for brasses
Plagal
2:57 Est. Play
Time
70 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Trompet
1		 Treble 14 1 3 13 91%
Trompet
2		 Treble 12 0 3 11 91%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Trompet
1		 Treble 14 1 3 13 91%
Trompet
2		 Treble 12 0 3 11 91%
Trombone Bass 12 1 3 9 90%
Trompet
3		 Treble 11 0 1 5 77%
 
Galliard 39, Francis Cutting
PreludeAndFugue
2:10 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 26 30 9 8 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 26 30 9 8 95%
 
The King's dance
Samuele Meris
2:38 Est. Play
Time
119 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Chalumeau
contralto		 Treble 9 0 0 5 100%
Dulciana Bass 9 0 0 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Chalumeau
contralto		 Treble 9 0 0 5 100%
Dulciana Bass 9 0 0 5 100%
Viola
tenore		 12 0 0 5 73%
Violone Bass 6 0 0 3 73%
Flauto
dolce
sopranino
in
Fa		 Treble 9 0 0 5 71%
Flauto
dolce
tenore
in
Do		 Treble 9 0 0 5 49%
Cornamusa
soprano
 Treble 8 0 0 5 22%
 
Semper Dowland Semper Dolens for Guitar Duo, John Dowland
PreludeAndFugue
2:27 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 26 7 7 8 93%
I Treble 24 0 8 8 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 26 7 7 8 93%
I Treble 24 0 8 8 89%
 
Un jour je m'en allais / ti ti le li by Jacques de Wert SSATB with IPA
gmolstad
2:13 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano (only
for
practice)		 Treble 17 23 4 5 99%
Bass 15 0 2 5 55%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano (only
for
practice)		 Treble 17 23 4 5 99%
Bass 15 0 2 5 55%
Alto Treble 9 0 2 5 100%
Soprano
I		 Treble 13 0 2 5 100%
Soprano
II		 Treble 12 0 2 5 95%
Bass Bass 10 0 2 4 44%
Tenor Treble 8 0 0 5 44%
 
Cantio Belgica (Wehe Windgen wehe) SSWV 108 (shortened)
Bartók forever
2:18 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
Bass 14 0 1 7 93%
Fagott Bass 9 0 1 6 94%
Violoncello Bass 11 0 1 6 76%
Klarinette
in
B		 Treble 12 0 3 7 61%
 
Michael Praetorius - Spagnoletta - Guitar solo
Daniel Rubin
2:53 Est. Play
Time
50 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 27 33 4 8 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 27 33 4 8 100%
 
N. Vicentino: Musica prisca caput
intasei
2:24 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Superius 12 0 4 7 100%
Contra 13 0 4 6 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Superius 12 0 4 7 100%
Contra 13 0 4 6 98%
Tenor 13 0 4 6 96%
Basso
Continuo		 Bass 12 0 2 9 93%
Bassus Bass 12 0 2 6 93%
Tenore 7 0 0 8 42%
Basso Bass 8 0 1 8 38%
Soprano 8 0 1 8 38%
Contralto 6 0 0 7 36%
 
King of the Faeries
viola.ambera
2:57 Est. Play
Time
97 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 15 4 1 8 97%
Violin Treble 17 6 1 9 92%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 15 4 1 8 97%
Violin Treble 17 6 1 9 92%
Treble 14 5 1 6 88%
Treble 16 8 1 6 82%
Viola 14 6 1 6 88%
 
Vincenzo Capirola: Paduana descordata
H. Gürtler
2:46 Est. Play
Time
161 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 23 46 3 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 23 46 3 3 100%