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Composition: Duet

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Renaissance
''Matona mia cara'', Orlando di Lasso (1532 - 1597)
FarrierPete
2:57 Est. Play
Time
116 Measures
1,136Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 12 0 3 5 100%
Treble 11 0 2 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 12 0 3 5 100%
Treble 11 0 2 5 100%
Baritone Bass 11 0 3 5 100%
Bass Bass 12 0 1 4 98%
 
Adoramus te Christe (TTBB)
esmeadows
1:08 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Baritone Bass 9 0 2 6 100%
Tenor
2		 Treble 11 0 3 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Baritone Bass 9 0 2 6 100%
Tenor
2		 Treble 11 0 3 7 100%
Bass Bass 8 0 1 5 94%
Tenor
1		 Treble 8 0 1 6 91%
 
Lachrimae Antiquae for Guitar Duo, John Dowland
PreludeAndFugue
1:36 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 24 1 4 8 97%
I Treble 17 1 2 8 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 24 1 4 8 97%
I Treble 17 1 2 8 89%
 
Anthony Holborne - The night watch, for recorder and guitar
Daniel Rubin
1:36 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 23 34 6 7 100%
Recorder Treble 12 0 2 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 23 34 6 7 100%
Recorder Treble 12 0 2 5 100%
 
Cabezón - Tiento sobre Cum Sancto Spiritu
Patrx2
2:50 Est. Play
Time
99 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 21 0 6 6 93%
Treble 12 0 3 3 19%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 21 0 6 6 93%
Treble 12 0 3 3 19%
Bass 17 0 4 4 70%
Bass 11 0 2 3 17%
 
Pavane. The Earle of Salisbury
Bartók forever
1:45 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 14 3 3 8 97%
Treble 14 2 3 17 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 14 3 3 8 97%
Treble 14 2 3 17 97%
Bass 18 7 2 6 89%
Bass 18 7 2 7 89%
 
Come, Heavy Sleep for Guitar Duo, John Dowland
PreludeAndFugue
0:45 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 21 0 3 7 96%
I Treble 19 0 4 7 87%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 21 0 3 7 96%
I Treble 19 0 4 7 87%
 
La Feliciana | A. Banchieri
Die Viole
1:55 Est. Play
Time
72 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor (Tenor) Treble 12 0 2 6 100%
Violone (Bassus) Bass 12 0 3 5 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor (Tenor) Treble 12 0 2 6 100%
Violone (Bassus) Bass 12 0 3 5 99%
Soprano (Cantus) Treble 14 0 4 4 96%
Alto (Altus) 10 0 1 6 93%
 
Semper Dowland Semper Dolens for Guitar Duo, John Dowland
PreludeAndFugue
2:27 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 26 7 7 8 93%
I Treble 24 0 8 8 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 26 7 7 8 93%
I Treble 24 0 8 8 89%
 
The King of Denmarkes Galiard for Guitar Duo, John Dowland
PreludeAndFugue
1:12 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I Treble 21 1 3 7 100%
II Treble 17 2 3 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I Treble 21 1 3 7 100%
II Treble 17 2 3 7 100%
 
Propinan de Melyor
Samuele Meris
0:47 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clarinetto
Basso		 Treble 8 0 0 6 100%
Flauto Treble 8 0 0 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clarinetto
Basso		 Treble 8 0 0 6 100%
Flauto Treble 8 0 0 6 100%
 
Recercada primera
Fermate
1:54 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 0 2 8 100%
Treble 10 6 2 3 100%
Bass 5 0 0 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 0 2 8 100%
Treble 10 6 2 3 100%
Bass 5 0 0 3 100%
 
In Veritas
Jesse David Sykes
1:12 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Baritone Bass 12 0 1 6 97%
Tenor Treble 11 0 2 6 94%
Alto Treble 10 0 1 6 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Baritone Bass 12 0 1 6 97%
Tenor Treble 11 0 2 6 94%
Alto Treble 10 0 1 6 89%
 
Anchor che col Partire
Debberg
2:44 Est. Play
Time
82 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 8 6 0 5 91%
Bass 13 16 2 6 94%
Soprano
Recorder		 Treble 15 0 2 7 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 8 6 0 5 91%
Bass 13 16 2 6 94%
Soprano
Recorder		 Treble 15 0 2 7 94%
 
Anthony Holborne - The Fairy round - for recorder and guitar
Daniel Rubin
1:12 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 21 30 2 7 100%
Recorder Treble 12 0 1 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 21 30 2 7 100%
Recorder Treble 12 0 1 6 100%
 
Verso de Magnificat del septimo tono
Bartók forever
2:14 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 18 0 5 5 67%
Bass 15 1 2 5 78%
Stimme Treble 6 0 0 1 34%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 18 0 5 5 67%
Bass 15 1 2 5 78%
Stimme Treble 6 0 0 1 34%
 
Thomas Morley - La Sampogna, for alto recorders
Daniel Rubin
2:07 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
Recorder		 Treble 10 0 1 7 98%
Treble 16 0 4 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
Recorder		 Treble 10 0 1 7 98%
Treble 16 0 4 6 100%
 
LA Gamba
Debberg
0:54 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Blokfluit Treble 11 0 1 7 100%
Treble 5 0 0 3 100%
Bass 16 0 4 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Blokfluit Treble 11 0 1 7 100%
Treble 5 0 0 3 100%
Bass 16 0 4 6 100%
 
Anthony Holborne - "Hearts ease" for recorder and guitar
Daniel Rubin
2:04 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Acoustic
Guitar		 Treble 26 38 7 6 100%
Recorder Treble 10 0 3 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Acoustic
Guitar		 Treble 26 38 7 6 100%
Recorder Treble 10 0 3 5 100%
 
Francesco Spinacino: Juli amours
H. Gürtler
4:25 Est. Play
Time
84 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 29 1 9 7 100%
Treble 17 30 4 7 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 29 1 9 7 100%
Treble 17 30 4 7 99%