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Unique Accidentals: 2

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Renaissance
''Matona mia cara'', Orlando di Lasso (1532 - 1597)
FarrierPete
2:57 Est. Play
Time
116 Measures
1,136Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 12 0 3 5 100%
Treble 11 0 2 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 12 0 3 5 100%
Treble 11 0 2 5 100%
Baritone Bass 11 0 3 5 100%
Bass Bass 12 0 1 4 98%
 
Adoramus te Christe (TTBB)
esmeadows
1:08 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Baritone Bass 9 0 2 6 100%
Tenor
2		 Treble 11 0 3 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Baritone Bass 9 0 2 6 100%
Tenor
2		 Treble 11 0 3 7 100%
Bass Bass 8 0 1 5 94%
Tenor
1		 Treble 8 0 1 6 91%
 
Lachrimae Antiquae for Guitar Duo, John Dowland
PreludeAndFugue
1:36 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 24 1 4 8 97%
I Treble 17 1 2 8 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 24 1 4 8 97%
I Treble 17 1 2 8 89%
 
Canaris
Bartók forever
0:54 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 19 1 7 6 100%
Bass 18 0 2 6 71%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 19 1 7 6 100%
Bass 18 0 2 6 71%
 
Anthony Holborne - The Fairy round - for guitar
Daniel Rubin
1:12 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 21 30 2 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 21 30 2 7 100%
 
Preambulum 11. et 12. Toni
Bartók forever
0:51 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 16 1 3 7 100%
Bass 14 0 2 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 16 1 3 7 100%
Bass 14 0 2 6 100%
 
Come, Heavy Sleep for Guitar Quartet, John Dowland
PreludeAndFugue
1:19 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I Treble 11 0 2 6 100%
II Treble 11 0 2 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I Treble 11 0 2 6 100%
II Treble 11 0 2 7 100%
III Treble 11 0 2 7 100%
IV Treble 10 0 1 6 100%
 
Pavane. The Earle of Salisbury
Bartók forever
1:45 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 14 3 3 8 97%
Treble 14 2 3 17 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 14 3 3 8 97%
Treble 14 2 3 17 97%
Bass 18 7 2 6 89%
Bass 18 7 2 7 89%
 
Praeludium
Bartók forever
0:53 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 9 4 6 100%
Bass 19 8 5 7 100%
Execution 19 19 2 6 67%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 9 4 6 100%
Bass 19 8 5 7 100%
Execution 19 19 2 6 67%
 
Cabezón - Tiento sobre Cum Sancto Spiritu
Patrx2
2:50 Est. Play
Time
99 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 21 0 6 6 93%
Treble 12 0 3 3 19%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 21 0 6 6 93%
Treble 12 0 3 3 19%
Bass 17 0 4 4 70%
Bass 11 0 2 3 17%