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Measures: 35 - 60

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Renaissance
Cantio Belgica SSWV 108 (shortened)
Bartók forever
2:18 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
Bass 14 0 1 7 93%
Fagott Bass 9 0 1 6 94%
Violoncello Bass 11 0 1 6 76%
Klarinette
in
B		 Treble 12 0 3 7 61%
 
Galliard 10, Francis Cutting
PreludeAndFugue
1:30 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 11 6 7 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 11 6 7 99%
 
Galliard 39, Francis Cutting
PreludeAndFugue
2:10 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 26 30 9 8 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 26 30 9 8 95%
 
Janequin: Au joly jeu
AymericHM
1:10 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 19 0 5 96%
Bass 15 14 0 5 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 19 0 5 96%
Bass 15 14 0 5 89%
 
Semper Dowland Semper Dolens for Guitar Duo, John Dowland
PreludeAndFugue
2:27 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 26 7 7 8 93%
I Treble 24 0 8 8 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 26 7 7 8 93%
I Treble 24 0 8 8 89%
 
Cantio Belgica (Wehe Windgen wehe) SSWV 108 (shortened)
Bartók forever
2:18 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
Bass 14 0 1 7 93%
Fagott Bass 9 0 1 6 94%
Violoncello Bass 11 0 1 6 76%
Klarinette
in
B		 Treble 12 0 3 7 61%
 
Anonymous - My Lady Carey's Dompe
Paraskeνas
2:02 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 17 10 1 6 100%
Bass 5 1 0 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 17 10 1 6 100%
Bass 5 1 0 3 50%
 
Semper Dowland Semper Dolens, John Dowland
PreludeAndFugue
4:55 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 15 0 4 8 100%
IV Treble 25 0 6 8 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 15 0 4 8 100%
IV Treble 25 0 6 8 99%
III Treble 13 0 3 7 97%
I Treble 13 0 4 7 95%
 
Michael Praetorius - Spagnoletta - Guitar solo
Daniel Rubin
2:53 Est. Play
Time
50 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 27 33 4 8 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 27 33 4 8 100%
 
Almaine 16, Francis Cutting
PreludeAndFugue
1:52 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 25 30 6 6 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 25 30 6 6 97%
 
N. Vicentino: Musica prisca caput
intasei
2:24 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Superius 12 0 4 7 100%
Contra 13 0 4 6 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Superius 12 0 4 7 100%
Contra 13 0 4 6 98%
Tenor 13 0 4 6 96%
Basso
Continuo		 Bass 12 0 2 9 93%
Bassus Bass 12 0 2 6 93%
Tenore 7 0 0 8 42%
Basso Bass 8 0 1 8 38%
Soprano 8 0 1 8 38%
Contralto 6 0 0 7 36%
 
April is in my mistress' face
Bartók forever
1:00 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 9 0 2 4 100%
Alto Treble 8 0 1 5 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 9 0 2 4 100%
Alto Treble 8 0 1 5 97%
Tenor Treble 8 0 1 4 92%
Bass Bass 11 0 2 5 89%
 
Josquin des Prez: Fortuna d'un gran tempo plus Spinacino
H. Gürtler
1:43 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 25 45 6 6 100%
Alto Treble 11 0 3 6 92%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 25 45 6 6 100%
Alto Treble 11 0 3 6 92%
Tenor Treble 13 0 1 6 88%
Bass Bass 12 0 3 7 77%
 
Recercada primera
Fermate
1:54 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 0 2 8 100%
Treble 10 6 2 3 100%
Bass 5 0 0 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 0 2 8 100%
Treble 10 6 2 3 100%
Bass 5 0 0 3 100%
 
Palestrina: Missa de beate Virgine - Kyrie
Roland Bouman
2:24 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 1 6 94%
Tenor Treble 9 0 1 6 90%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 1 6 94%
Tenor Treble 9 0 1 6 90%
Soprano Treble 12 0 2 5 85%
Baritone Bass 11 0 2 5 83%
 
Galliard 15, Francis Cutting
PreludeAndFugue
1:35 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 26 7 7 8 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 26 7 7 8 99%
 
Heinrich Isaac: Benedictus plus Spinacino
H. Gürtler
1:54 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 21 68 4 5 100%
Bass Bass 12 0 2 6 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 21 68 4 5 100%
Bass Bass 12 0 2 6 98%
Tenor Treble 12 0 3 6 89%
Alto Treble 13 0 2 6 86%
 
O beata Maria (P. Guerrero)
rinirini
1:38 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 9 0 0 6 100%
Alto Treble 12 0 1 6 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 9 0 0 6 100%
Alto Treble 12 0 1 6 98%
Tenor Treble 9 0 0 6 92%
Bass Bass 9 0 0 6 90%