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Composition: Duet

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Plagal
Tarquinio Merula - Sonata Seconda, Op.6 (1624)
Plagal
3:18 Est. Play
Time
67 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso per l'Organo Bass 24 0 9 7 100%
Violino overo Cornetto Treble 20 0 8 8 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso per l'Organo Bass 24 0 9 7 100%
Violino overo Cornetto Treble 20 0 8 8 100%
 
Reinhold Glière - Intermezzo for double bass and piano (orchestral tuning)
Plagal
2:26 Est. Play
Time
98 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 34 64 15 7 98%
Bass 48 65 23 4 100%
Contrabasso Bass 26 0 12 7 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 34 64 15 7 98%
Bass 48 65 23 4 100%
Contrabasso Bass 26 0 12 7 96%
 
Guillaume de Machaut: Quant en moy / Amour et biauté / Amara valde
Plagal
5:23 Est. Play
Time
71 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
[Motetus] Treble 10 0 2 5 96%
[Triplum] Treble 11 0 3 5 96%
Tenor Bass 7 0 1 5 85%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
[Motetus] Treble 10 0 2 5 96%
[Triplum] Treble 11 0 3 5 96%
Tenor Bass 7 0 1 5 85%
 
Phrygian Phantasy
Plagal
0:58 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 0 6 100%
Tenor Bass 13 0 1 6 95%
Soprano Treble 10 0 2 4 86%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 0 6 100%
Tenor Bass 13 0 1 6 95%
Soprano Treble 10 0 2 4 86%
 
Guillaume de Machaut(?) - Li enseignement / De touz les biens / Ecce tu pulchra es amica mea
Plagal
3:22 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
[Motetus] Treble 10 0 1 5 100%
[Triplum] Treble 10 0 1 6 100%
Tenor Bass 6 0 0 3 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
[Motetus] Treble 10 0 1 5 100%
[Triplum] Treble 10 0 1 6 100%
Tenor Bass 6 0 0 3 89%
 
Modal counterpoint in Charles Koechlin, Trio Op.92
Plagal
2:28 Est. Play
Time
99 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 0 4 5 90%
Treble 22 0 3 6 100%
Bass 18 0 3 5 65%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 0 4 5 90%
Treble 22 0 3 6 100%
Bass 18 0 3 5 65%