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Plagal

Exercises from Eric Thiman - Practical Free Counterpoint (1947)

Plagal

1:24	Est. Play Time
55	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	0	10	9	96%
		21	0	11	7	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	0	10	9	96%
		21	0	11	7	93%

De Profundis Clamavi - Nicolas Champion/Josquin Des Prez

Plagal

7:25	Est. Play Time
167	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Quintus		11	0	0	6	89%
Cantus		14	0	4	7	83%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Quintus		11	0	0	6	89%
Cantus		14	0	4	7	83%
Bassus		11	0	0	8	81%
Tenor		13	0	3	7	81%

Guillaume Dufay - Credo from Missa l'Homme Armé (partim) for brasses

Plagal

2:57	Est. Play Time
70	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Trompet 1		14	1	3	13	91%
Trompet 2		12	0	3	11	91%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Trompet 1		14	1	3	13	91%
Trompet 2		12	0	3	11	91%
Trombone		12	1	3	9	90%
Trompet 3		11	0	1	5	77%

Tarquinio Merula - Sonata Seconda, Op.6 (1624)

Plagal

3:18	Est. Play Time
67	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso per l'Organo		24	0	9	7	100%
Violino overo Cornetto		20	0	8	8	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso per l'Organo		24	0	9	7	100%
Violino overo Cornetto		20	0	8	8	100%

Se La Face Ay Pale - Guillaume Dufay

Plagal

1:11	Est. Play Time
31	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	0	0	4	31%
		15	0	3	7	94%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	0	0	4	31%
		15	0	3	7	94%
Alto		10	0	1	4	100%
Soprano		11	0	1	5	100%
Tenor		15	0	3	5	100%

Lully - Premier Intermede (le Bourgeois Gentilhomme)

Plagal

1:10	Est. Play Time
42	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		16	0	5	9	100%
		10	0	2	8	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		16	0	5	9	100%
		10	0	2	8	100%
		13	0	5	9	100%
Viola		11	0	1	7	100%
Violoncello		22	0	8	7	100%

Reinhold Glière - Intermezzo for double bass and piano (orchestral tuning)

Plagal

2:26	Est. Play Time
98	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		34	64	15	7	98%
		48	65	23	4	100%
Contrabasso		26	0	12	7	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		34	64	15	7	98%
		48	65	23	4	100%
Contrabasso		26	0	12	7	96%

Guillaume de Machaut: Quant en moy / Amour et biauté / Amara valde

Plagal

5:23	Est. Play Time
71	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Motetus]		10	0	2	5	96%
[Triplum]		11	0	3	5	96%
Tenor		7	0	1	5	85%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Motetus]		10	0	2	5	96%
[Triplum]		11	0	3	5	96%
Tenor		7	0	1	5	85%

Cipriani Potter - Concertante on the theme of La Follia (1832)

Plagal

13:14	Est. Play Time
424	Measures
	4,230Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		48	190	24	13	98%
		60	122	26	13	97%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		48	190	24	13	98%
		60	122	26	13	97%
Violoncello		36	8	17	14	79%
Violino		38	74	15	14	77%
Contrabasso		22	0	9	13	77%

Phrygian Phantasy

Plagal

0:58	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		12	0	0	6	100%
Tenor		13	0	1	6	95%
Soprano		10	0	2	4	86%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		12	0	0	6	100%
Tenor		13	0	1	6	95%
Soprano		10	0	2	4	86%

Renaissance Improvisations by VivaVoce, from Con la mente e con le mani

Plagal

4:32	Est. Play Time
68	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
T.		13	0	4	5	88%
A.		18	0	5	7	85%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
T.		13	0	4	5	88%
A.		18	0	5	7	85%
S.		20	0	7	6	66%
B.		16	0	2	5	53%

Polemics between Zarlino and Rameau

Plagal

3:03	Est. Play Time
93	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Recorder		22	0	18	6	94%
		27	0	19	6	94%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Recorder		22	0	18	6	94%
		27	0	19	6	94%
Alto Recorder		24	0	19	6	88%
Bass Recorder		28	0	13	6	61%

Guillaume de Machaut(?) - Li enseignement / De touz les biens / Ecce tu pulchra es amica mea

Plagal

3:22	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Motetus]		10	0	1	5	100%
[Triplum]		10	0	1	6	100%
Tenor		6	0	0	3	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Motetus]		10	0	1	5	100%
[Triplum]		10	0	1	6	100%
Tenor		6	0	0	3	89%

Double Bass Concerto by Karl Kohaut (1726 - 1784)

Plagal

22:23	Est. Play Time
268	Measures
	1,883Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Contrabasso Principale]		31	0	16	10	100%
[Basso]		25	0	12	7	94%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Contrabasso Principale]		31	0	16	10	100%
[Basso]		25	0	12	7	94%
[Violino I.]		30	2	15	8	85%
[Violino II.]		31	2	15	8	84%
[Corni in D]		11	0	2	5	38%

Modal counterpoint in Charles Koechlin, Trio Op.92

Plagal

2:28	Est. Play Time
99	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	0	4	5	90%
		22	0	3	6	100%
		18	0	3	5	65%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	0	4	5	90%
		22	0	3	6	100%
		18	0	3	5	65%

Dragonetti - Potpourri for Double Bass and Orchestra

Plagal

16:15	Est. Play Time
466	Measures
	5,470Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I		30	38	17	10	95%
Violino II		26	29	12	10	94%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I		30	38	17	10	95%
Violino II		26	29	12	10	94%
Violoncello e Basso		25	0	10	11	93%
Viola		25	6	11	10	92%
Contrabbasso Principale		37	11	18	12	87%
Fagotto		27	4	11	11	54%
Oboi 1,2		21	38	6	9	44%
Flauto		21	0	12	10	40%
Corni 1,2 (D)		10	10	0	7	36%
Timpani (D, A)		2	0	0	8	32%
Clarini 1,2 (D)		5	3	0	6	10%

Hey Brother (Avicii) - The two-voice melody in the beginning

Plagal

0:30	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	12	0	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	12	0	6	100%

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