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J.S. Bach

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Sinfonia

Samuel Ricke

1:28	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	17	20	6	5	96%
	19	0	5	6	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	17	20	6	5	96%
	19	0	5	6	100%
Continuo.	16	0	4	5	100%
Viola I.	11	0	2	4	100%
Viola II.	14	0	4	5	100%
Violino I.	16	0	4	7	100%
Violino II.	12	0	3	5	100%
Violone.	16	0	4	5	100%

389. Wo Gott zum Haus nicht gibt sein' Gunst. (Ps. 127), BWV 438, J.S. Bach, Klug

SDG

0:23	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	4	100%
Tenor/Bass		15	0	2	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	4	100%
Tenor/Bass		15	0	2	4	100%

J.S. Bach: Mass in B Minor, BWV 232: IV. Dona Nobis Pacem

Samuel Ricke

5:55	Est. Play Time
46	Measures
	1,513Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	17	1	4	5	97%
	25	0	7	5	100%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	17	1	4	5	97%
	25	0	7	5	100%
Continuo.	24	1	7	5	100%
Fagotti.	24	1	7	5	100%
Tenore.	15	0	3	5	100%
Viola.	15	0	3	5	100%
Alto.	12	0	2	4	98%
Flauto traverso II. Oboe II.	11	0	2	5	98%
Oboe II.	11	0	2	5	98%
Violino II.	12	0	2	5	98%
Flauto traverso I. Oboe I.	14	0	3	4	93%
Oboe I.	14	0	3	4	93%
Soprano.	14	0	3	4	93%
Violino I.	14	0	3	4	93%
Violone.	22	0	7	5	93%
Basso.	19	0	6	4	91%
Tromba I.	9	0	1	5	43%
Tromba II.	9	0	1	5	30%
Timpani.	2	0	0	5	22%
Tromba III.	11	0	1	6	22%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus I.

Samuel Ricke

4:20	Est. Play Time
94	Measures
	3,374Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	26	58	10	8	96%
	29	0	10	6	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	26	58	10	8	96%
	29	0	10	6	100%
Continuo.	29	0	10	6	100%
Viola I.	18	0	7	7	98%
Viola II.	17	0	6	7	98%
Violino I.	23	0	9	6	98%
Violino II.	20	0	6	7	98%
Violone.	28	0	9	6	97%
Alto.	18	0	7	7	96%
Trombone I.	18	0	7	7	96%
Tenore.	17	0	6	7	95%
Trombone II.	17	0	6	7	95%
Basso.	23	0	9	6	90%
Trombone III.	23	0	9	6	89%
Cornetto.	16	0	6	6	65%
Soprano.	16	0	6	5	65%

7. Ach Gott, vom Himmel sieh' darein, J.S. Bach, M. Luther, BWV 2#6

SDG

0:45	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	14	0	4	4	100%
	20	0	6	5	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	14	4	4	100%
	20	6	5	100%
Soprano/Alto	14	4	4	100%
Tenor/Bass	20	6	5	100%
Contrabass	14	4	4	50%

48. Christus, der uns selig macht. BWV 283. J.S. bach.

SDG

0:49	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	0	4	4	100%
Tenor/Bass	25	0	8	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	4	4	100%
Tenor/Bass	25	8	6	100%
Contrabass	20	6	4	50%
Alto	2	0	1	6%

11. Ach wie flüchtig, ach wie nichtig, BWV 26.6

SDG

0:32	Est. Play Time
10	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	15	0	4	3	100%
	15	0	4	3	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	15	4	3	100%
	15	4	3	100%
	26	8	3	100%
	26	8	3	100%
Soprano/Alto	15	4	3	100%
Tenor/Bass	26	8	3	100%
Contrabass	21	6	3	50%

38. Christ lag in Todesbanden. BWV 277.

SDG

0:58	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	16	0	5	5	100%
	16	0	5	5	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	16	5	5	100%
	16	5	5	100%
	23	7	6	100%
	23	7	6	100%
Soprano/Alto	16	5	5	100%
Tenor/Bass	23	7	6	100%
Contrabass	15	5	5	50%

50. Christus, der uns selig macht. BWV 245.37. Joh. Passion. J.S. Bach.

SDG

0:49	Est. Play Time
17	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	5	4	100%
Tenor/Bass	21	9	4	100%
Contrabass	17	7	4	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	5	4	100%
Tenor/Bass	21	9	4	100%
Contrabass	17	7	4	50%

73. Durch Adams Fall ist ganz verderbt, Cantate 18, no. 5, 'Gleich wie der Regen und Schnee, BWV 18.5. J.S. Bach

SDG

0:57	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	4	100%
Tenor/Bass		19	0	5	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	4	100%
Tenor/Bass		19	0	5	5	100%

Contrapunctus XVI

Shoichi

2:34	Est. Play Time
72	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Recorder II	22	7	7	97%
Recorder III	20	7	10	94%
Recorder I	17	5	9	89%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Recorder II	22	7	7	97%
Recorder III	20	7	10	94%
Recorder I	17	5	9	89%

41. Christ lag in Todesbanden. BWV 4.8.

SDG

1:01	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	4	4	100%
Tenor/Bass	22	0	6	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	4	4	100%
Tenor/Bass	22	6	5	100%
Contrabass	15	5	5	50%
Soprano	2	0	1	11%

14. Allein Gott in der Höh' sei Ehr', BWV 112.5.

SDG

0:53	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	12	0	3	5	100%
	12	0	3	5	100%
View all 14 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	12	3	5	100%
	12	3	5	100%
	18	5	4	100%
	18	5	4	100%
Violin	8	2	4	50%
	6	1	5	100%
Horn in F	8	0	5	100%
Oboe	6	1	5	100%
Soprano/Alto	12	3	5	100%
Tenor/Bass	18	5	4	100%
Viola	9	1	4	100%
Oboe col Alto	9	2	4	70%
Contrabass	12	4	2	50%
Violoncello	12	4	2	50%

Jesu, meine Freude. BWV 610. Organ score. Source: BGA (Bach-Gesellschaft Ausgabe) on 1 A4 (piece of paper).

SDG

1:38	Est. Play Time
13	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	21	7	7	100%
Pedal	20	7	5	100%
Violoncello	17	6	4	100%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	21	7	7	100%
Pedal	20	7	5	100%
Violoncello	17	6	4	100%

J.S. Bach, cantata opening chorus: "Wo soll ich fliehen hin?" (BWV 5, #1) Auf meinen lieben Gott..

SDG

3:53	Est. Play Time
78	Measures
	3,570Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
Continuo	25	0	9	3	100%
Contrabass	25	0	9	3	100%
Contrabassoon	25	0	9	3	100%
Oboe I.	24	0	8	5	100%
Oboe II.	22	0	8	4	100%
Violino I	25	0	8	5	100%
Violino II.	21	0	7	5	100%
Viola	18	0	5	4	97%
Alto	13	0	4	6	42%
	13	0	4	6	42%
	13	0	4	6	42%
Tenor	13	0	4	5	40%
	13	0	4	5	40%
Tenore	13	0	4	5	40%
Soprano	6	0	0	2	37%
	6	0	0	2	37%
	6	0	0	2	37%
Bass	20	0	6	4	37%
	20	0	6	4	37%
Basso	20	0	6	4	37%
Tromba da tirarsi col soprano	6	0	0	2	37%

Lobet Gott in seinen Reichen, BWV 11, No. 1, opening chorus Himmelfahrts-Oratorium, J.S. Bach

SDG

10:17	Est. Play Time
217	Measures
	4,955Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	26	0	9	5	100%
Continuo II	26	0	9	5	100%
View all 23 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	26	9	5	100%
Continuo II	26	9	5	100%
Double Bass	32	9	5	100%
Violino I	27	9	7	97%
Viola	24	8	5	95%
Violino II	22	8	5	95%
Flauto traverso I	23	8	6	92%
Flauto traverso II	23	8	6	92%
Oboe I	22	7	7	90%
Oboe II	21	8	5	88%
Soprano	18	6	7	53%
	18	6	7	53%
	18	6	7	53%
Alto	16	5	7	52%
	16	5	7	52%
	16	5	7	52%
Tenore	19	6	5	51%
Bass	20	6	5	50%
Basso	20	6	5	50%
Tromba I	11	1	7	48%
Tromba II	12	1	5	39%
Tromba III	7	0	4	29%
Timpani	2	0	4	26%

85. Erstanden ist der heil'ge Christ. BWV 306. J.S. Bach.

SDG

0:39	Est. Play Time
17	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	12	2	5	100%
Tenor/Bass	16	2	4	100%
Contrabass	12	2	4	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	12	2	5	100%
Tenor/Bass	16	2	4	100%
Contrabass	12	2	4	50%

39. Christ lag in Todesbanden. BWV 278.

SDG

1:01	Est. Play Time
14	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	5	6	100%
Tenor/Bass	22	6	6	100%
Contrabass	15	5	6	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	5	6	100%
Tenor/Bass	22	6	6	100%
Contrabass	15	5	6	50%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus VII.

Samuel Ricke

0:53	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	14	0	4	6	100%
	22	0	6	6	100%
View all 15 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	14	4	6	100%
	22	6	6	100%
Alto.	8	1	5	100%
Basso.	15	5	6	100%
Continuo.	15	5	6	100%
Cornetto.	11	3	4	100%
Soprano.	11	3	4	100%
Tenore.	12	3	4	100%
Trombone I.	8	1	5	100%
Trombone II.	12	3	4	100%
Trombone III.	15	5	6	100%
Viola I.	8	1	5	100%
Viola II.	12	3	4	100%
Violino I.II.	11	3	4	100%
Violone.	15	5	6	100%

49. Christus, der uns selig macht. BWV 245.15. Joh. Passion. J.S. Bach.

SDG

0:50	Est. Play Time
17	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	16	4	4	100%
Tenor/Bass	22	7	4	100%
Contrabass	16	6	4	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	16	4	4	100%
Tenor/Bass	22	7	4	100%
Contrabass	16	6	4	50%