Play Along Piano

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J.S. Bach

12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.

SDG

0:55	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	1	0	0	1	6%
	14	0	3	5	100%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	1	0	1	6%
	14	3	5	100%
	1	0	1	6%
	14	3	5	100%
	1	0	1	6%
	16	3	4	100%
	16	3	4	100%
Soprano/Alto	14	3	5	100%
Tenor/Bass	16	3	4	100%
Contrabass	14	2	2	50%

Ruht wohl ruht wohl ihr heiligen Gebeine, St. John Passion, BWV 245-39.

SDG

6:35	Est. Play Time
129	Measures
	3,658Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	21	0	7	5	96%
Organo e Continuo	0	0	0	0	0%
View all 13 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	21	7	5	96%
Organo e Continuo	0	0	0	0%
	21	7	5	96%
Violoncello	21	7	5	96%
Viola	23	8	5	89%
Violino II	23	8	5	89%
Violino I	26	10	6	88%
Alto	17	7	6	77%
Soprano	20	8	6	77%
Tenore	18	6	6	77%
Flauto traverso I,II	23	8	6	73%
Basso	18	7	5	67%
Oboe I/II	23	8	6	60%

259. Nun danket alle Gott. Now thank we all our God. BWV 79/3.

SDG

2:10	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	18	0	5	2	100%
Horn in F	16	0	5	7	100%
View all 14 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	18	5	2	100%
Horn in F	16	5	7	100%
Violoncello	18	5	2	100%
Timpani	2	0	4	76%
Soprano/Alto	9	2	3	63%
Tenor/Bass	17	2	4	63%
Flute	7	1	3	55%
	7	1	3	55%
Oboe	7	1	3	55%
	7	1	3	55%
Violin	6	1	2	35%
	7	1	3	55%
Soprano	7	1	3	55%
Viola	7	1	4	55%

Jauchzet, frohlocket, auf, preiset die Tage! (MuseScore version). Bach, Weihnachts Oratorium, opening choir, BWV 248

SDG

13:19	Est. Play Time
203	Measures
	4,967Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo	24	0	8	5	93%
Contrabass	24	0	8	5	93%
View all 20 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo	24	8	5	93%
Contrabass	24	8	5	93%
Fagotto	24	8	5	93%
Viola.	23	8	8	93%
Violino II.	24	8	8	93%
Violino I.	28	9	8	91%
Oboe II.	19	6	8	79%
Flauto traverso II.	22	7	8	79%
Flauto traverso I.	23	7	8	78%
Oboe I.	21	7	8	78%
Tenore.	18	6	7	71%
Alto.	17	6	7	70%
Basso.	18	6	7	70%
Soprano	19	6	8	67%
	19	6	8	67%
Soprano.	19	6	8	67%
Tromba I.	12	1	8	34%
Tromba II.	11	1	5	29%
Tromba III.	7	0	5	28%
Timpani.	2	0	5	27%

16. Allein zu dir, Herr Jesu Christ. BWV 33.6.

SDG

1:14	Est. Play Time
18	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	3	5	100%
Tenor/Bass	23	0	6	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	5	100%
Tenor/Bass	23	6	6	100%
Contrabass	19	5	4	52%
Bass	4	0	2	20%
Tenor	4	0	2	16%

J.S. Bach: Mass in B Minor, BWV 232: IV. Dona Nobis Pacem

Samuel Ricke

5:55	Est. Play Time
46	Measures
	1,513Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	17	1	4	5	97%
	25	0	7	5	100%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	17	1	4	5	97%
	25	0	7	5	100%
Continuo.	24	1	7	5	100%
Fagotti.	24	1	7	5	100%
Tenore.	15	0	3	5	100%
Viola.	15	0	3	5	100%
Alto.	12	0	2	4	98%
Flauto traverso II. Oboe II.	11	0	2	5	98%
Oboe II.	11	0	2	5	98%
Violino II.	12	0	2	5	98%
Flauto traverso I. Oboe I.	14	0	3	4	93%
Oboe I.	14	0	3	4	93%
Soprano.	14	0	3	4	93%
Violino I.	14	0	3	4	93%
Violone.	22	0	7	5	93%
Basso.	19	0	6	4	91%
Tromba I.	9	0	1	5	43%
Tromba II.	9	0	1	5	30%
Timpani.	2	0	0	5	22%
Tromba III.	11	0	1	6	22%

48. Christus, der uns selig macht. BWV 283. J.S. bach.

SDG

0:49	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	0	4	4	100%
Tenor/Bass	25	0	8	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	4	4	100%
Tenor/Bass	25	8	6	100%
Contrabass	20	6	4	50%
Alto	2	0	1	6%

41. Christ lag in Todesbanden. BWV 4.8.

SDG

1:01	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	4	4	100%
Tenor/Bass	22	0	6	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	4	4	100%
Tenor/Bass	22	6	5	100%
Contrabass	15	5	5	50%
Soprano	2	0	1	11%

Lobet Gott in seinen Reichen, BWV 11, No. 1, opening chorus Himmelfahrts-Oratorium, J.S. Bach

SDG

10:17	Est. Play Time
217	Measures
	4,955Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	26	0	9	5	100%
Continuo II	26	0	9	5	100%
View all 23 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	26	9	5	100%
Continuo II	26	9	5	100%
Double Bass	32	9	5	100%
Violino I	27	9	7	97%
Viola	24	8	5	95%
Violino II	22	8	5	95%
Flauto traverso I	23	8	6	92%
Flauto traverso II	23	8	6	92%
Oboe I	22	7	7	90%
Oboe II	21	8	5	88%
Soprano	18	6	7	53%
	18	6	7	53%
	18	6	7	53%
Alto	16	5	7	52%
	16	5	7	52%
	16	5	7	52%
Tenore	19	6	5	51%
Bass	20	6	5	50%
Basso	20	6	5	50%
Tromba I	11	1	7	48%
Tromba II	12	1	5	39%
Tromba III	7	0	4	29%
Timpani	2	0	4	26%

236. Lobt Gott, ihr Christen allzugleich (Nun danket All und bringet Ehr). BWV 195/6.

SDG

0:32	Est. Play Time
11	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	7	0	1	4	100%
	7	0	1	4	100%
View all 13 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	7	1	4	100%
	7	1	4	100%
Oboe	10	2	5	45%
	7	1	4	100%
Violin	11	2	5	45%
	7	1	4	100%
C Trumpet	12	1	4	95%
Soprano/Alto	15	3	5	95%
Contrabass	13	0	4	91%
Viola	13	3	4	91%
Violoncello	13	0	4	91%
Tenor/Bass	18	3	6	86%
Timpani	2	0	4	82%

J.S. Bach: Mass in B Minor, BWV 232: I. Osanna in excelsis

Samuel Ricke

7:36	Est. Play Time
149	Measures
	3,883Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	21	0	7	5	98%
	34	0	12	5	99%
View all 24 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	21	7	5	98%
	34	12	5	99%
Continuo.	27	10	5	97%
Fagotti.	27	10	5	97%
Violone.	27	10	5	97%
Flauto traverso I.	22	7	5	93%
Flauto traverso II.	22	6	5	93%
Violino I.	21	3	6	87%
Oboe I.	19	4	6	86%
Oboe II.	18	5	6	86%
Violino II.	20	5	6	86%
Viola.	16	3	5	85%
Soprano I.	15	3	4	65%
Alto I.	15	4	4	65%
Soprano II.	18	5	4	63%
Alto II.	15	3	4	63%
Tenore I.	14	2	5	63%
Tenore II.	13	2	4	63%
Basso I.	19	6	4	62%
Basso II.	20	7	4	58%
Tromba I.	11	0	4	50%
Tromba II.	10	0	4	48%
Timpani.	2	0	4	38%
Tromba III.	7	0	5	38%

97. Es woll' uns Gott genädig sein (Es danke, Gott, und lobe dich das Volk in guten Thaten). BWV 69/6.

SDG

1:10	Est. Play Time
19	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	10	0	3	4	100%
Soprano/Alto	15	0	6	5	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	10	0	3	4	100%
Soprano/Alto	15	0	6	5	100%
Tenor	11	0	5	4	100%
Tenor/Bass	21	0	10	4	100%
B♭ Trumpet	12	11	4	8	71%
Timpani	2	0	0	5	71%
Alto	11	0	4	5	50%
Bass	13	0	6	4	50%
Contrabass	15	0	6	4	50%
Violoncello	15	0	6	4	50%

214. In dich hab' ich gehoffet, Herr. BWV 248 #46.

SDG

0:01	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	3	6	100%
Tenor/Bass	18	0	4	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	6	100%
Tenor/Bass	18	4	4	100%
Contrabass	14	3	4	54%
Violoncello	1	0	1	8%

J.S. Bach: Mass in B Minor, BWV 232: VII. Gratias agimus tibi

Samuel Ricke

4:02	Est. Play Time
46	Measures
	1,160Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	23	1	6	5	100%
Tenore.	15	0	3	5	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	23	1	6	5	100%
Tenore.	15	0	3	5	100%
Viola.	15	0	3	5	100%
Alto.	11	0	1	4	98%
Oboe II.	10	0	1	4	98%
Violino II.	11	0	1	4	98%
Flauto traverso I.II.	14	0	3	5	93%
Oboe I.	14	0	3	5	93%
Soprano I.II.	14	0	3	5	93%
Violino I.	14	0	3	5	93%
Violone.	21	0	6	5	93%
Basso.	19	0	6	4	91%
Fagotti.	21	0	6	5	91%
Tromba I.	9	0	1	4	43%
Tromba II.	8	0	1	4	30%
Timpani.	2	0	0	4	22%
Tromba III.	11	0	1	4	22%

J.S. Bach: Mass in B Minor, BWV 232: VIII. Confiteor - IX. Et expecto

Samuel Ricke

8:45	Est. Play Time
251	Measures
	5,309Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	21	2	9	5	98%
	33	4	14	6	100%
View all 21 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	21	2	9	5	98%
	33	4	14	6	100%
Continuo.	25	0	9	4	100%
Fagotti.	25	0	9	4	100%
Violone.	25	0	9	4	100%
Alto.	22	0	10	5	90%
Soprano II.	20	0	7	5	88%
Tenore.	20	0	9	5	87%
Soprano I.	21	0	8	5	87%
Basso.	21	0	8	6	75%
Flauto traverso I.	18	0	1	3	35%
Flauto traverso II.	17	0	3	3	34%
Oboe I.	17	0	2	4	32%
Viola.	19	0	4	3	32%
Oboe II.	13	0	1	3	31%
Violino II.	16	0	1	3	31%
Violino I.	19	0	2	4	31%
Tromba I.	12	0	1	5	24%
Timpani.	3	0	0	3	24%
Tromba II.	10	0	1	5	21%
Tromba III.	6	0	0	4	20%

J.S. Bach: Magnificat in D Major, BWV 243 - I. Magnificat anima mea

Samuel Ricke

4:05	Est. Play Time
90	Measures
	2,536Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.	34	0	11	3	96%
Flauto traverso I.	20	0	4	6	92%
View all 17 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.	34	11	3	96%
Flauto traverso I.	20	4	6	92%
Flauto traverso II.	18	3	5	92%
Oboe I.	17	3	6	92%
Oboe II.	15	4	6	92%
Viola.	18	4	3	92%
Violino I.	23	5	3	90%
Violino II.	20	5	4	90%
Tromba in D.	12	1	6	80%
	11	1	3	64%
	13	1	5	64%
Timpani in D.A.	2	0	3	61%
Soprano I.	13	3	5	48%
Soprano II.	14	2	7	47%
Alto.	15	4	5	46%
Tenore.	12	2	5	44%
Basso.	17	3	4	41%

99. Freu dich sehr, o meine Seele. BWV 19/7.

SDG

1:31	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	0	4	3	100%
Tenor/Bass	15	0	4	4	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	0	4	3	100%
Tenor/Bass	15	0	4	4	100%
B♭ Trumpet	12	14	4	4	92%
Timpani	2	0	0	2	69%
Contrabass	11	0	3	4	50%