Tags

J.S. Bach
Ruht wohl ruht wohl ihr heiligen Gebeine, St. John Passion, BWV 245-39.
SDG
6:35 Est. Play
Time
129 Measures
3,658Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 21 0 7 5 96%
Organo
e
Continuo		 Treble 0 0 0 0 0%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 21 0 7 5 96%
Organo
e
Continuo		 Treble 0 0 0 0 0%
Bass 21 0 7 5 96%
Violoncello Bass 21 0 7 5 96%
Viola 23 0 8 5 89%
Violino
II		 Treble 23 0 8 5 89%
Violino
I		 Treble 26 0 10 6 88%
Alto 17 0 7 6 77%
Soprano 20 0 8 6 77%
Tenore 18 0 6 6 77%
Flauto traverso
I,II		 Treble 23 0 8 6 73%
Basso Bass 18 0 7 5 67%
Oboe
I/II		 Treble 23 0 8 6 60%
 
30. Aus meines Herzens Grunde, BWV 269.
SDG
1:20 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 10 0 1 5 100%
Treble 10 0 1 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 10 0 1 5 100%
Treble 10 0 1 5 100%
Bass 14 0 0 5 100%
Bass 14 0 0 5 100%
Soprano/Alto Treble 10 0 1 5 100%
Tenor/Bass Bass 14 0 0 5 100%
Contrabass Bass 9 0 0 4 50%
 
259. Nun danket alle Gott. Now thank we all our God. BWV 79/3.
SDG
2:10 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 18 0 5 2 100%
Horn
in
F		 Treble 16 0 5 7 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 18 0 5 2 100%
Horn
in
F		 Treble 16 0 5 7 100%
Violoncello Bass 18 0 5 2 100%
Timpani Bass 2 0 0 4 76%
Soprano/Alto Treble 9 0 2 3 63%
Tenor/Bass Bass 17 0 2 4 63%
Flute Treble 7 0 1 3 55%
Treble 7 0 1 3 55%
Oboe Treble 7 0 1 3 55%
Treble 7 0 1 3 55%
Violin Treble 6 0 1 2 35%
Treble 7 0 1 3 55%
Soprano Treble 7 0 1 3 55%
Viola 7 0 1 4 55%
 
361. Bin ich gleich von dir gewichen, Werde munter, mein Gemüthe, J.S. Bach, BWV 244-40.
SDG
0:52 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 3 5 100%
Treble 12 0 3 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 3 5 100%
Treble 12 0 3 5 100%
Bass 20 0 3 3 100%
Bass 20 0 3 3 100%
Soprano/Alto Treble 12 0 3 5 100%
Tenor/Bass Bass 20 0 3 3 100%
Contrabass Bass 15 0 2 3 54%
 
J.S. Bach: Matthäus-Passion, BWV 244: II. Recitative - Da Jesus diese Rede vollendet hatte (Share)
Samuel Ricke
1:08 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 12 11 3 5 90%
Bass 6 0 2 3 88%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 12 11 3 5 90%
Bass 6 0 2 3 88%
Continuo. Bass 6 0 2 3 88%
Violone. Bass 6 0 2 3 88%
Jesus. Bass 14 0 4 3 75%
Viola. 6 0 1 3 75%
Violino
I.		 Treble 7 0 2 3 75%
Violino
II.		 Treble 7 0 1 4 75%
Evangelist. 8 0 0 2 38%
 
4. Soll's ja so sein, dass Straf' und Pein, (Ach Gott und Herr), J.S. Bach, BWV 48-3. Cantate 'Ich elender Mensch, wer wird mich erlösen?'
SDG
0:31 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 4 6 100%
Bass 24 0 7 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 4 6 100%
Bass 24 0 7 6 100%
Soprano/Alto Treble 13 0 4 6 100%
Tenor/Bass Bass 24 0 7 6 100%
Contrabass Bass 17 0 6 4 50%
 
J.S. Bach: Matthäus-Passion, BWV 244: III. Chorale - Herzliebster Jesu
Samuel Ricke
1:00 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 15 0 3 6 100%
Bass 16 0 4 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 15 0 3 6 100%
Bass 16 0 4 6 100%
Alto. 10 0 1 5 100%
Basso. Bass 15 0 4 4 100%
Fagotti. Bass 15 0 4 4 100%
Flauti
traversi.		 Treble 11 0 2 4 100%
Oboi. Treble 11 0 2 4 100%
Organo
e
Continuo.		 Bass 15 0 4 4 100%
Soprano. 11 0 2 4 100%
Tenore. 10 0 2 5 100%
Viola 10 0 2 6 100%
Violino
I.		 Treble 11 0 2 4 100%
Violino
II.		 Treble 10 0 1 5 100%
Violone. Bass 15 0 4 4 100%
 
10. Ach, was soll ich Sünder machen (B.A. 39. No. 7), BWV 259.
SDG
0:37 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 2 5 100%
Treble 12 0 2 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 2 5 100%
Treble 12 0 2 5 100%
Bass 21 0 5 5 100%
Bass 21 0 5 5 100%
Soprano/Alto Treble 12 0 2 5 100%
Tenor/Bass Bass 21 0 5 5 100%
Contrabass Bass 15 0 2 3 50%
 
46. Christus der ist mein Leben, Melchior Vulpius, J.S. Bach, BWV 281.
SDG
0:26 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 10 0 0 6 100%
Treble 10 0 0 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 10 0 0 6 100%
Treble 10 0 0 6 100%
Bass 18 0 3 6 100%
Bass 18 0 3 6 100%
Soprano/Alto Treble 10 0 0 6 100%
Tenor/Bass Bass 18 0 3 6 100%
Contrabass Bass 12 0 2 4 50%
 
11. Dich bet ich an, mein höchster Gott (BWV 449). Schemelli Gesangbuch.
SDG
0:38 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 19 0 4 5 100%
T B Bass 19 0 4 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 19 0 4 5 100%
T B Bass 19 0 4 4 100%
 
378. Wie bin ich doch so herzlich froh, BWV1 #6, J.S. Bach. Wie schön leuchtet der Morgenstern.
SDG
1:05 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 0 4 100%
Treble 9 0 0 4 100%
View all 21 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 0 4 100%
Treble 9 0 0 4 100%
9 0 0 4 100%
Soprano Treble 8 0 0 2 100%
Treble 8 0 0 2 100%
8 0 0 2 100%
Bass Bass 14 0 2 3 100%
Bass 14 0 2 3 100%
Tenor Treble 9 0 0 4 100%
Treble 9 0 0 4 100%
Basso. Bass 14 0 2 3 100%
Continuo. Bass 14 0 2 3 100%
Corno
I.		 Treble 8 0 0 2 100%
Corno
II.		 Treble 10 0 1 5 100%
Oboe
di
caccia
I.		 9 0 0 4 100%
Oboe
di
caccia
II.		 9 0 0 4 100%
Tenore 9 0 0 4 100%
Viola. 9 0 0 4 100%
Violino
I.		 Treble 8 0 0 2 100%
Violino
II.		 Treble 9 0 0 4 100%
Violoncello Bass 14 0 2 3 100%
 
Air ('on the G string')
Shoichi
3:36 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 14 0 5 8 100%
Guitar Treble 26 14 8 5 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 14 0 5 8 100%
Guitar Treble 26 14 8 5 97%
 
J.S. Bach Organ: Toccata and Fugue in D Minor "The Dorian", BWV 538
Samuel Ricke
15:12 Est. Play
Time
321 Measures
2,312Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 26 2 9 8 94%
Bass 23 2 6 8 61%
Bass 39 1 13 8 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 26 2 9 8 94%
Bass 23 2 6 8 61%
Bass 39 1 13 8 93%
 
J.S. Bach: Matthäus-Passion, BWV 244: V. Recitativo: Du lieber Heiland du - Aria: Buß und Reu
Samuel Ricke
9:32 Est. Play
Time
116 Measures
1,385Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 22 72 13 6 100%
Bass 22 0 6 5 91%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 22 72 13 6 100%
Bass 22 0 6 5 91%
Bassoon Bass 22 0 9 5 100%
Organo
e
Continuo.		 Bass 22 0 9 5 100%
Violone Bass 22 0 9 5 100%
Flauto
traverso
I.		 Treble 21 0 12 5 86%
Flauto
traverso
II.		 Treble 22 0 11 5 86%
Alto. 19 0 11 7 67%
 
75. Ein' feste Burg ist unser Gott, J.S. Bach, Luther. B.A. 39. No 50. BWV 303.
SDG
0:55 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 3 100%
Tenor/Bass Bass 17 0 3 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 3 100%
Tenor/Bass Bass 17 0 3 2 100%
 
Bach JS Weihnachtsoratorium bwv248 17 Schaut hin! dort liegt im finstern Stall (choral)
Haricophile
0:32 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clavecin Treble 11 4 1 4 100%
Bass 15 0 2 4 94%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clavecin Treble 11 4 1 4 100%
Bass 15 0 2 4 94%
Alto Treble 10 0 1 3 100%
Bass Bass 11 0 2 4 100%
Soprano Treble 8 0 0 2 100%
Ténor Treble 11 0 1 3 100%
 
J.S. Bach: Mass in B Minor, BWV 232: V. Crucifixus
Samuel Ricke
4:08 Est. Play
Time
53 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 20 1 7 4 100%
Bass 22 0 7 5 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 20 1 7 4 100%
Bass 22 0 7 5 100%
Continuo. Bass 10 0 2 2 100%
Violone. Bass 10 0 2 2 100%
Flauto
traverso
I.		 Treble 20 0 7 1 92%
Flauto
traverso
II.		 Treble 20 0 7 1 92%
Viola. 19 0 7 2 92%
Violino
I.		 Treble 20 0 7 2 92%
Violino
II.		 Treble 16 0 5 2 92%
Soprano
II.		 17 0 6 5 81%
Alto. 18 0 6 6 77%
Basso. Bass 15 0 4 4 70%
Tenore. 14 0 5 5 68%
 
Toccata and Fugue in D Minor, BWV 565, By Johann Sebastian Bach
Samuel Ricke
1:20:18 Est. Play
Time
143 Measures
3,228Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 32 31 11 11 91%
Bass 37 8 13 11 89%
Bass 21 1 8 8 45%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 32 31 11 11 91%
Bass 37 8 13 11 89%
Bass 21 1 8 8 45%
 
Jauchzet, frohlocket, auf, preiset die Tage! (MuseScore version). Bach, Weihnachts Oratorium, opening choir, BWV 248
SDG
13:19 Est. Play
Time
203 Measures
4,967Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello, Fagotto
e Continuo		 Bass 24 0 8 5 93%
Contrabass Bass 24 0 8 5 93%
View all 20 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello, Fagotto
e Continuo		 Bass 24 0 8 5 93%
Contrabass Bass 24 0 8 5 93%
Fagotto Bass 24 0 8 5 93%
Viola. 23 0 8 8 93%
Violino
II.		 Treble 24 0 8 8 93%
Violino
I.		 Treble 28 0 9 8 91%
Oboe
II.		 Treble 19 0 6 8 79%
Flauto
traverso
II.		 Treble 22 0 7 8 79%
Flauto
traverso
I.		 Treble 23 0 7 8 78%
Oboe
I.		 Treble 21 0 7 8 78%
Tenore. 18 0 6 7 71%
Alto. 17 0 6 7 70%
Basso. Bass 18 0 6 7 70%
Soprano Treble 19 0 6 8 67%
Treble 19 0 6 8 67%
Soprano. 19 0 6 8 67%
Tromba
I.		 Treble 12 0 1 8 34%
Tromba
II.		 Treble 11 0 1 5 29%
Tromba
III.		 Treble 7 0 0 5 28%
Timpani. Bass 2 0 0 5 27%
 
16. Allein zu dir, Herr Jesu Christ. BWV 33.6.
SDG
1:14 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 23 0 6 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 23 0 6 6 100%
Contrabass Bass 19 0 5 4 52%
Bass Bass 4 0 0 2 20%
Tenor Bass 4 0 0 2 16%