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edward.maurath

HWVA3N15 - "Se Fiera belva"

edward.maurath

6:18	Est. Play Time
71	Measures
	1,346Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77 %
	23	9	6	8	100 %
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77 %
	23	9	6	8	100 %
Cembalo Continuo	17	8	5	6	65 %
	23	34	7	8	100 %
Contrebasso Continuo	20	0	5	5	91 %
Violini	28	0	9	5	91 %
Violoncello Continuo	20	0	5	5	90 %
Castrato Alto as Bertarido	15	0	5	5	66 %
Bassoon Continuo	21	0	5	4	65 %
Viola	14	0	1	5	42 %

HWV1A3N11 - Gönne nach den Thränengüssen mir

edward.maurath

1:31	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	35	6	5	100 %
	15	2	3	5	100 %
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	35	6	5	100 %
	15	2	3	5	100 %
Bassoon Continuo	14	0	3	5	100 %
Bass as Raymondo	17	0	5	8	75 %
Oboe	8	0	2	3	71 %

HWV58A3N2 - Leave me, loathsome light

edward.maurath

3:13	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96 %
	18	1	3	3	100 %
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96 %
	18	1	3	3	100 %
Organ Continuo	21	10	3	5	96 %
	18	2	3	3	100 %
Cello Continuo	18	0	3	3	100 %
Double Bass Continuo	17	0	3	3	100 %
Viola	16	0	3	4	90 %
Violin 1	15	0	1	3	90 %
Violin 2	16	0	3	5	90 %
Bass	13	0	2	6	79 %

HWV58A2N7 - Juno, "Hence, hence, Iris, hence away!" in f minor

edward.maurath

4:29	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	45	7	6	92 %
	20	10	4	5	95 %
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	45	7	6	92 %
	20	10	4	5	95 %
Cello	17	0	3	5	95 %
Juno	15	0	4	9	84 %
Vln 1	20	0	4	5	80 %
Violas	19	0	4	5	74 %
Vln 2	21	0	6	3	70 %
Celli	17	0	3	3	66 %
Kontrebaß	17	0	3	3	66 %

HWV1A3N4 - Du stolzer Erdenkreis!

edward.maurath

2:22	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89 %
	19	19	3	4	100 %
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89 %
	19	19	3	4	100 %
Bassoon Continuo	13	0	1	4	100 %
Violoncello Continuo	13	0	1	4	92 %
Violone Continuo	13	0	1	4	92 %
Oboe	15	0	1	4	82 %
Tutti Unisoni	15	0	1	4	82 %
Bass as Consalvo	11	0	2	5	60 %

BWV248N4 - "Bereite dich, Zion"

edward.maurath

6:40	Est. Play Time
140	Measures
	1,082Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	51	7	5	95 %
	22	4	7	5	99 %
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	51	7	5	95 %
	22	4	7	5	99 %
Bassoon Continuo	22	0	7	5	99 %
Oboe d'amore	27	0	10	5	91 %
Violini	27	0	10	5	91 %
Violoncello Continuo	21	0	6	5	89 %
Alto	17	0	6	6	65 %

HWV1A2N28 - Ob dein Mund wie Plutons Rachen

edward.maurath

5:23	Est. Play Time
49	Measures
	1,182Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96 %
Oboe 1	16	0	3	6	95 %
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96 %
Oboe 1	16	0	3	6	95 %
Cembalo Continuo	15	20	4	6	77 %
	20	2	4	3	89 %
Oboe 2	15	0	3	5	89 %
Viola	15	0	0	3	80 %
Violin 1	19	0	1	6	80 %
Violoncello Continuo	15	0	1	3	80 %
Violone Continuo	15	0	1	3	80 %
Violin 2	18	0	2	5	77 %
Tenor as Fernando	15	0	4	8	55 %

BWV248N6 "Und sie gebar ihren ersten Sohn”

edward.maurath

0:22	Est. Play Time
6	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	12	9	3	5	100 %
	9	0	2	3	100 %
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	12	9	3	5	100 %
	9	0	2	3	100 %
Bassoon	9	0	2	3	100 %
Evangelista	16	0	4	3	83 %

HWV7A3N3b - "Andante, o forti" in G Major

edward.maurath

0:40	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	24	10	7	100 %
	21	23	10	7	100 %
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	24	10	7	100 %
	21	23	10	7	100 %
Basso Continuo	17	0	6	7	100 %
Violoncello	17	0	6	7	100 %
Contrabass	16	0	6	7	97 %
Violins	19	0	6	7	97 %
Mago as bass	12	0	3	7	75 %
Viola	7	0	3	5	15 %

HWV27A3N20 - Arsace Recitative, "Passo di duolo in duolo"

edward.maurath

0:16	Est. Play Time
4	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	9	3	1	2	100 %
	8	4	2	2	100 %
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	9	3	1	2	100 %
	8	4	2	2	100 %
Harpsichord	9	3	1	2	100 %
	8	4	2	2	100 %
Violoncello	5	0	1	2	100 %
Flute	7	0	0	3	75 %

HWV7A2N4b - "Il Tricerbero humiliato"

edward.maurath

3:16	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97 %
	26	21	6	9	100 %
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97 %
	26	21	6	9	100 %
Contrabasses	21	0	5	9	100 %
Violins 1	21	0	4	9	100 %
Violins 2	19	0	4	9	100 %
Violoncello	21	0	5	9	100 %
Violoncellos	21	0	5	9	100 %
Rinaldo	17	0	4	8	79 %
Viola	10	0	1	6	25 %

BWV258N7 "Er ist auf Erden kommen arm"

edward.maurath

3:27	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	20	0	7	6	100 %
Harpsichord	20	48	6	6	98 %
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	20	0	7	6	100 %
Harpsichord	20	48	6	6	98 %
	21	3	5	5	97 %
Fagotto Continuo	21	0	5	5	97 %
Oboe d'amore	18	0	5	6	94 %
Soprano	10	0	1	5	47 %
Bass	15	0	6	4	17 %

HWV1A2N23 - Ich kann nicht mehr verschuriegen

edward.maurath

1:26	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira	14	0	4	5	96 %
Cembalo Continuo	14	24	3	4	83 %
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira	14	0	4	5	96 %
Cembalo Continuo	14	24	3	4	83 %
	14	1	3	3	78 %
Viola	9	0	2	3	78 %
Violin 1	8	0	1	3	78 %
Violin 2	7	0	2	3	78 %
Violoncello Continuo	12	0	3	3	78 %
Bassoon Continuo	11	0	2	3	74 %

HWV63A1N5 - "For Sion lamentations make" in f minor

edward.maurath

3:06	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	7	11	6	100 %
	21	2	10	5	100 %
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	7	11	6	100 %
	21	2	10	5	100 %
Bassoon	19	0	6	8	100 %
Bassoon Continuo	24	0	9	6	100 %
Contrabassi Continuo	19	0	7	5	100 %
Inferred Bassoon	23	0	7	6	100 %
Viole	16	0	4	7	100 %
Violini 1	20	0	8	6	100 %
Violini 2	17	0	7	6	100 %
Violoncelli Continuo	20	0	7	5	100 %
Alti	10	0	4	7	83 %
Soprani	14	0	5	7	83 %
Bassi	16	0	5	7	79 %
Tenori	12	0	4	7	76 %
Oboe 1	12	0	3	7	72 %
Oboe 2	15	0	6	7	72 %

HWV63A3N58 - "See, the conquering hero comes"

edward.maurath

3:33	Est. Play Time
80	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92 %
Flute	13	0	1	6	67 %
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92 %
Flute	13	0	1	6	67 %
	13	0	2	8	67 %
Alto	11	0	1	6	58 %
Organ as by Handel	14	0	1	6	58 %
Soprano II	12	0	3	6	58 %
French Horn I	9	0	1	6	50 %
French Horn II	9	0	1	6	50 %
Oboe	13	16	2	6	35 %
Bass	9	0	1	6	33 %
Cello Continuo	9	0	1	6	33 %
Cortrebass Continuo	9	0	1	6	33 %
Organ Continuo	16	18	3	5	33 %
Organo Continuo	10	1	1	6	33 %
Tenor	8	0	2	6	33 %
Viola	9	0	1	4	33 %
Violin I	9	0	1	5	33 %
Violin II	10	0	2	8	33 %

HWV56N48 - The Trumpet shall sound

edward.maurath

6:43	Est. Play Time
215	Measures
	1,825Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	21	0	5	7	99 %
Harpsichord	19	81	5	7	92 %
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	21	0	5	7	99 %
Harpsichord	19	81	5	7	92 %
	24	43	7	7	90 %
Bass Voice	16	0	4	8	70 %
Trumpet	9	0	1	7	64 %
Viola	14	0	1	6	52 %
Violin 1	14	0	1	6	52 %
Violin 2	11	0	1	6	52 %
Violoncello Continuo	16	0	1	6	52 %
Violone Continuo	15	0	1	6	52 %

HWV5A1N11 "Egregio Duce"

edward.maurath

0:35	Est. Play Time
10	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	11	11	4	3	80 %
	12	12	3	5	100 %
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	11	11	4	3	80 %
	12	12	3	5	100 %
Esilena	8	0	2	3	100 %
Violoncello (Continuo)	8	0	2	3	100 %

HWV7A2N20a - "Ah! crudel, il pianto mio deh!"

edward.maurath

2:50	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100 %
Contrabass Solo	17	0	3	6	100 %
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100 %
Contrabass Solo	17	0	3	6	100 %
Oboe	17	0	3	9	92 %
Harpsichord	20	29	3	7	85 %
	17	7	3	6	88 %
Contrabasses	16	0	3	6	88 %
Violas	12	0	3	7	88 %
Violins 1	19	0	4	7	88 %
Violins 2	15	0	2	6	88 %
Violins 3	13	0	1	6	88 %
Violoncello Continuo	17	0	3	6	88 %
Violoncellos	16	0	3	6	88 %
Violoncello	18	0	3	6	85 %
Almirena	13	0	3	8	54 %

HWV1A2N21 - Zweier Augen Majestät

edward.maurath

2:35	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	44	6	5	100 %
	21	2	5	2	100 %
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	44	6	5	100 %
	21	2	5	2	100 %
Bassoon	17	0	6	5	60 %
	21	0	5	2	100 %

HWV1A2N24 - Movei passi a le ruine (WIP)

edward.maurath

2:57	Est. Play Time
95	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin 1		21	0	7	4	100 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin 1		21	0	7	4	100 %