Play Along Piano

Uploaders

edward.maurath

3:13	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
Organ Continuo	21	10	3	5	96%
	18	2	3	3	100%
Cello Continuo	18	0	3	3	100%
Double Bass Continuo	17	0	3	3	100%
Viola	16	0	3	4	90%
Violin 1	15	0	1	3	90%
Violin 2	16	0	3	5	90%
Bass	13	0	2	6	79%

HWV1A3N4 - Du stolzer Erdenkreis!

edward.maurath

2:22	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
Bassoon Continuo	13	0	1	4	100%
Violoncello Continuo	13	0	1	4	92%
Violone Continuo	13	0	1	4	92%
Oboe	15	0	1	4	82%
Tutti Unisoni	15	0	1	4	82%
Bass as Consalvo	11	0	2	5	60%

HWV7A2N4b - "Il Tricerbero humiliato"

edward.maurath

3:16	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	21	6	9	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	21	6	9	100%
Contrabasses	21	0	5	9	100%
Violins 1	21	0	4	9	100%
Violins 2	19	0	4	9	100%
Violoncello	21	0	5	9	100%
Violoncellos	21	0	5	9	100%
Rinaldo	17	0	4	8	79%
Viola	10	0	1	6	25%

HWV63A1N5 - "For Sion lamentations make" in f minor

edward.maurath

3:06	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	7	11	6	100%
	21	2	10	5	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	7	11	6	100%
	21	2	10	5	100%
Bassoon	19	0	6	8	100%
Bassoon Continuo	24	0	9	6	100%
Contrabassi Continuo	19	0	7	5	100%
Inferred Bassoon	23	0	7	6	100%
Viole	16	0	4	7	100%
Violini 1	20	0	8	6	100%
Violini 2	17	0	7	6	100%
Violoncelli Continuo	20	0	7	5	100%
Alti	10	0	4	7	83%
Soprani	14	0	5	7	83%
Bassi	16	0	5	7	79%
Tenori	12	0	4	7	76%
Oboe 1	12	0	3	7	72%
Oboe 2	15	0	6	7	72%

HWV7A2N20a - "Ah! crudel, il pianto mio deh!"

edward.maurath

2:50	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
Oboe	17	0	3	9	92%
Harpsichord	20	29	3	7	85%
	17	7	3	6	88%
Contrabasses	16	0	3	6	88%
Violas	12	0	3	7	88%
Violins 1	19	0	4	7	88%
Violins 2	15	0	2	6	88%
Violins 3	13	0	1	6	88%
Violoncello Continuo	17	0	3	6	88%
Violoncellos	16	0	3	6	88%
Violoncello	18	0	3	6	85%
Almirena	13	0	3	8	54%

HWV1A2N21 - Zweier Augen Majestät

edward.maurath

2:35	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	44	6	5	100%
	21	2	5	2	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	44	6	5	100%
	21	2	5	2	100%
Bassoon	17	0	6	5	60%
	21	0	5	2	100%

HWV1A2N24 - Movei passi a le ruine (WIP)

edward.maurath

2:57	Est. Play Time
95	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin 1		21	0	7	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin 1		21	0	7	4	100%

HWV1A2N4 - Lass ein sanftes Händedrücken

edward.maurath

2:30	Est. Play Time
85	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	43	7	4	96%
	24	26	7	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	43	7	4	96%
	24	26	7	4	100%
Bassoon Continuo	20	0	4	4	100%
Double Bass	19	0	4	4	100%
Bass as Consalvo	12	0	3	6	65%
Oboe 1	15	0	2	5	53%
Oboe 2	16	0	4	5	52%

HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)

edward.maurath

2:58	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
Violoncello (Continuo)	19	0	3	6	100%
Alto as Dorinda	15	0	4	8	78%
Contrabasses	8	0	0	3	8%
Viola	10	0	0	3	8%
Violins I	11	0	0	5	8%
Violins II	10	0	0	3	8%
Violoncellos	8	0	0	3	8%

HWV58A2N7 - "Oh sleep, why dost thou leave me?" E Major

edward.maurath

2:40	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	15	34	1	8	96%
	16	13	0	6	96%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	15	34	1	8	96%
	16	13	0	6	96%
Cello	16	1	0	6	96%
Semele	14	0	3	10	79%

HWV5A3N6: Ah sommi Dei, cui la giustizia arruota (Esilena)

edward.maurath

2:16	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Contniuo)	12	0	4	3	100%
Harp (Continuo)	18	40	5	3	97%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Contniuo)	12	0	4	3	100%
Harp (Continuo)	18	40	5	3	97%
	17	20	5	4	83%
Esilena	15	0	6	6	97%

HWV58A2N17 - Jupiter, "Where 'er you walk" in B-Flat Major

edward.maurath

2:57	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	19	54	6	6	100%
	22	6	6	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	19	54	6	6	100%
	22	6	6	3	100%
Cello	20	0	5	3	100%
Kontrebaß	20	0	5	2	89%
Violas	18	0	4	4	85%
Vln 1	22	0	6	6	85%
Vln 2	20	0	6	3	85%
Tenor as Jupiter	12	0	3	7	78%

HWV1A2N14 "Nein, nein, Fernando, nein!"

edward.maurath

2:11	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	5	100%
Almira	14	0	3	6	52%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	5	100%
Almira	14	0	3	6	52%
Fernando	14	0	4	6	46%
Harp	19	25	6	4	42%
	13	11	3	4	42%
Harpsi	16	17	4	3	33%
	17	15	5	3	33%
Lute	17	17	6	2	25%
	21	15	7	2	29%
Osman	11	0	1	3	17%

HWV7A2N0b "Siam prossimi al porto" (1731)

edward.maurath

2:15	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	58	6	8	99%
	23	23	6	7	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	58	6	8	99%
	23	23	6	7	100%
Violoncello	22	0	6	7	100%
Goffredo	14	0	4	7	57%
Violins	12	0	2	6	41%
Kontrebaß	15	0	1	5	40%
Violoncellos	15	0	1	5	40%

HWV63A1N4 - "From this dread scene" in g minor

edward.maurath

3:00	Est. Play Time
84	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	21	4	9	5	53%
	22	0	8	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	21	4	9	5	53%
	22	0	8	5	100%
Contrabassi Continuo	22	0	8	5	100%
Violoncelli Continuo	22	0	8	5	100%
Violoncello Continuo	22	0	8	5	100%
Alto	16	0	4	4	71%
Soprano	17	0	6	4	65%
Violini 1	22	0	7	5	53%
Violini 2	23	0	9	5	53%

HWV26A2 - Non t'inganni la speranza che la ferma tua costanza - in F Major

edward.maurath

2:40	Est. Play Time
134	Measures
	1,102Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	17	2	4	94%
	19	20	3	4	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	17	2	4	94%
	19	20	3	4	100%
Double Bass Continuo	16	0	2	4	94%
Violin 1	20	0	2	5	94%
Violincello Continuo	17	0	2	4	94%
Viola	17	0	2	5	93%
Violin 2	18	0	3	5	93%
Bassoon Continuo	17	0	2	4	89%
Bass as Clodomiro	16	0	3	5	65%
Oboe	12	0	0	5	29%

Handel: HWV 57: Samson, "Total Eclipse"

edward.maurath

3:16	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	55	9	8	95%
	21	8	3	6	92%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	55	9	8	95%
	21	8	3	6	92%
Cello	17	0	3	6	87%
Violins 1	17	0	1	7	75%
Violins 2	16	0	1	8	75%
Samson	15	0	5	6	72%
CBass	16	0	2	6	69%
Violoncellos	16	0	2	6	69%

"Presti omai l'Egizia terra" From HWV 17

edward.maurath

2:46	Est. Play Time
54	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord Continuo	16	10	2	4	100%
	17	10	2	4	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord Continuo	16	10	2	4	100%
	17	10	2	4	100%
Cello Continuo	17	0	2	4	100%
Contrabasses	17	0	2	4	100%
Violoncellos Continuo	17	0	2	4	100%
Violins 1	18	0	1	5	98%
Violins 2	19	0	2	5	98%
Violas	13	0	1	4	81%
Cesare	13	0	2	7	74%

Air from Terpsichore, prologue to Il Pastor Fido, HWV 8, late 1734

edward.maurath

3:16	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	21	15	6	11	100%
	18	19	3	9	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	21	15	6	11	100%
	18	19	3	9	100%
Basso Continuo	18	0	3	9	100%
Contrabasses	17	0	3	9	100%
Violas	16	0	3	9	100%
Violini 1	24	0	5	12	100%
Violini 2	24	0	5	13	100%

BWV245N2 - EVANGELIST Jesus ging mit seinen Jungern

edward.maurath

3:07	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	21	0	8	5	100%
Evangelist	16	0	5	4	77%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	21	0	8	5	100%
Evangelist	16	0	5	4	77%
Cembalo Continuo	16	30	7	4	67%
	21	2	9	4	72%
Organo Continuo	20	18	6	4	49%
	20	3	5	4	51%
	18	0	5	4	49%
Bassoon Continuo	16	0	3	3	26%
Contrabassi Continuo	16	0	3	3	26%
Oboe 1	17	0	5	3	26%
Viole	17	0	3	2	26%
Violini 1	20	0	3	2	26%
Violini 2	16	0	3	2	26%
Violoncelli Continuo	16	0	3	3	26%
Oboe 2	17	0	5	3	23%
Alti	11	0	2	5	21%
Bassi	15	0	4	4	21%
Jesus	12	0	2	4	21%
Soprani	10	0	1	4	21%
Tenori	12	0	3	4	21%
Flute 1	14	0	1	2	13%
Flute 2	14	0	1	2	13%