Active Filters:
Play Time: 1:00 - 1:30

Uploaders

edward.maurath
HWV1A2N23 - Ich kann nicht mehr verschuriegen
edward.maurath
1:26 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano as
Almira		 Treble 14 0 4 5 96%
Cembalo Continuo Treble 14 24 3 4 83%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano as
Almira		 Treble 14 0 4 5 96%
Cembalo Continuo Treble 14 24 3 4 83%
Bass 14 1 3 3 78%
Viola 9 0 2 3 78%
Violin
1		 Treble 8 0 1 3 78%
Violin
2		 Treble 7 0 2 3 78%
Violoncello Continuo Bass 12 0 3 3 78%
Bassoon Continuo Bass 11 0 2 3 74%
 
HWV8A1N3 - "Ah! Infelice mia patria," Act 1
edward.maurath
1:25 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 23 7 3 100%
Bass 11 0 5 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 23 7 3 100%
Bass 11 0 5 3 100%
Amarilli 13 0 5 3 100%
Violoncello Bass 11 0 5 3 100%
 
HWV61A1N4 - The fate of babylon, Belshazzar, Nitrocris, 1744
edward.maurath
1:18 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 13 14 6 3 91%
Bass 17 16 6 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 13 14 6 3 91%
Bass 17 16 6 3 100%
Cello Bass 15 0 3 3 100%
NITOCRIS 13 0 4 5 65%
Daniel 11 0 3 3 35%
 
HWV5A2N8 Baldanzosa pietà, quanto contrasto (Rodrigo)
edward.maurath
1:02 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo (Continuo) Treble 16 19 6 3 100%
Bass 18 16 4 2 93%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo (Continuo) Treble 16 19 6 3 100%
Bass 18 16 4 2 93%
Florinda 10 0 1 3 100%
Violoncello (Continuo) Bass 9 0 2 3 100%
 
HWV5A3N21 - "Signore, poich'è lo sdegno"
edward.maurath
1:15 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 13 0 3 3 100%
Organo (Continuo) Treble 16 19 4 2 52%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 13 0 3 3 100%
Organo (Continuo) Treble 16 19 4 2 52%
Bass 16 11 6 4 52%
Florinda 11 0 0 4 52%
Cembalo (Continuo) Treble 9 10 0 3 48%
Bass 12 10 1 4 50%
Evaneo 9 0 2 4 48%
 
HWV1A2N26 - Svenerò chi fa guerra a questo cor
edward.maurath
1:23 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 23 3 3 100%
Bass 17 2 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 23 3 3 100%
Bass 17 2 2 4 100%
Violoncello Continuo Bass 16 0 2 4 100%
Violone Continuo Bass 16 0 2 4 100%
Tenor
as Osman		 12 0 1 5 89%
 
HWV19N9 - Sinfonia in g minor
edward.maurath
1:00 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 7 3 3 89%
Bass 16 2 2 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 7 3 3 89%
Bass 16 2 2 5 100%
Bassoon Continuo Bass 16 0 2 5 100%
Contrabass Continuo Bass 16 0 2 5 100%
Viola 12 0 1 5 100%
Violoncello Continuo Bass 16 0 2 5 100%
Vln
1		 Treble 14 0 3 8 100%
Vln
2		 Treble 13 0 3 7 100%
Oboe Treble 19 0 5 8 94%
 
BWV 245 N 22 - Durch dein gefängnis, Gottes Sohn muß uns die Freiheit kommen
edward.maurath
1:00 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 14 23 4 4 100%
Bass 14 1 3 2 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 14 23 4 4 100%
Bass 14 1 3 2 100%
Alti 12 0 3 2 100%
Bassi Bass 13 0 3 2 100%
Bassono Grosso Continuo Bass 14 0 3 2 100%
Bassoon Continuo Bass 14 0 3 2 100%
Contrabassi Continuo Bass 14 0 3 2 100%
Flauto Traverso Treble 8 0 0 3 100%
Oboe Treble 8 0 0 3 100%
Organo Continuo Treble 14 23 4 2 100%
Soprani 8 0 0 3 100%
Tenori 12 0 2 4 100%
Viola 12 0 2 4 100%
Violin 1 Treble 8 0 0 3 100%
Violin 2 Treble 12 0 3 2 100%
Violoncelli Continuo Bass 14 0 3 2 100%
 
BWV245N15 - Christus, der uns selig macht
edward.maurath
1:18 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 11 11 3 4 100%
Bass 16 2 6 4 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 11 11 3 4 100%
Bass 16 2 6 4 100%
Alti 13 0 4 4 100%
Bassi Bass 16 0 6 4 100%
Bassono Grosso Continuo Bass 16 0 6 4 100%
Bassoon Continuo Bass 16 0 6 4 100%
Contrabassi Continuo Bass 16 0 6 4 100%
FlautI TraversI Treble 9 0 1 4 100%
Oboe 1 Treble 9 0 1 4 100%
Oboe 2 Treble 11 0 4 4 100%
Organo Continuo Treble 14 20 5 4 100%
Soprani 9 0 1 4 100%
Tenori Treble 8 0 2 4 100%
Viola 8 0 2 4 100%
Violin 1 Treble 9 0 1 4 100%
Violin 2 Treble 13 0 4 4 100%
Violoncelli Continuo Bass 16 0 6 4 100%
 
BWV 245 N 14 - Chorale: Petrus, der nicht denkt zurück
edward.maurath
1:04 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 29 5 4 100%
Bass 15 0 4 3 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 29 5 4 100%
Bass 15 0 4 3 100%
Alti 10 0 2 3 100%
Bassi Bass 13 0 3 3 100%
Bassono Grosso Continuo Bass 15 0 4 3 100%
Bassoon Continuo Bass 15 0 4 3 100%
Contrabassi Continuo Bass 15 0 4 3 100%
Flauto Traverso Treble 8 0 1 5 100%
Oboe 1 Treble 8 0 1 5 100%
Oboe 2 Treble 10 0 2 3 100%
Organo Continuo Treble 10 6 2 3 100%
Soprani 8 0 1 5 100%
Tenori Treble 13 0 4 4 100%
Viola 14 0 4 4 100%
Violin 1 Treble 8 0 1 5 100%
Violin 2 Treble 10 0 2 3 100%
Violoncelli Continuo Bass 15 0 4 3 100%
 
BWV245N4 - Rec: Evangelist & Jesus: Auf Daß das Wort
edward.maurath
1:12 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 12 0 4 6 100%
Harpsichord Treble 15 17 7 5 73%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 12 0 4 6 100%
Harpsichord Treble 15 17 7 5 73%
Bass 9 0 2 4 67%
Evangelist 17 0 6 3 73%
Organ Continuo Treble 10 9 2 6 33%
Bass 8 0 2 6 33%
Bass 8 0 2 6 33%
Jesus Bass 12 0 2 4 33%
 
"Che sento Oh dio Morra Cleopatra ancora," from "Giulio Cesare in Egitto"
edward.maurath
1:17 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 15 0 5 5 100%
Bass 15 0 5 5 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 15 0 5 5 100%
Bass 15 0 5 5 100%
Harpsichord Treble 15 0 5 5 100%
Bass 15 0 5 5 100%
Celli Bass 15 0 5 5 100%
Kontrebaß Bass 15 0 5 5 100%
Violas 12 0 5 5 100%
Vln
1		 Treble 13 0 6 5 100%
Vln
2		 Treble 10 0 4 5 100%
Cleopatra Treble 14 0 6 3 95%
 
Sinfonia in e minor, BWV 4 "Christ lag in Todesbanden"
edward.maurath
1:10 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 22 39 7 4 100%
Bass 16 3 4 5 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 22 39 7 4 100%
Bass 16 3 4 5 100%
Contrabass (Continuo) Bass 14 0 4 4 100%
Viole Alti
 12 0 3 4 100%
Viole

Tenore		 15 0 4 5 100%
Violini
1		 Treble 16 0 4 7 100%
Violini
2		 Treble 12 0 3 5 100%
Violoncello (Continuo) Bass 16 0 4 4 100%
 
Sinfonia in e minor, BWV 4 "Christ lag in Todesbanden"
edward.maurath
1:10 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 22 39 7 4 100%
Bass 16 3 4 5 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 22 39 7 4 100%
Bass 16 3 4 5 100%
Contrabass (Continuo) Bass 14 0 4 4 100%
Viole Alti
 12 0 3 4 100%
Viole

Tenore		 15 0 4 5 100%
Violini
1		 Treble 16 0 4 7 100%
Violini
2		 Treble 12 0 3 5 100%
Violoncello (Continuo) Bass 16 0 4 4 100%
 
HWV56N38Z2 - How beautiful are the feet
edward.maurath
1:17 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hpsi
RH		 Treble 23 68 6 3 100%
HPSI
LH		 Bass 18 24 8 3 98%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hpsi
RH		 Treble 23 68 6 3 100%
HPSI
LH		 Bass 18 24 8 3 98%
Vcl Bass 17 0 4 4 96%
Alt 12 0 2 5 63%
Sop 12 0 2 5 58%
Vln
1		 Treble 11 0 2 4 35%
Vla 8 0 2 3 29%
Violoncellos Bass 11 0 1 3 27%
Vln
2		 Treble 7 0 1 4 27%
VNE Bass 11 0 1 3 27%
 
BWV 4 "Wir essen und wir leben wohl"
edward.maurath
1:12 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 17 38 6 4 100%
Bass 21 14 7 6 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 17 38 6 4 100%
Bass 21 14 7 6 100%
Alti 8 0 1 4 100%
Bassi Bass 15 0 5 5 100%
Contrabasses (Continuo) Bass 15 0 5 5 100%
Cornetto col
Soprani		 11 0 3 3 100%
Soprani 11 0 3 3 100%
Tenori 12 0 3 4 100%
Trombone
col
Alti		 8 0 1 4 100%
Trombone
col
Tenori		 12 0 3 4 100%
Trombone col
Bassi		 Bass 15 0 5 5 100%
Viole 12 0 3 4 100%
Violini
1		 Treble 11 0 3 3 100%
Violini
2		 Treble 8 0 1 4 100%
Violoncelli (Continuo) Bass 15 0 5 5 100%
 
HWV17A2N25 Sesto & Cornelia, "Ecco in tutto perduta"
edward.maurath
1:29 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 15 0 9 3 100%
Sesto 14 0 7 3 59%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 15 0 9 3 100%
Sesto 14 0 7 3 59%
Harp Treble 15 17 7 4 55%
Bass 15 15 12 4 57%
Harpsichord Treble 10 11 3 3 48%
Bass 15 13 8 3 52%
Cornelia 12 0 4 4 48%
 
HWV56N39 - Their sound is gone out - (1743)
edward.maurath
1:08 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 20 58 4 4 100%
Bass 16 4 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 20 58 4 4 100%
Bass 16 4 2 4 100%
Cello Continuo Bass 16 0 2 4 100%
Contrabass Bass 16 0 2 4 100%
Tenor 11 0 2 5 96%
 
HWV56N27 - All they that see him laugh him to scorn
edward.maurath
1:07 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 18 22 6 7 100%
Bass 20 17 5 8 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 18 22 6 7 100%
Bass 20 17 5 8 100%
Cello Bass 14 0 3 7 100%
Contrabass Bass 14 0 3 7 100%
Vln
I		 Treble 15 0 5 6 100%
Vln
II		 Treble 14 0 3 6 100%
Viola 8 0 2 6 82%
Tenor Treble 8 0 2 3 64%
 
Sinfonia in E Flat Major, from "Il Pastor Fido," HWV 8
edward.maurath
1:08 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 17 18 6 4 100%
Bass 18 9 4 5 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 17 18 6 4 100%
Bass 18 9 4 5 100%
Contrabassi (Continuo) Bass 15 0 3 5 100%
Viola 11 0 2 5 100%
Violins I



 Treble 17 0 3 5 100%
Violins II



 Treble 14 0 1 4 100%
Violoncelli (Continuo) Bass 16 0 3 5 100%
Violoncello (Continuo) Bass 16 0 3 5 100%