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BSG
J. S. Bach: Stirb in mir (BWV 169 #5)
BSG
5:54 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cto Bass 30 0 12 2 100 %
Viola 22 0 8 4 100 %
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cto Bass 30 0 12 2 100 %
Viola 22 0 8 4 100 %
Violin
1		 Treble 18 0 5 5 100 %
Violin
2		 Treble 21 0 9 4 100 %
Alto Treble 20 0 8 6 60 %
Organ Treble 26 0 9 6 60 %
 
J.S. Bach: Chorale: Es ist genug (BWV 60, #5) with analysis
BSG
1:21 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 3 6 100 %
Bass Bass 15 0 5 6 100 %
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 3 6 100 %
Bass Bass 15 0 5 6 100 %
Contrabass Bass 15 0 5 6 100 %
Soprano Treble 6 0 1 4 100 %
Tenor Treble 12 0 4 5 100 %
 
Pergolesi/Magatagan/BSG: Stabat Mater Dolorosa quartet
BSG
4:46 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 20 0 6 3 100 %
Violin
1		 Treble 23 0 8 8 100 %
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 20 0 6 3 100 %
Violin
1		 Treble 23 0 8 8 100 %
Violin
2		 Treble 21 0 7 8 100 %
Viola 18 0 6 8 96 %
 
J. S. Bach: Arioso - Betrachte, meine Seele (aus Johannespassion, BWV 245)
BSG
2:00 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Liuto Treble 15 0 4 2 89 %
Bass 25 0 9 4 100 %
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Liuto Treble 15 0 4 2 89 %
Bass 25 0 9 4 100 %
Cto Bass 16 0 5 1 100 %
Vn
1		 Treble 18 0 7 1 100 %
Vn
2		 Treble 19 0 6 1 100 %
Bass Bass 16 0 5 4 83 %
 
J. S. Bach: Sarabande (B minor orchestral suite, BWV 1067, #3)
BSG
3:15 Est. Play
Time
34 Measures
1,126Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute,
Vln
1		 Treble 18 0 6 7 100 %
Violin Treble 18 0 6 7 100 %
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute,
Vln
1		 Treble 18 0 6 7 100 %
Violin Treble 18 0 6 7 100 %
Violin
2		 Treble 18 0 5 6 97 %
Contrabass Bass 18 0 5 5 94 %
Vcl/Continuo Bass 18 0 5 5 94 %
Viola 17 0 5 6 94 %
Harpsichord Treble 21 18 7 12 44 %
Bass 18 0 5 5 92 %
 
J.D. Zelenka: Lamentatio I (complete, from ZWV 53)
BSG
16:22 Est. Play
Time
150 Measures
1,706Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 10 8 96 %
Contrabass Bass 23 0 10 8 96 %
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 10 8 96 %
Contrabass Bass 23 0 10 8 96 %
Violin
1		 Treble 28 0 11 11 75 %
Violin
2		 Treble 27 0 11 9 75 %
Bass Bass 16 0 5 9 74 %
Viola 23 0 7 9 59 %
Oboe
1		 Treble 19 0 8 9 31 %
Oboe
2		 Treble 19 0 7 8 29 %
 
Learn Continuo Realization! by BSG, Chap. 3: J. S. Bach: Flute Sonata in B minor (BWV 1030), II
BSG
1:51 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 0 6 7 100 %
Hpschd. Treble 20 40 6 6 92 %
Bass 19 1 3 5 95 %
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 0 6 7 100 %
Hpschd. Treble 20 40 6 6 92 %
Bass 19 1 3 5 95 %
 
Five beloved Bach continuo solos for realization exercise
BSG
1:27 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 25 0 7 6 100 %
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 25 0 7 6 100 %
 
T.L. de Victoria: Aestimatus sum
BSG
1:53 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor
2		 Treble 11 0 2 6 97 %
Bass
1		 Bass 12 0 2 6 91 %
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor
2		 Treble 11 0 2 6 97 %
Bass
1		 Bass 12 0 2 6 91 %
Bass
2		 Bass 10 0 2 6 76 %
Tenor
1		 Treble 10 0 1 6 64 %
 
J.S. Bach: Sinfonia 9, F minor (BWV 795) (w/ detailed commentary!)
BSG
3:19 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 23 0 8 6 100 %
Bassoon Bass 28 0 10 5 97 %
Flute Treble 22 0 9 6 94 %
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 23 0 8 6 100 %
Bassoon Bass 28 0 10 5 97 %
Flute Treble 22 0 9 6 94 %
 
J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9)
BSG
7:34 Est. Play
Time
106 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 16 0 5 5 100 %
Soprano Treble 18 0 6 6 99 %
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 16 0 5 5 100 %
Soprano Treble 18 0 6 6 99 %
Treble 16 0 5 5 98 %
Alto Treble 12 0 2 3 36 %
 
J.S.Bach: Chorale: Zion hört die Wächter singen (BWV 140 #4), Continuo realization exercise by BSG
BSG
4:22 Est. Play
Time
75 Measures
1,889Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 21 0 7 6 100 %
Realization Treble 17 66 3 4 99 %
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 21 0 7 6 100 %
Realization Treble 17 66 3 4 99 %
Continuo Bass 20 0 5 3 99 %
Violoncello Bass 20 0 5 3 99 %
Tenors Treble 10 0 0 6 45 %
 
J. S. Bach: Contrapunctus XIV (extant torso, from BWV 1080)
BSG
8:40 Est. Play
Time
239 Measures
2,289Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 25 0 9 7 90 %
21 0 7 7 82 %
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 25 0 9 7 90 %
21 0 7 7 82 %
22 0 8 7 84 %
27 0 11 7 92 %
Reed
Contrabass		 Bass 22 0 7 7 62 %
 
Praise, my Soul, the King of Heaven (Lauda Anima) (with organ accomp. and newly-composed interlude (at Hauptwerk Doesburg ) and descant!)
BSG
6:56 Est. Play
Time
133 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 29 7 4 98 %
Bass 17 4 4 3 62 %
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 29 7 4 98 %
Bass 17 4 4 3 62 %
Bass 23 17 7 4 100 %
Alto Treble 12 0 1 4 76 %
Soprano Treble 10 0 1 2 76 %
Bass Bass 17 0 4 4 57 %
Tenor Treble 10 0 1 4 57 %
Descant Treble 9 0 1 4 19 %
 
Schubert: Sonata #20 in A, Andantino (D959 #2)
BSG
20:00 Est. Play
Time
200 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Piano
RH		 Treble 52 77 24 9 92 %
Bass 54 28 27 9 87 %
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Piano
RH		 Treble 52 77 24 9 92 %
Bass 54 28 27 9 87 %
 
J.S. Bach: Chorale: Betrübtes Herz, sei wohlgemut (BWV 428) with full analysis
BSG
1:00 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 5 100 %
Bass Bass 17 0 5 3 100 %
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 5 100 %
Bass Bass 17 0 5 3 100 %
Contrabass Bass 17 0 5 3 100 %
Soprano Treble 8 0 0 4 100 %
Tenor Treble 9 0 1 4 100 %
 
J. S. Bach: Dona nobis pacem (BWV 232 final mvt)
BSG
3:12 Est. Play
Time
46 Measures
2,802Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
1		 Treble 12 0 2 4 98 %
Treble 14 0 3 5 93 %
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
1		 Treble 12 0 2 4 98 %
Treble 14 0 3 5 93 %
Bass 22 1 6 5 100 %
15 0 3 5 100 %
CtoR Treble 17 45 4 7 100 %
Bass 18 0 5 6 100 %
Tenor Treble 15 0 3 5 100 %
Alto Treble 12 0 2 4 98 %
Continuo Bass 20 1 6 5 98 %
Contrabass Bass 20 1 6 5 98 %
Bass Bass 19 0 6 5 93 %
Flute Treble 14 0 3 5 93 %
Soprano Treble 14 0 3 5 93 %
Oboe Treble 18 34 5 6 82 %
Trombe
1
amp;amp;
2		 Treble 11 0 1 5 51 %
Timpani Bass 2 0 0 5 22 %
Tromba
3		 Treble 11 0 1 5 22 %
 
J. S. Bach: Ach Gott und Herr (“simple” chorale, BWV 48, #3)
BSG
0:40 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 4 5 100 %
Bass Bass 18 0 6 4 100 %
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 4 5 100 %
Bass Bass 18 0 6 4 100 %
Contrabass Bass 17 0 6 4 100 %
Soprano Treble 6 0 0 5 100 %
Tenor Treble 11 0 2 4 100 %
 
J. S. Bach: Ach, Gott und Herr (per canonem), BWV 714
BSG
1:22 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 5 7 91 %
Viola Bass 10 0 3 4 68 %
Violoncello Bass 16 0 5 5 68 %
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 5 7 91 %
Viola Bass 10 0 3 4 68 %
Violoncello Bass 16 0 5 5 68 %
 
A. Turenkov: Разбойника благоразумнаго (The Wise Thief)
BSG
0:40 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 6 100 %
Soprano Treble 13 8 2 6 100 %
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 6 100 %
Soprano Treble 13 8 2 6 100 %
Tenor Treble 13 8 3 6 100 %
Bass Bass 16 10 1 5 96 %