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J.S. Bach: Chorale: Es ist genug (BWV 60, #5) with analysis

BSG

1:21	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		12	0	3	6	100%
Bass		15	0	5	6	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		12	0	3	6	100%
Bass		15	0	5	6	100%
Contrabass		15	0	5	6	100%
Soprano		6	0	1	4	100%
Tenor		12	0	4	5	100%

T.L. de Victoria: Aestimatus sum

BSG

1:53	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 2		11	0	2	6	97%
Bass 1		12	0	2	6	91%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 2		11	0	2	6	97%
Bass 1		12	0	2	6	91%
Bass 2		10	0	2	6	76%
Tenor 1		10	0	1	6	64%

J.S.Bach: Chorale: Zion hört die Wächter singen (BWV 140 #4), Continuo realization exercise by BSG

BSG

4:22	Est. Play Time
75	Measures
	1,889Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins		21	0	7	6	100%
Realization		17	66	3	4	99%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins		21	0	7	6	100%
Realization		17	66	3	4	99%
Continuo		20	0	5	3	99%
Violoncello		20	0	5	3	99%
Tenors		10	0	0	6	45%

J.S. Bach: Chorale: Betrübtes Herz, sei wohlgemut (BWV 428) with full analysis

BSG

1:00	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	0	3	5	100%
Bass		17	0	5	3	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	0	3	5	100%
Bass		17	0	5	3	100%
Contrabass		17	0	5	3	100%
Soprano		8	0	0	4	100%
Tenor		9	0	1	4	100%

Praise, my Soul, the King of Heaven (Lauda Anima) (with organ accomp. and newly-composed interlude (at Hauptwerk Doesburg ) and descant!)

BSG

6:56	Est. Play Time
133	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		20	29	7	4	98%
		17	4	4	3	62%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		20	29	7	4	98%
		17	4	4	3	62%
		23	17	7	4	100%
Alto		12	0	1	4	76%
Soprano		10	0	1	2	76%
Bass		17	0	4	4	57%
Tenor		10	0	1	4	57%
Descant		9	0	1	4	19%

J.S. Bach: Wohl mir, daß ich Jesum habe (“Jesu, Joy of Man's Desiring”, BWV 147 #6)

BSG

3:40	Est. Play Time
71	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		12	0	3	5	69%
		16	0	3	6	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		12	0	3	5	69%
		16	0	3	6	100%
		8	0	1	3	45%
Cello		16	0	3	5	100%
Violin		22	0	7	3	94%
		16	0	3	4	94%
Viola		13	0	2	5	94%
Alto		8	0	2	3	45%
Bass		14	0	1	3	45%
Soprano		7	0	1	5	45%
Tenor		8	0	1	3	45%

J. S. Bach: Ach, Gott und Herr (per canonem), BWV 714

BSG

1:22	Est. Play Time
34	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		16	0	5	7	91%
Viola		10	0	3	4	68%
Violoncello		16	0	5	5	68%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		16	0	5	7	91%
Viola		10	0	3	4	68%
Violoncello		16	0	5	5	68%

J. S. Bach: Ach Gott und Herr (“simple” chorale, BWV 48, #3)

BSG

0:40	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	0	4	5	100%
Bass		18	0	6	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	0	4	5	100%
Bass		18	0	6	4	100%
Contrabass		17	0	6	4	100%
Soprano		6	0	0	5	100%
Tenor		11	0	2	4	100%

J. S. Bach: Ich lasse dich nicht, du segnest mich denn (BWV 157, #1)

BSG

3:22	Est. Play Time
57	Measures
	1,948Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		23	0	8	4	100%
Cto		23	0	8	4	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		23	0	8	4	100%
Cto		23	0	8	4	100%
Oboe		21	0	7	7	96%
Violin		24	0	9	8	93%
Flute		21	0	8	8	91%
Bass		16	0	5	7	60%
Tenor		18	0	6	7	60%
FluteXEC		8	0	4	1	9%
OboXec		5	0	2	1	7%

C. Wesley: Lo! He comes, with clouds descending (Helmsley) (arr. BSG 2016)

BSG

4:55	Est. Play Time
104	Measures
	1,402Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		16	1	3	6	100%
		16	0	2	6	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		16	1	3	6	100%
		16	0	2	6	100%
		13	6	2	6	100%
Voice		10	0	0	6	75%
		10	0	0	6	75%
Bass Trombone		16	0	2	5	25%
Descant		10	0	0	5	25%

J. S. Bach: Ich elender Mensch (BWV 48, #1)

BSG

6:54	Est. Play Time
139	Measures
	2,205Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		26	0	9	3	100%
Vc/Cb		26	0	9	3	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		26	0	9	3	100%
Vc/Cb		26	0	9	3	100%
Viola		21	0	8	4	92%
Violin 1		27	0	9	4	92%
Violin 2		19	0	6	4	92%
Soprano		19	0	6	6	52%
Tenor		20	0	7	5	51%
Alto		19	0	6	6	48%
Bass		18	0	6	6	47%
C Trumpet		9	0	1	5	31%
2 Oboi		9	0	2	5	30%

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