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J. S. Bach: Sarabande (B minor orchestral suite, BWV 1067, #3)

BSG

3:15	Est. Play Time
34	Measures
	1,126Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute, Vln 1		18	0	6	7	100%
Violin		18	0	6	7	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute, Vln 1		18	0	6	7	100%
Violin		18	0	6	7	100%
Violin 2		18	0	5	6	97%
Contrabass		18	0	5	5	94%
Vcl/Continuo		18	0	5	5	94%
Viola		17	0	5	6	94%
Harpsichord		21	18	7	12	44%
		18	0	5	5	92%

Learn Continuo Realization! by BSG, Chap. 3: J. S. Bach: Flute Sonata in B minor (BWV 1030), II

BSG

1:51	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		20	0	6	7	100%
Hpschd.		20	40	6	6	92%
		19	1	3	5	95%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		20	0	6	7	100%
Hpschd.		20	40	6	6	92%
		19	1	3	5	95%

J.S.Bach: Chorale: Zion hört die Wächter singen (BWV 140 #4), Continuo realization exercise by BSG

BSG

4:22	Est. Play Time
75	Measures
	1,889Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins		21	0	7	6	100%
Realization		17	66	3	4	99%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins		21	0	7	6	100%
Realization		17	66	3	4	99%
Continuo		20	0	5	3	99%
Violoncello		20	0	5	3	99%
Tenors		10	0	0	6	45%

Praise, my Soul, the King of Heaven (Lauda Anima) (with organ accomp. and newly-composed interlude (at Hauptwerk Doesburg ) and descant!)

BSG

6:56	Est. Play Time
133	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		20	29	7	4	98%
		17	4	4	3	62%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		20	29	7	4	98%
		17	4	4	3	62%
		23	17	7	4	100%
Alto		12	0	1	4	76%
Soprano		10	0	1	2	76%
Bass		17	0	4	4	57%
Tenor		10	0	1	4	57%
Descant		9	0	1	4	19%

Schubert: Sonata #20 in A, Andantino (D959 #2)

BSG

20:00	Est. Play Time
200	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano RH		52	77	24	9	92%
		54	28	27	9	87%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano RH		52	77	24	9	92%
		54	28	27	9	87%

J. S. Bach: Dona nobis pacem (BWV 232 final mvt)

BSG

3:12	Est. Play Time
46	Measures
	2,802Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1		12	0	2	4	98%
		14	0	3	5	93%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1		12	0	2	4	98%
		14	0	3	5	93%
		22	1	6	5	100%
		15	0	3	5	100%
CtoR		17	45	4	7	100%
		18	0	5	6	100%
Tenor		15	0	3	5	100%
Alto		12	0	2	4	98%
Continuo		20	1	6	5	98%
Contrabass		20	1	6	5	98%
Bass		19	0	6	5	93%
Flute		14	0	3	5	93%
Soprano		14	0	3	5	93%
Oboe		18	34	5	6	82%
Trombe 1 amp;amp; 2		11	0	1	5	51%
Timpani		2	0	0	5	22%
Tromba 3		11	0	1	5	22%

J.S. Bach: Kyrie II from B Minor Mass (BWV 232, #3)

BSG

4:32	Est. Play Time
59	Measures
	1,535Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vcl/Cb/Cto		26	57	9	6	99%
		23	0	8	6	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vcl/Cb/Cto		26	57	9	6	99%
		23	0	8	6	100%
Contrabass		23	0	8	6	100%
Vcl/Cb.		23	0	8	6	100%
Tenor		17	0	7	6	97%
Viola		17	0	7	6	97%
Alto		17	0	7	5	86%
Violin 2		17	0	7	5	86%
Ob. d'Am		23	0	9	5	85%
Flute		16	0	6	4	76%
Soprano		16	0	6	4	76%
Violin 1		16	0	6	4	76%
Bass		20	0	7	5	75%
Fagotto		20	0	7	5	75%

F. Couperin: Troisième Leçon pour Mercredy Sainct à deux voix

BSG

2:51	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pan Flute		17	26	4	5	100%
Violoncello		20	0	4	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pan Flute		17	26	4	5	100%
Violoncello		20	0	4	5	100%
Soprano		13	0	2	10	95%
		13	0	2	10	93%

J.S. Bach: Duetto: Gott, du hast es wohl gefüget (BWV 63, #3)

BSG

3:10	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		23	0	7	3	100%
Realization		20	57	8	8	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		23	0	7	3	100%
Realization		20	57	8	8	100%
Oboe		20	0	8	9	74%
Bass		15	0	3	5	67%
Soprano		17	0	6	7	64%

J.S. Bach: Chorale: Es woll uns Gott genädig sein (BWV 76, #7)

BSG

2:43	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		17	0	4	6	100%
		16	0	6	4	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		17	0	4	6	100%
		16	0	6	4	100%
Realization		16	46	5	7	100%
Tromba		11	0	1	5	100%
Viola		18	0	6	6	100%
Continuo		25	0	8	4	92%
Violoncello		25	0	8	4	92%
Alto		14	0	4	5	81%
Bass		16	0	4	4	81%
Soprano		11	0	1	4	81%
Tenor		15	0	5	6	81%

J.S. Bach: Was Gott tut...er wird mich nicht (BWV 100, #2)

BSG

3:33	Est. Play Time
63	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		25	0	8	2	100%
Contrabass		25	0	8	2	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		25	0	8	2	100%
Contrabass		25	0	8	2	100%
Realization		23	57	9	8	99%
Alto		18	0	7	7	83%
Tenor		18	0	6	6	83%

J. S. Bach: Siehe zu, daß deine Gottesfürcht nicht Heuchelei sei (BWV 179.1)

BSG

3:56	Est. Play Time
117	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cto. Real.		21	62	9	5	99%
Continuo		24	0	7	5	98%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cto. Real.		21	62	9	5	99%
Continuo		24	0	7	5	98%
Bass		20	0	7	5	91%
Tenor		17	0	6	6	90%
Soprano		17	0	6	5	88%
Alto		17	0	6	5	82%

J. S. Bach: Ein' feste Burg ist unser Gott (BWV 80/I)

BSG

7:36	Est. Play Time
228	Measures
	3,159Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		18	54	7	4	33%
		26	0	10	7	96%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		18	54	7	4	33%
		26	0	10	7	96%
Vcl		26	3	10	7	96%
Tenor		18	0	7	5	86%
Viola		18	0	7	5	86%
Alto		18	0	6	6	84%
Violin 2		18	0	6	6	84%
Soprano		18	0	7	5	79%
Violin 1		18	0	7	6	79%
Bass		17	0	5	6	71%
Tromba 1		14	0	2	6	38%
Ped		10	0	2	5	33%
Trombone		10	0	2	5	33%
Tromba 2,3		11	20	1	4	22%
Timpani		2	0	0	3	21%
Oboe		13	16	3	5	20%

Arcangelo Corelli: Christmas Concerto (1690), Allegro (poss. model for JSB B Minor WTC-I prel.)

BSG

4:15	Est. Play Time
42	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		16	0	3	4	100%
		18	0	5	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		16	0	3	4	100%
		18	0	5	5	100%
Reallzation		23	32	8	7	100%
Violoncello		20	0	4	4	100%

Georg Böhm (1661-1733): Vater unser im Himmelreich

BSG

4:00	Est. Play Time
40	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Recorder		24	0	8	3	100%
Pan Flute		26	16	7	6	95%
Oboe		20	0	6	8	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Recorder		24	0	8	3	100%
Pan Flute		26	16	7	6	95%
Oboe		20	0	6	8	89%

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