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Measures: 35 - 60

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papisenior
En los surcos del amor - Basses solo
papisenior
2:01 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flûte Treble 10 0 1 5 100%
Hautbois Treble 9 0 1 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flûte Treble 10 0 1 5 100%
Hautbois Treble 9 0 1 5 100%
Basson Bass 10 0 1 5 82%
Ténor Treble 9 0 1 5 78%
 
Music for the funeral of the Queen Mary- Tutti
papisenior
5:28 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
Mezzo-soprano Treble 15 0 6 9 95%
Basse Bass 21 0 6 7 92%
Ténor Treble 16 0 4 9 89%
 
Alleluia de l'Epiphanie
papisenior
1:12 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Treble 7 0 0 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Treble 7 0 0 5 100%
 
Mirala como se va - Alto
papisenior
2:25 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contralto Treble 9 0 2 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contralto Treble 9 0 2 6 100%
 
Music for the funeral of the Queen Mary - Alto dominante
papisenior
5:28 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
Mezzo-soprano Treble 15 0 6 9 95%
Basse Bass 21 0 6 7 92%
Ténor Treble 16 0 4 9 89%
 
Music for the funeral of the Queen Mary - Soprano dominante
papisenior
5:28 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
Mezzo-soprano Treble 15 0 6 9 95%
Basse Bass 21 0 6 7 92%
Ténor Treble 16 0 4 9 89%
 
Music for the funeral of the Queen Mary - Basse dominante
papisenior
5:28 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
Mezzo-soprano Treble 15 0 6 9 95%
Basse Bass 21 0 6 7 92%
Ténor Treble 16 0 4 9 89%
 
De Camargo... Soprani
papisenior
1:16 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flûte Treble 9 0 1 5 100%
Treble 9 0 1 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flûte Treble 9 0 1 5 100%
Treble 9 0 1 5 100%
Hautbois Treble 11 0 2 6 97%
Basson Bass 14 0 3 6 91%
 
De Camargo...Alti
papisenior
1:16 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flûte Treble 9 0 1 5 100%
Treble 9 0 1 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flûte Treble 9 0 1 5 100%
Treble 9 0 1 5 100%
Hautbois Treble 11 0 2 6 97%
Basson Bass 14 0 3 6 91%
 
De Camargo...Ténors
papisenior
2:34 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flûte Treble 9 0 1 5 100%
Treble 9 0 1 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flûte Treble 9 0 1 5 100%
Treble 9 0 1 5 100%
Hautbois Treble 11 0 2 6 97%
Basson Bass 14 0 3 6 91%
 
Mirala como se va - Soprano
papisenior
2:25 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 11 0 3 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 11 0 3 6 100%
 
Mirala como se va - Basses
papisenior
2:25 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 13 0 4 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 13 0 4 6 100%
 
De Camargo...Basses
papisenior
1:16 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flûte Treble 9 0 1 5 100%
Treble 9 0 1 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flûte Treble 9 0 1 5 100%
Treble 9 0 1 5 100%
Hautbois Treble 11 0 2 6 97%
Basson Bass 14 0 3 6 91%
 
Music for the funeral of the Queen Mary - Ténor dominante
papisenior
5:34 Est. Play
Time
53 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Bass 21 0 6 5 100%
Soprano Treble 16 0 5 9 97%
Mezzo-soprano Treble 15 0 6 9 95%
Basse Bass 21 0 6 7 92%
Ténor Treble 16 0 4 9 89%
 
Pour l'appel à rejoindre ton peuple (bande son)
papisenior
1:43 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Treble 9 0 0 5 100%
Orgue
à
tuyaux		 Treble 8 9 1 5 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Treble 9 0 0 5 100%
Orgue
à
tuyaux		 Treble 8 9 1 5 96%
 
Mirala como se va - Ténor
papisenior
2:25 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 9 0 4 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 9 0 4 6 100%
 
Madre à l'Amor quiérole amole (VO)
papisenior
1:10 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassus Bass 9 0 0 5 100%
Contratenor Treble 7 0 1 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassus Bass 9 0 0 5 100%
Contratenor Treble 7 0 1 5 100%
Superius Treble 7 0 2 5 100%
Tenor Treble 9 0 2 5 100%
 
Madre à l'Amor quiérole amole
papisenior
1:10 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassus Bass 9 0 0 5 100%
Contratenor Treble 7 0 1 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassus Bass 9 0 0 5 100%
Contratenor Treble 7 0 1 5 100%
Superius Treble 7 0 2 5 100%
Tenor Treble 9 0 2 5 100%
 
Falsa més la spiga de ruela
papisenior
1:06 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassus Bass 9 0 1 5 100%
Contratenor Treble 7 0 1 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassus Bass 9 0 1 5 100%
Contratenor Treble 7 0 1 5 100%
Superius Treble 5 0 0 5 100%
Tenor Treble 7 0 2 5 100%