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Gertim
O Come, All Ye Faithful, Adeste Fideles. Christmas.
Gertim
1:02 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 11 0 1 5 100%
T B Bass 15 1 1 5 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 11 0 1 5 100%
T B Bass 15 1 1 5 98%
 
1. Gute Nacht, Fremd bin ich eingezogen, tiefe Stimme, low voice, (bass/basso/baritone). B Flat Minor. Winterrreise, Franz Schubert. Piano accompaniment created with Pianoteq5.
Gertim
11:14 Est. Play
Time
105 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 74 8 7 99%
Bass 22 55 5 5 100%
Baritone Treble 17 0 6 4 77%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 74 8 7 99%
Bass 22 55 5 5 100%
Baritone Treble 17 0 6 4 77%
 
O little town of Bethlehem. Christmas.
Gertim
0:01 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 16 0 5 5 100%
T B Bass 18 0 5 5 100%
Voice Bass 5 0 0 2 20%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 16 0 5 5 100%
T B Bass 18 0 5 5 100%
Voice Bass 5 0 0 2 20%
 
61. Schaff's mit mir, Gott, nach deinem Willen, SATB, Schemelli, Bach, BWV 514.
Gertim
1:04 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 0 6 100%
T B Bass 15 0 2 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 0 6 100%
T B Bass 15 0 2 5 100%
 
58. O Jesulein süss, o Jesulein mild, Schemelli, Bach, BWV 493.
Gertim
0:45 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 2 5 100%
T B Bass 15 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 2 5 100%
T B Bass 15 0 3 4 100%
 
Du bist die Ruh, Schubert, Ausgewählte Lieder, tiefere Stimme, basso, baritone, Franz Schubert. Piano accompaniment, Pianoteq5
Gertim
3:04 Est. Play
Time
82 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianinas Treble 23 13 6 6 98%
Bass 22 9 5 5 100%
Voice Treble 15 0 4 7 74%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianinas Treble 23 13 6 6 98%
Bass 22 9 5 5 100%
Voice Treble 15 0 4 7 74%
 
1. Ach, dass nicht die letzte Stunde, Schemelli, J.S. Bach, BWV 439.
Gertim
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 4 4 100%
T B Bass 18 0 5 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 4 4 100%
T B Bass 18 0 5 4 100%
 
1. Gute Nacht, Fremd bin ich eingezogen, Winterreise, tiefste Stimme, lowest voice, A minor, basso, low alto. Piano accompaniment.
Gertim
11:16 Est. Play
Time
105 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 74 8 7 99%
Bass 22 55 5 5 100%
Basso Treble 17 0 6 4 77%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 74 8 7 99%
Bass 22 55 5 5 100%
Basso Treble 17 0 6 4 77%
 
An Sylvia (Silvia), Schubert, with Pianoteq5 mp3
Gertim
1:06 Est. Play
Time
30 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
RH		 Treble 19 39 6 2 100%
Piano,
LH		 Bass 19 0 2 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
RH		 Treble 19 39 6 2 100%
Piano,
LH		 Bass 19 0 2 6 100%
Bas Treble 11 0 2 6 67%
Bas2 Treble 11 0 2 6 67%
Bas3 Treble 11 0 2 6 67%
 
2. Auf, auf! die rechte Zeit ist hier. Schemelli Lieder, J.S. Bach, BWV 440.
Gertim
0:40 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 1 4 100%
T B Bass 17 0 3 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 1 4 100%
T B Bass 17 0 3 2 100%
 
O du Lamm Gottes, o lamb of God divine, o heilig lam van God, U hebt op Golgotha heerlijk getriomfeerd, Amen Halleluja,(Joh. de Heer 801)
Gertim
0:08 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 16 2 4 6 100%
T B Bass 14 0 1 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 16 2 4 6 100%
T B Bass 14 0 1 6 100%
 
Nu syt (zijt) wellekome, Jesu, lieve Heer. Kerst, Christmas.
Gertim
0:47 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 1 1 6 100%
T B Bass 15 0 2 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 1 1 6 100%
T B Bass 15 0 2 6 100%
 
Only remembered. Grijp toch de kansen door God u gegeven. Niets is hier blijvend, Joh. de Heer 166).
Gertim
0:51 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 4 5 100%
T B Bass 15 0 5 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 4 5 100%
T B Bass 15 0 5 5 100%
 
Nearer, still nearer, close to Thy heart. Nader, nog nader, U meer nabij (Joh. de Heer 574)
Gertim
1:00 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 10 19 0 5 100%
Voice Bass 16 0 1 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 10 19 0 5 100%
Voice Bass 16 0 1 5 100%
 
O safe to the Rock that is higher than I. De Heer is mijn licht en zijn liefde is mijn steun, Joh. de Heer 784).
Gertim
0:56 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopraan/Alt Treble 13 4 1 5 100%
Voice Bass 11 0 1 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopraan/Alt Treble 13 4 1 5 100%
Voice Bass 11 0 1 5 100%
 
Take my life and let it be, TUNE: HENDON. Neem mijn leven laat het Heer, toegewijd zijn aan uw eer (Joh. de Heer 463).
Gertim
0:30 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 10 0 0 3 100%
T B Bass 11 0 0 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 10 0 0 3 100%
T B Bass 11 0 0 3 100%
 
Jesu hat mich freigemacht. Jezus heeft mij vrijgemaakt. Jesus Christ has set me free. Jesu Christ m'a libéré. Jesús me ha librado (singable translations).
Gertim
0:49 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 1 4 100%
T B Bass 17 0 2 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 1 4 100%
T B Bass 17 0 2 4 100%
 
An Sylvia (Silvia), standard MuseScore
Gertim
1:04 Est. Play
Time
30 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
RH		 Treble 19 39 6 2 100%
Piano,
LH		 Bass 19 0 2 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
RH		 Treble 19 39 6 2 100%
Piano,
LH		 Bass 19 0 2 6 100%
Bas Treble 11 0 2 6 67%
Bas2 Treble 11 0 2 6 67%
Bas3 Treble 11 0 2 6 67%
 
Domine Deus, Hohe Messe (Mass in B minor, No. 8) J.S. Bach, BWV 232
Gertim
5:25 Est. Play
Time
95 Measures
3,703Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 26 0 10 4 100%
Contrabass Bass 26 0 10 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 26 0 10 4 100%
Contrabass Bass 26 0 10 4 100%
Flauto
Traverso		 Treble 26 0 8 5 89%
Violino
I		 Treble 28 0 9 7 68%
Tenore 18 0 5 7 64%
Soprano 18 0 7 7 63%
Violino
II		 Treble 24 0 8 5 62%
Viola 22 0 7 6 61%