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Theory
Johann Georg Albrechtsberger (1736-1809): Kurze Regeln des reinsten Satzes
Bartók forever
5:27 Est. Play
Time
159 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopran
(C-Schlüssel)		 15 0 5 5 97%
Tenor
(C-Schlüssel)		 17 0 5 5 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopran
(C-Schlüssel)		 15 0 5 5 97%
Tenor
(C-Schlüssel)		 17 0 5 5 97%
Alt
(C-Schlüssel)		 14 0 3 5 97%
Bass Bass 14 3 4 5 76%
Klavier Treble 10 8 3 1 5%
Bass 5 2 0 1 4%
 
Arrival of the Birds
transcriptions2
2:08 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 15 8 0 4 70%
Bass 21 1 0 6 71%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 15 8 0 4 70%
Bass 21 1 0 6 71%
Violin
I		 Treble 15 5 0 7 76%
Harp Treble 13 0 0 3 75%
Bass 8 0 0 2 38%
Double
Bass		 Bass 14 1 0 4 70%
Viola 14 4 0 5 70%
Violin
II		 Treble 15 0 0 4 70%
Violoncello Bass 11 2 0 4 70%
 
Ties
Marc Sabatella
0:16 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 3 0 0 4 100%
Bass 0 0 0 0 0%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 3 0 0 4 100%
Bass 0 0 0 0 0%
 
A Bad Morning
achasnick
0:25 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 37 5 15 6 76%
Bass 34 13 14 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 37 5 15 6 76%
Bass 34 13 14 5 100%
 
Meter: Classification
Marc Sabatella
0:20 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 7 0 0 4 100%
Bass 0 0 0 0 0%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 7 0 0 4 100%
Bass 0 0 0 0 0%
 
Theoretical Composition #9
Нейтан Толман
0:46 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 32 15 9 6 100%
Treble 32 68 8 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 32 15 9 6 100%
Treble 32 68 8 5 100%
 
Syncopation
ok reset
1:44 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 5 0 1 5 100%
Bass 7 0 0 1 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 5 0 1 5 100%
Bass 7 0 0 1 100%
 
Chaos Theory
phillipwolke
1:29 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 0 3 3 98%
Treble 11 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 0 3 3 98%
Treble 11 0 3 4 100%
 
Cool Jazz is Cool
tlloyd214
1:22 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 12 6 4 100%
Bass 7 1 2 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 12 6 4 100%
Bass 7 1 2 4 100%
B♭
Trumpet		 Treble 17 0 5 5 100%
Contrabass Bass 12 1 4 6 100%
 
Meter: Basics
Marc Sabatella
0:54 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 0 1 5 100%
Bass 5 1 0 5 57%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 0 1 5 100%
Bass 5 1 0 5 57%
 
Dotted Rhythm Exercises
ok reset
1:00 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 2 1 0 4 100%
Bass 3 1 1 1 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 2 1 0 4 100%
Bass 3 1 1 1 100%