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Theory
Johann Georg Albrechtsberger (1736-1809): Kurze Regeln des reinsten Satzes
Bartók forever
5:27 Est. Play
Time
159 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopran
(C-Schlüssel)		 15 0 5 5 97%
Tenor
(C-Schlüssel)		 17 0 5 5 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopran
(C-Schlüssel)		 15 0 5 5 97%
Tenor
(C-Schlüssel)		 17 0 5 5 97%
Alt
(C-Schlüssel)		 14 0 3 5 97%
Bass Bass 14 3 4 5 76%
Klavier Treble 10 8 3 1 5%
Bass 5 2 0 1 4%
 
Cool Jazz is Cool
tlloyd214
1:22 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 12 6 4 100%
Bass 7 1 2 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 12 6 4 100%
Bass 7 1 2 4 100%
B♭
Trumpet		 Treble 17 0 5 5 100%
Contrabass Bass 12 1 4 6 100%
 
Three Exercises in Music Theory
Owlman142
3:00 Est. Play
Time
40 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 13 1 2 8 67%
Bass 17 8 1 4 65%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 13 1 2 8 67%
Bass 17 8 1 4 65%
Soprano/Alto Treble 15 0 4 6 36%
Tenor/Bass Bass 16 0 3 4 36%
Brass Treble 14 0 3 4 29%
Bass 14 0 1 4 29%
 
Theoretical Composition #4
Нейтан Толман
0:22 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 6 5 100%
Bass 14 10 0 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 6 5 100%
Bass 14 10 0 3 100%
 
Theoretical Composition #4
Нейтан Толман
0:22 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 6 5 100%
Bass 14 10 0 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 6 5 100%
Bass 14 10 0 3 100%
 
Theoretical Composition #3
Нейтан Толман
0:34 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 0 0 6 100%
Bass 17 26 2 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 0 0 6 100%
Bass 17 26 2 4 100%
 
Theoretical Composition #5
Нейтан Толман
0:51 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 5 0 0 3 6%
Treble 19 17 0 4 98%
Bass 29 36 0 4 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 5 0 0 3 6%
Treble 19 17 0 4 98%
Bass 29 36 0 4 98%
 
Invention in F Major
Owlman142
1:04 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 1 6 5 100%
Bass 20 1 7 4 87%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 1 6 5 100%
Bass 20 1 7 4 87%
 
Theoretical Composition #4
Нейтан Толман
0:22 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 6 5 100%
Bass 14 10 0 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 6 5 100%
Bass 14 10 0 3 100%
 
Minor Chorale
Owlman142
0:30 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 4 6 100%
T B Bass 16 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 4 6 100%
T B Bass 16 0 3 4 100%