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Overture

1. Sinfonia (Overture)

Pika3323

2:37	Est. Play Time
98	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I	24	0	8	7	98%
Violin II	22	0	6	8	96%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I	24	8	7	98%
Violin II	22	6	8	96%
Viola	19	5	8	93%
Cello	22	7	7	92%

Orchestral Suite No.1 - in E Minor: Overture

hannahsolthin1

3:05	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe I	21	0	7	9	99%
Oboe II	16	0	5	9	95%
View all 9 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe I	21	7	9	99%
Oboe II	16	5	9	95%
Violin I	19	5	9	92%
Violin II	19	5	9	92%
Violas	16	2	8	89%
Fagotto.	19	3	8	88%
Violoncello	18	3	8	84%
Continuo	19	3	8	82%
Flute	20	5	9	71%

La Gazza Ladra Overture

Nevin Williams

2:25	Est. Play Time
116	Measures
	2,443Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	13	8	3	4	94%
	26	36	15	6	77%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	13	8	3	4	94%
	26	36	15	6	77%
Viola	10	5	5	3	93%
C Clarinet	24	25	11	6	84%
Contrabass	8	0	2	2	78%
Violoncello	11	0	3	4	77%
Horn in G	11	8	5	5	70%
Bassoon	14	8	6	5	67%
Oboe	20	24	11	5	67%
Flute	16	1	8	6	59%
Trombone	2	0	2	3	50%
Piccolo	16	0	8	6	41%
E Horn	3	0	1	2	19%
A Trumpet	2	0	0	2	16%
Timpani	1	0	0	1	2%

Overture from William Tell

Pimmi

2:52	Est. Play Time
207	Measures
	4,458Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin II	19	5	4	6	100%
Violin I	21	0	5	7	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin II	19	5	4	6	100%
Violin I	21	0	5	7	99%
Viola	16	0	3	4	96%
Cello	20	0	3	6	93%
Bass	9	0	1	4	91%
BaccidentalFlat Clarinet	20	2	4	7	79%
Flute	18	0	4	7	79%
BaccidentalFlat Trumpet	22	0	5	6	77%
Alto Saxophone	15	1	2	5	76%

Pegasus Fantasy

Tauan Taiguara

3:19	Est. Play Time
93	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino III	13	0	1	4	100%
Violoncelo	14	1	0	5	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino III	13	0	1	4	100%
Violoncelo	14	1	0	5	100%
Violino II	20	2	1	9	99%
Violino I	16	0	2	6	93%

Overture to Carmen for piano solo (By Georges Bizet)

ArmandoTinajero

2:19	Est. Play Time
120	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		35	69	13	7	100%
		43	81	18	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		35	69	13	7	100%
		43	81	18	6	100%

Wagner - Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	5	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:20	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	4	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Rienzi Overture to Akt 1. Professional production full score. [Unfinished.]

Jamie Holdham

2:48	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassi.	16	0	5	4	72%
Violoncelli.	20	0	5	7	72%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassi.	16	0	5	4	72%
Violoncelli.	20	0	5	7	72%
Fagotti.	11	7	2	4	45%
Corni ordin. in D.	6	1	0	3	43%
Viole.	11	5	1	3	41%
Clarinetti in C.	9	0	1	2	39%
Flauti.	7	0	0	3	39%
Violini.	9	0	0	6	36%
Violins	9	0	0	6	36%
Oboi.	8	2	0	3	34%
Serpent.	9	0	1	3	32%
Corni ventile in G.	8	5	1	3	29%
Trombe ventile in D.	1	0	0	2	24%
Timpani in D u. A.	1	0	0	1	8%

The Nutcracker Overture

Laurelin

3:04	Est. Play Time
182	Measures
	4,252Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	33	6	12	5	78%
	37	2	16	5	87%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	33	6	12	5	78%
	37	2	16	5	87%
Viole	25	5	12	4	86%
	26	7	11	4	82%
Violins 2	22	7	7	4	62%
	31	10	13	5	76%
Clarinetto I in B	24	0	7	3	65%
Flauto I	25	0	8	3	60%
Oboe I	21	0	6	5	59%
Oboe II	18	0	5	5	57%
Clarinetto II in B	22	0	7	3	55%
Flauto II	27	0	11	3	50%
Fagotto I	13	0	3	5	41%
Fagotto II	15	0	5	4	37%
Corno II in F	9	0	2	4	24%
Piccolo I	19	0	6	4	24%
Corno I in F	6	0	1	4	22%