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Opera
LA BELLE HÉLÈNE d’Offenbach : Chœurs - Partie 4/11 N° 7 Voici les Rois
Papibois
1:13 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
1-2		 Treble 30 47 10 5 100%
Bass 25 18 7 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
1-2		 Treble 30 47 10 5 100%
Bass 25 18 7 7 100%
Basse
1		 Bass 10 0 1 6 81%
Basse
2		 Bass 11 0 1 6 81%
Soprano
1		 Treble 12 0 1 6 81%
Soprano
2		 Treble 13 0 2 6 81%
Ténor
1		 Treble 11 0 0 6 81%
Ténor
2		 Treble 9 0 1 6 81%
 
Tristan und Isolde English Horn Solo.
Jamie Holdham
1:24 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
English
Horn		 Treble 15 0 4 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
English
Horn		 Treble 15 0 4 5 100%
 
Wagner - Die Miestersinger von Nurenberg Overture to Akt 2. [Professional production full score.]
Jamie Holdham
1:03 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hoboen. Treble 18 13 5 8 100%
Klarinetten in
B.		 Treble 18 16 5 8 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hoboen. Treble 18 13 5 8 100%
Klarinetten in
B.		 Treble 18 16 5 8 100%
Floten. Treble 18 4 5 8 97%
I. Violinen Treble 28 2 5 11 97%
Bratsche. 22 2 4 10 97%
II. Treble 22 15 5 11 95%
III
IV in
D.		 Treble 17 12 3 7 95%
Violoncello. Bass 17 1 1 9 93%
Flute Treble 17 2 4 8 90%
Fagotte. Bass 13 7 2 4 87%
I
II in
F. Hr.		 Treble 16 15 5 7 75%
KontrabaB. Bass 15 0 1 4 59%
Trompetten in
D.		 Treble 6 0 0 5 50%
Kleinen
Floten.		 Treble 10 0 2 4 31%
Oboe Treble 9 0 2 5 14%
 
Love Is like A Rebellious Bird (L'amour est an oiseau rebelle) - CARMEN (Bizet)
Amanda Tholhuijsen-Quick
1:07 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 13 0 3 7 91%
Bass 12 5 2 3 93%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 13 0 3 7 91%
Bass 12 5 2 3 93%
Bass 23 6 4 5 93%
Bass 9 1 0 3 100%
 
Lohengrin Vorspiel to Akt 2. {Professional production full score.}
Jamie Holdham
1:25 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Timpani Bass 2 0 1 1 100%
Violoncellos Bass 14 0 4 7 86%
Bassoon Bass 7 0 2 3 21%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Timpani Bass 2 0 1 1 100%
Violoncellos Bass 14 0 4 7 86%
Bassoon Bass 7 0 2 3 21%
 
Farewell my dear
Ivo Románek
1:02 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 14 0 2 5 100%
Housle Treble 13 0 3 6 97%
Tenor Treble 9 0 1 6 83%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 14 0 2 5 100%
Housle Treble 13 0 3 6 97%
Tenor Treble 9 0 1 6 83%
 
Die Miestersinger von Nurenberg Overture to Akt 2. {Professional production full score.}
Jamie Holdham
1:03 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hoboen. Treble 18 13 5 8 100%
Klarinetten in
B.		 Treble 18 16 5 8 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hoboen. Treble 18 13 5 8 100%
Klarinetten in
B.		 Treble 18 16 5 8 100%
Floten. Treble 18 4 5 8 97%
I. Violinen Treble 28 2 5 11 97%
Bratsche. 22 2 4 10 97%
II. Treble 22 15 5 11 95%
III
IV in
D.		 Treble 17 12 3 7 95%
Violoncello. Bass 17 1 1 9 93%
Flute Treble 17 2 4 8 90%
Fagotte. Bass 13 7 2 4 87%
I
II in
F. Hr.		 Treble 16 15 5 7 75%
KontrabaB. Bass 15 0 1 4 59%
Trompetten in
D.		 Treble 6 0 0 5 50%
Kleinen
Floten.		 Treble 10 0 2 4 31%
Oboe Treble 9 0 2 5 14%
 
"Che sento Oh dio Morra Cleopatra ancora," from "Giulio Cesare in Egitto"
edward.maurath
1:17 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 15 0 5 5 100%
Bass 15 0 5 5 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 15 0 5 5 100%
Bass 15 0 5 5 100%
Harpsichord Treble 15 0 5 5 100%
Bass 15 0 5 5 100%
Celli Bass 15 0 5 5 100%
Kontrebaß Bass 15 0 5 5 100%
Violas 12 0 5 5 100%
Vln
1		 Treble 13 0 6 5 100%
Vln
2		 Treble 10 0 4 5 100%
Cleopatra Treble 14 0 6 3 95%
 
HWV17A2N25 Sesto & Cornelia, "Ecco in tutto perduta"
edward.maurath
1:29 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 15 0 9 3 100%
Sesto 14 0 7 3 59%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 15 0 9 3 100%
Sesto 14 0 7 3 59%
Harp Treble 15 17 7 4 55%
Bass 15 15 12 4 57%
Harpsichord Treble 10 11 3 3 48%
Bass 15 13 8 3 52%
Cornelia 12 0 4 4 48%
 
Elegy of a broken man
Ivo Románek
1:02 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 14 0 2 5 100%
Housle Treble 13 0 3 6 97%
Tenor Treble 10 0 1 7 83%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 14 0 2 5 100%
Housle Treble 13 0 3 6 97%
Tenor Treble 10 0 1 7 83%
 
Sinfonia in E Flat Major, from "Il Pastor Fido," HWV 8
edward.maurath
1:08 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 17 18 6 4 100%
Bass 18 9 4 5 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 17 18 6 4 100%
Bass 18 9 4 5 100%
Contrabassi (Continuo) Bass 15 0 3 5 100%
Viola 11 0 2 5 100%
Violins I



 Treble 17 0 3 5 100%
Violins II



 Treble 14 0 1 4 100%
Violoncelli (Continuo) Bass 16 0 3 5 100%
Violoncello (Continuo) Bass 16 0 3 5 100%
 
HWV5A3N03 [Eccello Giove] ... fissi stan la fortuna e il fato
edward.maurath
1:29 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 10 0 2 4 100%
Contrabassi (Continuo) Bass 10 0 2 4 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 10 0 2 4 100%
Contrabassi (Continuo) Bass 10 0 2 4 100%
Viola 11 0 3 4 100%
Viole 11 0 3 4 100%
Violin Treble 13 19 4 4 100%
Violini Treble 13 19 4 4 100%
Violoncelli (Continuo) Bass 10 0 2 4 100%
Violoncello Bass 10 0 2 4 100%
Violoncello (Continuo) Bass 10 0 2 4 96%
Rodrigo 13 0 5 3 91%
Cembalo (Continuo) Treble 18 26 7 5 88%
Bass 18 15 6 6 79%
 
Wagner - Ride of the Valkryies. [Professional production full score.] Unfinished.
Jamie Holdham
1:00 Est. Play
Time
62 Measures
3,030Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 14 0 4 4 97%
Treble 18 0 4 4 88%
View all 23 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 14 0 4 4 97%
Treble 18 0 4 4 88%
Violins Treble 24 0 6 4 97%
3
Klarinetten in
A.		 Treble 16 0 4 4 94%
Englisch
Horn.		 Treble 14 0 5 3 94%
A
Clarinet		 Treble 16 0 5 4 91%
Treble 16 0 4 4 88%
3
HOBOEN.		 Treble 18 0 4 4 91%
BRATSCHEN. 23 9 8 4 91%
I. Violinen. II. Treble 24 10 8 4 88%
BaBklarinette in
A.		 Treble 16 0 10 3 88%
Violoncelle. Bass 18 0 3 4 88%
I.III. II.IV. Horn
in
E. V.VII. VI.VIII.		 Treble 9 0 1 3 83%
Flute Treble 15 0 5 4 82%
Piccolo Treble 16 0 5 4 82%
2
groBe
Floten.		 Treble 15 0 5 4 79%
2
kleine
Floten.		 Treble 17 0 6 4 79%
3
FAGOTTE.		 Bass 16 0 3 3 79%
E
Horn		 Treble 13 0 2 6 51%
Treble 15 0 2 6 39%
Treble 13 0 2 3 66%
Babtrp. in
D.		 Treble 10 0 7 6 38%
E
Trumpet		 Treble 12 0 2 6 35%