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Messiah

Overture to Handel's Messiah for Recorders

Michel Marinier

3:54	Est. Play Time
98	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Soprano	26	4	8	8	96%
Alto	18	0	6	8	95%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Soprano	26	4	8	8	96%
Alto	18	0	6	8	95%
Bass/Alto	24	0	8	7	93%
Tenor 2	19	0	7	8	92%

Messiah| No.44: Hallelujah

Pete Alan

3:32	Est. Play Time
94	Measures
	2,858Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	17	0	2	7	100%
Violoncellos	17	0	2	7	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	17	0	2	7	100%
Violoncellos	17	0	2	7	100%
Violas	16	0	2	8	99%
Bassoon	17	0	2	7	98%
Violins I	20	0	1	9	98%
Horn	13	0	1	8	96%
Tenor	13	0	1	8	96%
Violins II	21	0	3	8	96%
Bass	14	0	2	8	95%
C Tuba	14	0	2	8	95%
Trombone	14	0	2	8	95%
Alto	13	1	2	8	91%
BaccidentalFlat Clarinet	13	1	2	8	91%
Flute	12	0	0	8	88%
Oboe	12	0	0	8	88%
Soprano	12	0	0	8	88%
BaccidentalFlat Trumpet I II	11	1	1	8	72%
Timpani	2	0	0	7	50%

Handel: Messiah, HWV 56: Part II. "Hallelujah Chorus"

Samuel Ricke

3:28	Est. Play Time
94	Measures
	2,567Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	24	41	3	8	95%
	20	8	2	8	100%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	24	41	3	8	95%
	20	8	2	8	100%
Bassoon	20	0	2	8	100%
Violoncellos	21	0	2	8	100%
Violas	16	0	2	8	99%
Violins	20	0	1	8	98%
	21	0	3	8	96%
Contrabasses	17	0	2	8	98%
Tenor	13	0	1	8	96%
Bass	14	0	2	8	95%
Contralto	13	0	2	8	91%
Oboe	12	0	0	8	88%
Soprano	12	0	0	8	88%
D Trumpet	11	1	1	8	73%
Timpani	2	0	0	8	50%

Hallelujah Chorus - Handel - Brass Quintet!

Iowabob

3:24	Est. Play Time
96	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Trombone	13	0	1	8	97%
Tuba	19	0	2	8	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Trombone	13	1	8	97%
Tuba	19	2	8	97%
Horn in F	15	2	8	93%
B♭ Trumpet	16	1	8	86%
	16	2	8	90%

The Trumpet Shall Sound (From Handel's "Messiah Oratorio" HWV 56, Part III, Scenes I and II)

Classical Music Central

5:46	Est. Play Time
223	Measures
	2,687Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone Saxophone	27	0	7	8	98%
Tenor Saxophone	19	0	4	8	97%
View all 14 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone Saxophone	27	7	8	98%
Tenor Saxophone	19	4	8	97%
B♭ Clarinet	23	5	10	96%
	6	1	5	4%
Flute	23	5	10	96%
	6	1	5	4%
Alto Saxophone	27	5	10	96%
Tuba	21	5	7	94%
Horn in F	22	5	9	92%
	22	5	8	89%
B♭ Trumpet	19	5	9	78%
	7	1	5	4%
Baritone	16	4	7	67%
Bassoon	7	1	5	4%

The Trumpet shall sound (Messiah, Händel), Bass aria.

SDG

7:37	Est. Play Time
215	Measures
	2,501Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	105	5	7	98%
	23	5	5	7	99%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	105	5	7	98%
	23	5	5	7	99%
Bassi	21	0	5	7	99%
Bassoon	21	0	5	7	99%
Violoncello	21	0	5	7	99%
Bass	16	0	4	8	70%
	16	0	4	8	70%
(Basso)	16	0	4	8	70%
Tromba.	9	0	1	7	64%
Viola	14	0	1	6	52%
Violino I.	14	0	1	6	52%
Violino II.	11	0	1	6	52%

Messiah| No.33: Lift Up Your Heads, O Ye Gates

Pete Alan

4:06	Est. Play Time
78	Measures
	1,383Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	124	6	6	100%
	31	20	6	7	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	124	6	6	100%
	31	20	6	7	100%
Alto	8	0	1	7	90%
Tenor	12	0	2	7	82%
Soprano II	11	0	1	7	78%
Soprano 1	10	0	1	7	77%
Bass	15	0	2	6	74%

Messiah| No.53: Worthy Is The Lamb That Was Slain

Pete Alan

6:24	Est. Play Time
146	Measures
	4,569Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	25	0	5	7	92%
Tenor	18	0	6	8	86%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	25	0	5	7	92%
Tenor	18	0	6	8	86%
Bass	14	0	3	8	84%
Violins 1	25	0	6	6	81%
Alto	14	0	3	8	79%
Violins 2	22	0	5	8	77%
Soprano	16	1	4	7	73%
Violas	20	0	5	8	73%
Double Basses	23	11	6	7	70%
C Trumpet I, II	13	0	1	8	54%
Timpani	2	0	0	8	34%

The Hallelujah Chorus from The Messiah

Glyndŵr Alley Music Publishing Group

3:32	Est. Play Time
94	Measures
	4,112Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Saxophone	15	0	1	7	100%
	16	0	2	8	99%
View all 25 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Saxophone	15	0	1	7	100%
	16	0	2	8	99%
Baritone Horn	14	0	2	8	95%
	16	0	2	7	100%
Baritone Saxophone	17	0	2	7	100%
Alto Saxophone	17	0	2	8	96%
	16	0	1	9	98%
Bass Clarinet	17	0	2	7	98%
Bassoon	17	0	2	7	98%
Horn	13	0	1	8	96%
Tenor	13	0	1	8	96%
Bass	14	0	2	8	95%
C Tuba	14	0	2	8	95%
Trombone	14	0	2	8	95%
Alto	13	1	2	8	91%
BaccidentalFlat Clarinet	13	1	2	8	91%
Flute	12	0	0	8	88%
Glockenspiel	12	0	0	8	88%
Oboe	12	0	0	8	88%
Piccolo	12	0	0	8	88%
Soprano	12	0	0	8	88%
Vibraphone	12	0	0	8	88%
BaccidentalFlat Trumpet I II	11	1	1	8	72%
Bagpipe	9	0	1	8	59%
Timpani	2	0	0	7	50%

Worthy is the Lamb, Messiah, Händel.

SDG

7:30	Est. Play Time
159	Measures
	4,806Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	32	0	7	7	97%
Tutti Bassi	32	0	7	7	97%
View all 21 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	32	7	7	97%
Tutti Bassi	32	7	7	97%
Violoncello	32	7	7	97%
Tenor	18	6	8	85%
	18	6	8	85%
Tenore.	18	6	8	85%
Bass	15	4	8	84%
	15	4	8	84%
Basso.	15	4	8	84%
Violino I.	25	6	7	83%
Violino II.	22	5	8	81%
Alto	14	3	8	80%
	14	3	8	80%
Alto.	14	3	8	80%
Soprano	16	4	7	75%
	16	4	7	75%
Canto.	16	4	7	75%
Viola.	20	5	8	75%
Tromba I.	12	1	7	36%
Tromba II.	9	0	8	36%
Tympano.	2	0	8	32%

MESSIAH, PART ONE, No. 1 SINFONIA [overure]

Ruushii

5:27	Est. Play Time
98	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgue à tuyaux		25	27	9	8	97%
		32	9	10	8	91%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgue à tuyaux		25	27	9	8	97%
		32	9	10	8	91%

For Unto Us a Child Is Born (Adapted for Children)

clcworship

3:47	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Piano	22	48	8	100%
	19	21	6	100%
Voice	10	0	6	64%

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Piano	22	48	8	100%
	19	21	6	100%
Voice	10	0	6	64%

I Know That My Redeemer Lives

clcworship

3:25	Est. Play Time
96	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	18	2	8	100%
	17	10	1	7	91%
Voice	11	0	1	7	56%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	18	2	8	100%
	17	10	1	7	91%
Voice	11	0	1	7	56%

HWV56N04 - Messiah - And the Glory of the Lord

edward.maurath

5:54	Est. Play Time
138	Measures
	1,883Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	74	3	5	98%
	16	41	2	4	94%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	74	3	5	98%
	16	41	2	4	94%
Cello	22	1	4	5	98%
Violone	22	1	4	5	98%
Violin 2	19	1	3	6	79%
Bassoon	17	0	4	4	78%
Oboi	15	2	2	5	77%
Viola	17	0	4	4	77%
Alti	11	1	2	5	75%
Violin 1	17	0	2	6	75%
Tenori	11	0	2	5	72%
Bassoon Continuo	22	0	4	4	72%
Bassi	16	0	3	4	63%
Soprani	13	0	2	5	63%

HWV56N23 - Alto - He was despisèd and rejected

edward.maurath

6:04	Est. Play Time
67	Measures
	1,974Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	28	82	10	7	97%
	21	15	5	9	97%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	28	82	10	7	97%
	21	15	5	9	97%
Organ	28	81	10	7	97%
	21	16	5	9	97%
Violin	21	0	6	7	70%
	21	31	7	9	97%
Cello	19	0	5	9	97%
Viola as alto	14	0	5	7	78%
Violone	17	0	4	9	76%
Viola	16	0	3	8	58%

Hallelujah Chorus

jrhansf

3:28	Est. Play Time
94	Measures
	2,451Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	24	41	3	8	95%
	20	8	2	8	100%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	24	41	3	8	95%
	20	8	2	8	100%
Bassoon	20	0	2	8	100%
Violoncellos	21	0	2	8	100%
Violas	16	0	2	8	99%
Violins	20	0	1	8	98%
	21	0	3	8	96%
Contrabasses	17	0	2	8	98%
Tenor	13	4	1	9	96%
Bass	14	0	2	9	95%
Alto	13	0	2	9	91%
Oboe	12	0	0	8	88%
Soprano	12	0	0	9	88%
D Trumpet	11	1	1	8	73%
Timpani	2	0	0	8	50%

HWV56N03 Messiah "Every valley shall be exalted"

edward.maurath

4:39	Est. Play Time
84	Measures
	2,408Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC RH	18	59	3	2	100%
HSC LH	20	60	3	3	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC RH	18	59	3	2	100%
HSC LH	20	60	3	3	100%
Bassoon Continuo	18	0	3	4	99%
Cello	18	0	3	4	99%
Violone	17	0	3	4	99%
Vln I	20	0	3	5	87%
Vln II	18	1	2	5	87%
Bassoon	16	0	2	3	86%
Vla	16	0	2	3	86%
Oboe	22	1	4	6	83%
Tenor	13	0	2	6	73%

HWV56 N 48 u EJM - BAS=The trumpet shall sound=D Major

edward.maurath

9:34	Est. Play Time
342	Measures
	5,290Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	22	1	5	8	95%
Violoncellos	22	1	5	6	95%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	22	1	5	8	95%
Violoncellos	22	1	5	6	95%
Violone	22	1	5	6	95%
Harpsi	20	83	5	6	90%
	27	52	7	6	76%
Basso	16	3	4	7	72%
Trumpet In C	14	12	2	9	70%
Violin 1	16	65	2	9	59%
Viola	14	0	1	8	51%
Violin 2	14	0	1	7	11%

HWV56N38 - "How beautiful are the feet" - 1741

edward.maurath

5:30	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	20	0	5	7	98%
Organo	24	85	7	6	96%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	20	0	5	7	98%
Organo	24	85	7	6	96%
	16	27	5	7	96%
Violini	27	25	9	8	91%
Contrabasses	16	0	3	7	82%
Violoncelli	18	0	3	7	82%
Soprano	17	0	6	6	79%
Cemballo	18	26	5	6	46%
	16	14	4	6	46%

HWV56N36 - Thou art gone up on high - 1754

edward.maurath

3:38	Est. Play Time
117	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	26	74	10	7	83%
	26	42	8	6	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	26	74	10	7	83%
	26	42	8	6	100%
Cello Continuo	19	0	5	6	99%
Soprano	18	0	7	7	74%
Violin	24	0	9	6	62%
Violone Continuo	17	0	3	6	59%