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J.S. Bach

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus I.

Samuel Ricke

4:20	Est. Play Time
94	Measures
	3,374Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	26	58	10	8	96%
	29	0	10	6	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	26	58	10	8	96%
	29	0	10	6	100%
Continuo.	29	0	10	6	100%
Viola I.	18	0	7	7	98%
Viola II.	17	0	6	7	98%
Violino I.	23	0	9	6	98%
Violino II.	20	0	6	7	98%
Violone.	28	0	9	6	97%
Alto.	18	0	7	7	96%
Trombone I.	18	0	7	7	96%
Tenore.	17	0	6	7	95%
Trombone II.	17	0	6	7	95%
Basso.	23	0	9	6	90%
Trombone III.	23	0	9	6	89%
Cornetto.	16	0	6	6	65%
Soprano.	16	0	6	5	65%

J.S. Bach, cantata opening chorus: "Wo soll ich fliehen hin?" (BWV 5, #1) Auf meinen lieben Gott..

SDG

3:53	Est. Play Time
78	Measures
	3,570Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
Continuo	25	0	9	3	100%
Contrabass	25	0	9	3	100%
Contrabassoon	25	0	9	3	100%
Oboe I.	24	0	8	5	100%
Oboe II.	22	0	8	4	100%
Violino I	25	0	8	5	100%
Violino II.	21	0	7	5	100%
Viola	18	0	5	4	97%
Alto	13	0	4	6	42%
	13	0	4	6	42%
	13	0	4	6	42%
Tenor	13	0	4	5	40%
	13	0	4	5	40%
Tenore	13	0	4	5	40%
Soprano	6	0	0	2	37%
	6	0	0	2	37%
	6	0	0	2	37%
Bass	20	0	6	4	37%
	20	0	6	4	37%
Basso	20	0	6	4	37%
Tromba da tirarsi col soprano	6	0	0	2	37%

Lobet Gott in seinen Reichen, BWV 11, No. 1, opening chorus Himmelfahrts-Oratorium, J.S. Bach

SDG

10:17	Est. Play Time
217	Measures
	4,955Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	26	0	9	5	100%
Continuo II	26	0	9	5	100%
View all 23 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	26	9	5	100%
Continuo II	26	9	5	100%
Double Bass	32	9	5	100%
Violino I	27	9	7	97%
Viola	24	8	5	95%
Violino II	22	8	5	95%
Flauto traverso I	23	8	6	92%
Flauto traverso II	23	8	6	92%
Oboe I	22	7	7	90%
Oboe II	21	8	5	88%
Soprano	18	6	7	53%
	18	6	7	53%
	18	6	7	53%
Alto	16	5	7	52%
	16	5	7	52%
	16	5	7	52%
Tenore	19	6	5	51%
Bass	20	6	5	50%
Basso	20	6	5	50%
Tromba I	11	1	7	48%
Tromba II	12	1	5	39%
Tromba III	7	0	4	29%
Timpani	2	0	4	26%

J.S. Bach: Mass in B Minor, BWV 232: II. Christe eleison

Samuel Ricke

4:51	Est. Play Time
85	Measures
	1,259Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	25	0	10	5	100%
Violino I.II.	27	0	10	3	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	25	10	5	100%
Violino I.II.	27	10	3	100%
Violone.	25	10	5	100%
Soprano II.	17	5	8	65%
Soprano I.	16	5	7	64%

J.S. Bach: Mass in B Minor, BWV 232: I. Osanna in excelsis

Samuel Ricke

7:36	Est. Play Time
149	Measures
	3,883Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	21	0	7	5	98%
	34	0	12	5	99%
View all 24 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	21	7	5	98%
	34	12	5	99%
Continuo.	27	10	5	97%
Fagotti.	27	10	5	97%
Violone.	27	10	5	97%
Flauto traverso I.	22	7	5	93%
Flauto traverso II.	22	6	5	93%
Violino I.	21	3	6	87%
Oboe I.	19	4	6	86%
Oboe II.	18	5	6	86%
Violino II.	20	5	6	86%
Viola.	16	3	5	85%
Soprano I.	15	3	4	65%
Alto I.	15	4	4	65%
Soprano II.	18	5	4	63%
Alto II.	15	3	4	63%
Tenore I.	14	2	5	63%
Tenore II.	13	2	4	63%
Basso I.	19	6	4	62%
Basso II.	20	7	4	58%
Tromba I.	11	0	4	50%
Tromba II.	10	0	4	48%
Timpani.	2	0	4	38%
Tromba III.	7	0	5	38%

J.S. Bach: Mass in B Minor, BWV 232: VII. Gratias agimus tibi

Samuel Ricke

4:02	Est. Play Time
46	Measures
	1,160Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	23	1	6	5	100%
Tenore.	15	0	3	5	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	23	1	6	5	100%
Tenore.	15	0	3	5	100%
Viola.	15	0	3	5	100%
Alto.	11	0	1	4	98%
Oboe II.	10	0	1	4	98%
Violino II.	11	0	1	4	98%
Flauto traverso I.II.	14	0	3	5	93%
Oboe I.	14	0	3	5	93%
Soprano I.II.	14	0	3	5	93%
Violino I.	14	0	3	5	93%
Violone.	21	0	6	5	93%
Basso.	19	0	6	4	91%
Fagotti.	21	0	6	5	91%
Tromba I.	9	0	1	4	43%
Tromba II.	8	0	1	4	30%
Timpani.	2	0	0	4	22%
Tromba III.	11	0	1	4	22%

J.S. Bach: Mass in B Minor, BWV 232: III. Kyrie eleison (II)

Samuel Ricke

5:32	Est. Play Time
59	Measures
	1,257Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	23	0	8	6	100%
Violone.	23	0	8	6	100%
View all 13 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	23	8	6	100%
Violone.	23	8	6	100%
Tenore.	17	7	6	97%
Viola.	17	7	6	97%
Alto.	17	7	5	86%
Oboe II.	17	7	5	86%
Violino II.	17	7	5	86%
Flauto traverso I.II.	16	6	4	76%
Oboe I.	16	6	4	76%
Soprano I.II.	16	6	4	76%
Violino I.	16	6	4	76%
Basso.	20	7	5	75%
Fagotti.	21	7	5	75%

J.S. Bach: Mass in B Minor, BWV 232: VIII. Confiteor - IX. Et expecto

Samuel Ricke

8:45	Est. Play Time
251	Measures
	5,309Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	21	2	9	5	98%
	33	4	14	6	100%
View all 21 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	21	2	9	5	98%
	33	4	14	6	100%
Continuo.	25	0	9	4	100%
Fagotti.	25	0	9	4	100%
Violone.	25	0	9	4	100%
Alto.	22	0	10	5	90%
Soprano II.	20	0	7	5	88%
Tenore.	20	0	9	5	87%
Soprano I.	21	0	8	5	87%
Basso.	21	0	8	6	75%
Flauto traverso I.	18	0	1	3	35%
Flauto traverso II.	17	0	3	3	34%
Oboe I.	17	0	2	4	32%
Viola.	19	0	4	3	32%
Oboe II.	13	0	1	3	31%
Violino II.	16	0	1	3	31%
Violino I.	19	0	2	4	31%
Tromba I.	12	0	1	5	24%
Timpani.	3	0	0	3	24%
Tromba II.	10	0	1	5	21%
Tromba III.	6	0	0	4	20%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: III. Allegro

Samuel Ricke

11:54	Est. Play Time
124	Measures
	4,295Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.	22	46	7	5	100%
	26	0	9	5	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.	22	46	7	5	100%
	26	0	9	5	100%
Violoncello.	26	0	9	5	100%
Violone.	26	0	9	5	100%
Violino piccolo.	25	3	8	6	83%
Violino I.	25	0	7	6	82%
Violino II.	22	0	7	6	78%
Oboe I.	23	0	7	6	78%
Viola.	22	0	5	4	78%
Oboe II.	18	0	5	5	74%
Oboe III.	14	0	3	4	74%
Fagotto.	22	0	6	3	73%
Corno I.	11	0	1	6	59%
Corno II.	10	0	2	5	52%

J.S. Bach: Magnificat in D Major, BWV 243 - I. Magnificat anima mea

Samuel Ricke

4:05	Est. Play Time
90	Measures
	2,536Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.	34	0	11	3	96%
Flauto traverso I.	20	0	4	6	92%
View all 17 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.	34	11	3	96%
Flauto traverso I.	20	4	6	92%
Flauto traverso II.	18	3	5	92%
Oboe I.	17	3	6	92%
Oboe II.	15	4	6	92%
Viola.	18	4	3	92%
Violino I.	23	5	3	90%
Violino II.	20	5	4	90%
Tromba in D.	12	1	6	80%
	11	1	3	64%
	13	1	5	64%
Timpani in D.A.	2	0	3	61%
Soprano I.	13	3	5	48%
Soprano II.	14	2	7	47%
Alto.	15	4	5	46%
Tenore.	12	2	5	44%
Basso.	17	3	4	41%

Jesus bleibet meine Freude Full Score TBB ATBG Continuo Recorders

Don Van Wyck

4:34	Est. Play Time
71	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	16	0	3	5	100%
Bass 1	15	1	3	4	94%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	16	0	3	5	100%
Bass 1	15	1	3	4	94%
Bass 2	12	0	2	5	94%
Tenor 1	22	0	7	3	94%
Bass 3	11	0	2	4	61%
Greatbass	14	0	2	4	61%
Alto	7	0	1	6	45%
Tenor 2	8	0	2	4	45%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: I. (Allegro)

Samuel Ricke

3:49	Est. Play Time
84	Measures
	3,980Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.	24	57	9	9	96%
	26	0	10	4	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.	24	57	9	9	96%
	26	0	10	4	100%
Fagotto.	26	0	10	4	100%
Violoncello.	26	0	10	4	100%
Violone.	26	0	10	4	100%
Oboe I.	23	0	7	6	99%
Oboe II.	21	0	8	6	95%
Violino piccolo.	23	0	7	6	95%
Violino I.	27	0	8	6	93%
Violino II.	26	0	10	6	93%
Oboe III.	17	0	6	7	89%
Viola.	25	0	7	6	89%
Corno II.	12	0	1	6	69%
Corno I.	14	0	2	6	68%

J.S. Bach: Mass in B Minor, BWV 232: I. Kyrie eleison

Samuel Ricke

11:06	Est. Play Time
126	Measures
	3,816Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	27	0	9	7	100%
Oboe d'amore I.	25	0	10	7	99%
View all 15 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	27	9	7	100%
Oboe d'amore I.	25	10	7	99%
Oboe d'amore II.	24	10	6	97%
Violone.	25	9	7	94%
Fagotti.	24	8	7	88%
Viola.	26	10	6	88%
Violino II.	25	11	6	85%
Flauto traverso I.	21	8	6	84%
Violino I.	24	8	7	84%
Flauto traverso II.	20	8	7	83%
Tenore.	19	7	6	72%
Alto.	21	8	6	67%
Basso.	21	8	7	62%
Soprano I.	22	8	6	61%
Soprano II.	20	8	6	53%