Play Along Piano

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Handel

HWV8A0N7 - Ecco, sen vien - recitativo secco

edward.maurath

0:28	Est. Play Time
7	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	13	5	2	100%
	8	1	3	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	13	5	2	100%
	8	1	3	3	100%
Violoncello	7	0	2	3	100%
Apollo	8	0	3	3	86%

Sonata 3 (HWV 361)

Norman Schmidt

6:57	Est. Play Time
115	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part		25	3	7	11	100%
		22	1	6	8	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part		25	3	7	11	100%
		22	1	6	8	100%

HWV1A1 - Leset ihr funkelnden Augen

edward.maurath

1:51	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
Bassoon Continuo	19	0	4	2	62%
	14	1	2	2	57%
Bass as Consalvo	13	0	4	4	60%
Violin 1	12	0	0	4	57%
Violin 2	12	0	2	2	57%
Violoncello Continuoi	14	1	2	2	57%

Sarabande

Suurmestari

0:47	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		15	14	3	3	100%
		12	1	0	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		15	14	3	3	100%
		12	1	0	3	100%

HWV19A3N22 - Rodelinda, "Mio caro bene!"

edward.maurath

5:29	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
Violoncello Continuo	17	2	1	3	86%
Violins	15	0	2	8	73%
Rodelinda	13	0	3	5	68%
Contrabasses	14	0	0	3	60%
Violincello Continuo	14	0	0	3	60%
Violas	13	0	2	5	55%
Bassoon Continuo	14	0	0	3	15%
Oboe	10	0	0	6	14%

Sonata 1 (HWV 359)

Norman Schmidt

7:09	Est. Play Time
156	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part		29	0	12	13	100%
		27	1	9	9	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part		29	0	12	13	100%
		27	1	9	9	100%

HWV63A0 - Judas Maccabeus (1746) Overture in g minor

edward.maurath

11:07	Est. Play Time
186	Measures
	2,568Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	26	0	9	10	97%
Violini 2	27	0	9	10	94%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	26	0	9	10	97%
Violini 2	27	0	9	10	94%
Viole	18	0	4	8	83%
Contrabassi Continuo	25	0	10	10	81%
Violoncelli Continuo	25	0	10	10	81%
Bassoon Continuo	26	0	10	10	45%
Oboe 1	22	0	8	9	45%
Organo	16	39	5	9	40%
	20	1	5	9	41%
Cembalo Continuo	17	42	5	6	30%
	20	4	3	6	30%
Oboe 2	18	0	5	7	26%

HWV8A0N13 - La speme, e cura (Erato)

edward.maurath

0:16	Est. Play Time
3	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	12	7	4	3	100%
	7	1	1	2	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	12	7	4	3	100%
	7	1	1	2	100%
Erato	7	0	2	3	100%
Violoncello	7	1	1	2	100%

HWV61A2N46 - Regard, O son, my flowing tears

edward.maurath

6:48	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	22	58	7	7	99%
	33	57	13	8	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	22	58	7	7	99%
	33	57	13	8	99%
Cello	23	0	7	10	98%
NITOCRIS	16	0	6	9	76%
Violin	23	2	9	9	71%
Violoncellos	17	0	5	9	69%
Violone	17	0	5	9	69%

HWV8A0N17 - Dai, quando vuoi, recitativo secco

edward.maurath

0:16	Est. Play Time
3	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	4	0	1	3	100%
Harp	4	2	0	1	67%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	4	0	1	3	100%
Harp	4	2	0	1	67%
	3	0	1	1	67%
Harpsichord	10	3	3	2	67%
	2	0	0	1	33%
Apollo	5	0	1	3	67%
Erato	4	0	0	3	67%

HWV8A0N2 - Melodiosa Germana (Apollo) recitativo secco

edward.maurath

0:42	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC	14	14	2	4	100%
	8	2	1	2	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC	14	14	2	4	100%
	8	2	1	2	100%
Vcl	7	0	1	2	100%
Apollo	10	0	3	3	89%

Messiah| No.41: Let Us Break Their Bonds Asunder

Pete Alan

1:42	Est. Play Time
68	Measures
	1,277Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	23	1	4	7	100%
Violas	20	1	6	6	99%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	23	1	4	7	100%
Violas	20	1	6	6	99%
Violins	24	0	5	8	91%
	24	0	5	7	91%
Fagott	22	0	4	7	91%
Cembalo	23	49	6	7	87%
	26	72	5	7	84%
Tenor	15	0	4	5	82%
Oboe	15	0	4	6	74%
Soprano	15	0	4	6	74%
Alto	12	0	2	6	69%
Bass	15	0	3	6	65%

The Hallelujah Chorus from The Messiah

Glyndŵr Alley Music Publishing Group

3:32	Est. Play Time
94	Measures
	4,112Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Saxophone	15	0	1	7	100%
	16	0	2	8	99%
View all 25 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Saxophone	15	0	1	7	100%
	16	0	2	8	99%
Baritone Horn	14	0	2	8	95%
	16	0	2	7	100%
Baritone Saxophone	17	0	2	7	100%
Alto Saxophone	17	0	2	8	96%
	16	0	1	9	98%
Bass Clarinet	17	0	2	7	98%
Bassoon	17	0	2	7	98%
Horn	13	0	1	8	96%
Tenor	13	0	1	8	96%
Bass	14	0	2	8	95%
C Tuba	14	0	2	8	95%
Trombone	14	0	2	8	95%
Alto	13	1	2	8	91%
BaccidentalFlat Clarinet	13	1	2	8	91%
Flute	12	0	0	8	88%
Glockenspiel	12	0	0	8	88%
Oboe	12	0	0	8	88%
Piccolo	12	0	0	8	88%
Soprano	12	0	0	8	88%
Vibraphone	12	0	0	8	88%
BaccidentalFlat Trumpet I II	11	1	1	8	72%
Bagpipe	9	0	1	8	59%
Timpani	2	0	0	7	50%

Messiah| No.53: Worthy Is The Lamb That Was Slain

Pete Alan

6:24	Est. Play Time
146	Measures
	4,569Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	25	0	5	7	92%
Tenor	18	0	6	8	86%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	25	0	5	7	92%
Tenor	18	0	6	8	86%
Bass	14	0	3	8	84%
Violins 1	25	0	6	6	81%
Alto	14	0	3	8	79%
Violins 2	22	0	5	8	77%
Soprano	16	1	4	7	73%
Violas	20	0	5	8	73%
Double Basses	23	11	6	7	70%
C Trumpet I, II	13	0	1	8	54%
Timpani	2	0	0	8	34%

Handel Sarabande Siebente Suite in g moll - HWV 432

pental

3:22	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	17	6	6	100%
		16	1	4	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	17	6	6	100%
		16	1	4	5	100%