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Handel

Handel Gigue Siebente Suite in g moll - HWV 432

pental

1:52	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	2	5	4	93%
		19	2	2	3	76%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	2	5	4	93%
		19	2	2	3	76%

Handel Andante Siebente Suite in g moll - HWV 432

pental

3:48	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	1	7	6	100%
		21	0	5	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	1	7	6	100%
		21	0	5	4	100%

Hallelujah Chorus for Flute Quartet

ecpflute

3:38	Est. Play Time
91	Measures
	1,082Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	12	1	0	8	91%
	15	2	2	8	95%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	12	1	0	8	91%
	15	2	2	8	95%
	14	2	1	8	99%
	12	2	2	8	98%

Messiah| No.44: Hallelujah

Pete Alan

3:32	Est. Play Time
94	Measures
	2,858Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	17	0	2	7	100%
Violoncellos	17	0	2	7	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	17	0	2	7	100%
Violoncellos	17	0	2	7	100%
Violas	16	0	2	8	99%
Bassoon	17	0	2	7	98%
Violins I	20	0	1	9	98%
Horn	13	0	1	8	96%
Tenor	13	0	1	8	96%
Violins II	21	0	3	8	96%
Bass	14	0	2	8	95%
C Tuba	14	0	2	8	95%
Trombone	14	0	2	8	95%
Alto	13	1	2	8	91%
BaccidentalFlat Clarinet	13	1	2	8	91%
Flute	12	0	0	8	88%
Oboe	12	0	0	8	88%
Soprano	12	0	0	8	88%
BaccidentalFlat Trumpet I II	11	1	1	8	72%
Timpani	2	0	0	7	50%

Allegro (Fuga à 4) from Suite No 3 HWV 428

Bartók forever

1:53	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	0	10	9	95%
		24	1	7	10	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	0	10	9	95%
		24	1	7	10	93%

HWV1A3N11 - Gönne nach den Thränengüssen mir

edward.maurath

1:31	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	35	6	5	100%
	15	2	3	5	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	35	6	5	100%
	15	2	3	5	100%
Bassoon Continuo	14	0	3	5	100%
Bass as Raymondo	17	0	5	8	75%
Oboe	8	0	2	3	71%

HWV58A3N2 - Leave me, loathsome light

edward.maurath

3:13	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
Organ Continuo	21	10	3	5	96%
	18	2	3	3	100%
Cello Continuo	18	0	3	3	100%
Double Bass Continuo	17	0	3	3	100%
Viola	16	0	3	4	90%
Violin 1	15	0	1	3	90%
Violin 2	16	0	3	5	90%
Bass	13	0	2	6	79%

Handel Allegro Siebente Suite in g moll - HWV 432

pental

1:56	Est. Play Time
69	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	2	8	5	100%
		20	0	5	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	2	8	5	100%
		20	0	5	5	100%

HWV1A2N28 - Ob dein Mund wie Plutons Rachen

edward.maurath

5:23	Est. Play Time
49	Measures
	1,182Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
Cembalo Continuo	15	20	4	6	77%
	20	2	4	3	89%
Oboe 2	15	0	3	5	89%
Viola	15	0	0	3	80%
Violin 1	19	0	1	6	80%
Violoncello Continuo	15	0	1	3	80%
Violone Continuo	15	0	1	3	80%
Violin 2	18	0	2	5	77%
Tenor as Fernando	15	0	4	8	55%

HWV1A2N23 - Ich kann nicht mehr verschuriegen

edward.maurath

1:26	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira	14	0	4	5	96%
Cembalo Continuo	14	24	3	4	83%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira	14	0	4	5	96%
Cembalo Continuo	14	24	3	4	83%
	14	1	3	3	78%
Viola	9	0	2	3	78%
Violin 1	8	0	1	3	78%
Violin 2	7	0	2	3	78%
Violoncello Continuo	12	0	3	3	78%
Bassoon Continuo	11	0	2	3	74%

Courante (d-Moll HWV 448 G.F. Händel) Akkordeon-Version

sven2011

1:48	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		19	2	5	4	100%
		17	14	5	5	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		19	2	5	4	100%
		17	14	5	5	96%

HWV63A1N5 - "For Sion lamentations make" in f minor

edward.maurath

3:06	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	7	11	6	100%
	21	2	10	5	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	7	11	6	100%
	21	2	10	5	100%
Bassoon	19	0	6	8	100%
Bassoon Continuo	24	0	9	6	100%
Contrabassi Continuo	19	0	7	5	100%
Inferred Bassoon	23	0	7	6	100%
Viole	16	0	4	7	100%
Violini 1	20	0	8	6	100%
Violini 2	17	0	7	6	100%
Violoncelli Continuo	20	0	7	5	100%
Alti	10	0	4	7	83%
Soprani	14	0	5	7	83%
Bassi	16	0	5	7	79%
Tenori	12	0	4	7	76%
Oboe 1	12	0	3	7	72%
Oboe 2	15	0	6	7	72%

HWV63A3N58 - "See, the conquering hero comes"

edward.maurath

3:33	Est. Play Time
80	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
	13	0	2	8	67%
Alto	11	0	1	6	58%
Organ as by Handel	14	0	1	6	58%
Soprano II	12	0	3	6	58%
French Horn I	9	0	1	6	50%
French Horn II	9	0	1	6	50%
Oboe	13	16	2	6	35%
Bass	9	0	1	6	33%
Cello Continuo	9	0	1	6	33%
Cortrebass Continuo	9	0	1	6	33%
Organ Continuo	16	18	3	5	33%
Organo Continuo	10	1	1	6	33%
Tenor	8	0	2	6	33%
Viola	9	0	1	4	33%
Violin I	9	0	1	5	33%
Violin II	10	0	2	8	33%