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Handel

Handel Andante Siebente Suite in g moll - HWV 432

pental

3:48	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	1	7	6	100%
		21	0	5	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	1	7	6	100%
		21	0	5	4	100%

HWV63A3N58 - "See, the conquering hero comes"

edward.maurath

3:33	Est. Play Time
80	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
	13	0	2	8	67%
Alto	11	0	1	6	58%
Organ as by Handel	14	0	1	6	58%
Soprano II	12	0	3	6	58%
French Horn I	9	0	1	6	50%
French Horn II	9	0	1	6	50%
Oboe	13	16	2	6	35%
Bass	9	0	1	6	33%
Cello Continuo	9	0	1	6	33%
Cortrebass Continuo	9	0	1	6	33%
Organ Continuo	16	18	3	5	33%
Organo Continuo	10	1	1	6	33%
Tenor	8	0	2	6	33%
Viola	9	0	1	4	33%
Violin I	9	0	1	5	33%
Violin II	10	0	2	8	33%

HWV58A2N7 - "Oh sleep, why dost thou leave me?" E Major

edward.maurath

2:40	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	15	34	1	8	96%
	16	13	0	6	96%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	15	34	1	8	96%
	16	13	0	6	96%
Cello	16	1	0	6	96%
Semele	14	0	3	10	79%

May Love Preside

singthewords

1:39	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	10	3	9	99%
	17	1	1	6	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	10	3	9	99%
	17	1	1	6	100%
Flute	13	0	2	10	94%
Soprano	14	14	2	8	78%
Alto	13	15	2	8	75%

Messiah| No.41: Let Us Break Their Bonds Asunder

Pete Alan

1:42	Est. Play Time
68	Measures
	1,277Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	23	1	4	7	100%
Violas	20	1	6	6	99%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	23	1	4	7	100%
Violas	20	1	6	6	99%
Violins	24	0	5	8	91%
	24	0	5	7	91%
Fagott	22	0	4	7	91%
Cembalo	23	49	6	7	87%
	26	72	5	7	84%
Tenor	15	0	4	5	82%
Oboe	15	0	4	6	74%
Soprano	15	0	4	6	74%
Alto	12	0	2	6	69%
Bass	15	0	3	6	65%

Messiah| No.53: Worthy Is The Lamb That Was Slain

Pete Alan

6:24	Est. Play Time
146	Measures
	4,569Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	25	0	5	7	92%
Tenor	18	0	6	8	86%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	25	0	5	7	92%
Tenor	18	0	6	8	86%
Bass	14	0	3	8	84%
Violins 1	25	0	6	6	81%
Alto	14	0	3	8	79%
Violins 2	22	0	5	8	77%
Soprano	16	1	4	7	73%
Violas	20	0	5	8	73%
Double Basses	23	11	6	7	70%
C Trumpet I, II	13	0	1	8	54%
Timpani	2	0	0	8	34%

Concerto for Viola, Cello, and Orchestra in C minor, Op. 17: I. Con brio

Armin Thomas

7:43	Est. Play Time
280	Measures
	2,886Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	34	3	15	9	76%
Cellos	28	4	13	9	76%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	34	3	15	9	76%
Cellos	28	4	13	9	76%
Violas	21	0	10	7	76%
Violins 2	27	0	11	8	75%
Horn in F	22	0	7	8	47%
1.2. Clarinet in B	29	2	10	6	47%
Flute	24	0	10	8	42%
Trumpet in B	24	0	7	8	38%
Oboe	32	0	13	7	36%
Solo Viola	35	14	16	10	27%
Solo cello	32	7	17	10	24%
Timpani	11	0	4	6	12%

"Dal fulgor di questa spada" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

2:40	Est. Play Time
107	Measures
	1,037Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	55	7	5	99%
	24	40	5	5	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	55	7	5	99%
	24	40	5	5	100%
Violoncello Continuo	22	0	5	5	100%
Contrabassi Continuo	21	0	5	4	91%
Violoncelli Continuo	21	0	5	4	91%
Violini	22	1	5	6	88%
Achilla	18	0	6	5	67%

"Fatto crudo, Amor severo" from Il Pastor Fido, HWV 8 (1712)

edward.maurath

2:57	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	97	10	8	100%
	26	62	6	7	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	97	10	8	100%
	26	62	6	7	100%
Violoncello	22	1	4	7	100%
Mirtillo	15	0	5	8	85%

HWV56N04 - Messiah - And the Glory of the Lord

edward.maurath

5:54	Est. Play Time
138	Measures
	1,883Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	74	3	5	98%
	16	41	2	4	94%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	74	3	5	98%
	16	41	2	4	94%
Cello	22	1	4	5	98%
Violone	22	1	4	5	98%
Violin 2	19	1	3	6	79%
Bassoon	17	0	4	4	78%
Oboi	15	2	2	5	77%
Viola	17	0	4	4	77%
Alti	11	1	2	5	75%
Violin 1	17	0	2	6	75%
Tenori	11	0	2	5	72%
Bassoon Continuo	22	0	4	4	72%
Bassi	16	0	3	4	63%
Soprani	13	0	2	5	63%

HWV56N03 Messiah "Every valley shall be exalted"

edward.maurath

4:39	Est. Play Time
84	Measures
	2,408Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC RH	18	59	3	2	100%
HSC LH	20	60	3	3	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC RH	18	59	3	2	100%
HSC LH	20	60	3	3	100%
Bassoon Continuo	18	0	3	4	99%
Cello	18	0	3	4	99%
Violone	17	0	3	4	99%
Vln I	20	0	3	5	87%
Vln II	18	1	2	5	87%
Bassoon	16	0	2	3	86%
Vla	16	0	2	3	86%
Oboe	22	1	4	6	83%
Tenor	13	0	2	6	73%

HWV56 N 48 u EJM - BAS=The trumpet shall sound=D Major

edward.maurath

9:34	Est. Play Time
342	Measures
	5,290Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	22	1	5	8	95%
Violoncellos	22	1	5	6	95%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	22	1	5	8	95%
Violoncellos	22	1	5	6	95%
Violone	22	1	5	6	95%
Harpsi	20	83	5	6	90%
	27	52	7	6	76%
Basso	16	3	4	7	72%
Trumpet In C	14	12	2	9	70%
Violin 1	16	65	2	9	59%
Viola	14	0	1	8	51%
Violin 2	14	0	1	7	11%

"Ogni indugio d'un amante," for Rinaldo, HWV 7

edward.maurath

6:00	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	28	100	10	9	89%
	27	61	8	6	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	28	100	10	9	89%
	27	61	8	6	100%
Violoncello	20	1	5	6	100%
Violins 1	20	0	6	7	75%
Contrabasses	19	0	4	6	73%
Violoncellos	19	0	4	5	73%
Rinaldo	13	0	4	8	70%

HWV 61: Nitrcris, "Thou God, most high, and thou alone"

edward.maurath

4:57	Est. Play Time
99	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC LH	25	80	10	6	100%
HSC RH	20	80	7	8	97%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC LH	25	80	10	6	100%
HSC RH	20	80	7	8	97%
Basso Continuo	21	1	6	6	96%
NITOCRIS	15	0	5	6	77%
Violin	18	1	5	8	62%
	14	0	2	6	55%
Viola	14	0	2	6	56%
Violoncellos	17	0	5	6	55%
VNE	17	0	5	6	55%

HWV56N35 - Let all the angels of God worship him

edward.maurath

1:51	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	13	7	1	6	62%
	16	1	2	7	95%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	13	7	1	6	62%
	16	1	2	7	95%
Cello Continuo	16	0	2	7	95%
Violone	16	0	2	7	95%
Violin I	15	0	2	7	92%
Violin II	18	0	1	7	92%
Alti	10	0	1	8	84%
Soprani	13	0	2	7	84%
Viola	15	0	2	7	84%
Bassi	13	0	2	7	76%
Tenori	13	0	2	6	76%

Lament not thus, O Queen, in vain, from HWV 61, (1744)

edward.maurath

4:49	Est. Play Time
56	Measures
	1,157Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	20	57	4	6	91%
	25	104	5	6	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	20	57	4	6	91%
	25	104	5	6	100%
Violoncello Continuo	21	0	4	5	98%
Daniel	12	1	3	5	84%
Double Bassi	16	0	1	5	41%
Violin	16	2	2	6	41%
Violoncelli	16	0	1	5	41%

HWV56N41 - Let us break their bonds asunder

edward.maurath

2:22	Est. Play Time
67	Measures
	1,190Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	7	2	0	4	6%
	22	1	4	7	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	7	2	0	4	6%
	22	1	4	7	100%
Cello Continuo	22	0	4	7	100%
Violone	20	0	4	7	100%
Viola	20	0	6	5	99%
Vln I	24	0	5	7	91%
Vln II	24	0	5	6	91%
Tenor	15	0	4	6	84%
Organ	15	40	4	6	81%
	13	19	1	6	70%
Soprani	15	0	4	6	75%
Alti	12	0	2	6	70%
Bassi	15	0	3	6	66%

Chorus, "Viva il nostro Alcide" from "Giulio Cesare" HWV 17 (1724)

edward.maurath

2:17	Est. Play Time
64	Measures
	1,288Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord Continuo	15	3	1	3	100%
	15	5	1	3	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord Continuo	15	3	1	3	100%
	15	5	1	3	100%
Bassoon (Violas)	12	0	1	5	100%
Bassoon Continuo	15	0	1	2	100%
Contrabasses Continuo	15	0	1	2	100%
Oboe 1	15	7	3	6	100%
Oboe 2	15	0	3	5	100%
Violas	12	0	1	5	100%
Violins 1	15	7	3	6	100%
Violins 2	15	0	3	5	100%
Violoncellos Continuo	15	0	1	2	100%
Horn A	9	18	0	5	69%
Horn D	9	18	2	5	69%
Basses	12	1	1	4	41%
CONTRALTOS	11	0	2	3	41%
Sopranos	9	2	2	6	41%
Tenors	9	5	1	3	41%