Play Along Piano

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Baroque

Movement I — Concerto for Two Chalumeaux in D Minor (Telemann)

3:44	Est. Play Time
95	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Chalumeaux 1	17	0	5	11	99%
Chalumeaux 2	14	0	3	6	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Chalumeaux 1	17	0	5	11	99%
Chalumeaux 2	14	0	3	6	99%
Viola	10	0	3	4	36%
Violin	11	0	2	4	36%
Violoncello	7	0	1	4	34%
Harpsichord	16	4	1	5	29%
	4	0	3	2	2%

Zelenka - Requiem in D - Recordare - Ingemisco (Dies Irae) (ZWV 46)

johnsmith1

3:32	Est. Play Time
109	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	0	7	5	97%
Chalumeau	16	0	6	8	90%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	7	5	97%
Chalumeau	16	6	8	90%
Violin	21	6	8	75%
Contralto	12	4	5	55%
Tenor	9	2	5	26%

HWV8A2N13 - "Un sospiretto d'un labbro pallido" (Dorinda)

edward.maurath

4:17	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	29	9	7	97%
	25	19	5	7	97%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	29	9	7	97%
	25	19	5	7	97%
Violoncello	24	0	5	6	97%
Contrabass	24	0	5	5	88%
Dorinda	17	0	6	6	75%
Violins 1	22	0	7	7	56%
Contrabasses	17	0	4	3	47%
Violoncellos	17	0	4	3	47%
Bassoon	10	0	2	3	13%
Oboe	14	0	2	5	13%

Zelenka - Regem Cui Omnia Vivunt, Officium Defunctorum (ZWV 47)

johnsmith1

10:59	Est. Play Time
241	Measures
	2,635Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	26	0	8	9	82%
Basso Continuo	27	0	8	8	80%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	26	0	8	9	82%
Basso Continuo	27	0	8	8	80%
Violins I	29	1	12	9	79%
Violins II	28	0	11	8	78%
Alto	14	0	5	7	67%
Flute	26	9	10	6	65%
Oboe	22	10	8	6	54%
Bass	13	0	3	6	32%
Soprano	11	0	3	4	27%
Tenor	9	0	2	4	26%

14 Canons (Arranged for String Quartet and Orchestra)

Arianna2001

6:01	Est. Play Time
139	Measures
	1,824Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	13	3	5	90%
	23	7	2	4	96%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	13	3	5	90%
	23	7	2	4	96%
	17	8	0	2	95%
Violoncello (Solo Cello - Quartet)	17	0	2	4	88%
Viola (Solo Viola - Quartet)	18	0	3	5	78%
Violin I (Solo 1st Violin - Quartet)	24	0	7	7	71%
Violin II (Solo 2nd Violin - Quartet)	23	0	6	6	59%
Contrabass	17	0	2	4	45%

Die Sieben Worte Jesu Christi am Kreuz

Presently42

16:34	Est. Play Time
376	Measures
	2,041Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuus	22	1	7	7	100%
Tenor II	14	0	5	9	47%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuus	22	1	7	7	100%
Tenor II	14	0	5	9	47%
Tenor I	14	0	4	9	42%
Vox suprema instrumentalis	14	0	5	6	36%
Altus instrumentalis	15	0	5	6	35%
Altus	11	0	3	9	34%
Cantus	15	0	6	9	31%
Bassus	16	0	6	9	30%
Tenor instrumentalis II	10	0	2	6	16%
	9	0	2	5	16%
Bassus instrumentalis	15	0	5	6	16%

Double Bass Concerto by Karl Kohaut (1726 - 1784)

Plagal

22:23	Est. Play Time
268	Measures
	1,883Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Contrabasso Principale]	31	0	16	10	100%
[Basso]	25	0	12	7	94%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Contrabasso Principale]	31	0	16	10	100%
[Basso]	25	0	12	7	94%
[Violino I.]	30	2	15	8	85%
[Violino II.]	31	2	15	8	84%
[Corni in D]	11	0	2	5	38%

Toccata in C Minor

NLOCKEPIANO

1:59	Est. Play Time
55	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	37	33	9	9	100%
	28	25	8	6	100%
	10	0	2	5	38%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	37	33	9	9	100%
	28	25	8	6	100%
	10	0	2	5	38%

HWV5A3N21 - "Signore, poich'è lo sdegno"

edward.maurath

1:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
	16	11	6	4	52%
Florinda	11	0	0	4	52%
Cembalo (Continuo)	9	10	0	3	48%
	12	10	1	4	50%
Evaneo	9	0	2	4	48%

Rondo e-moll

jan.gasper.0

3:04	Est. Play Time
77	Measures
	1,305Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	16	2	5	100%
	15	0	2	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	16	2	5	100%
	15	0	2	4	100%
Violončelo	15	0	2	4	100%
Husle	12	0	1	4	68%
	9	0	1	4	68%
	17	0	2	5	77%
Zobcová flauta	15	0	2	5	42%
	15	0	2	5	40%

BWV245N10 - Derselbige Jünger war dem Hohenpriester bekannt

edward.maurath

3:31	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	14	0	5	6	100%
Cembalo Continuo	19	45	7	7	70%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	14	0	5	6	100%
Cembalo Continuo	19	45	7	7	70%
	16	2	6	6	70%
Evangelista	17	0	6	5	65%
Ancilla Petrus Jesus	24	0	8	4	43%
Organo Continuo	14	20	6	5	37%
	11	0	2	4	37%
Servus	6	0	3	2	7%

"Scepter und Kron," an aria from Handel's first Opera, "Almira."

edward.maurath

4:36	Est. Play Time
46	Measures
	1,771Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)	19	0	5	6	100%
Violoncello (Continuo)	19	0	5	6	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)	19	0	5	6	100%
Violoncello (Continuo)	19	0	5	6	100%
Cembalo (Continuo)	21	45	5	7	87%
	24	36	4	7	87%
Harp (Continuo)	18	33	3	6	80%
	18	24	3	6	74%
Contrabassi (Continuo)	13	0	2	5	72%
Violini	17	0	3	5	72%
Violoncelli (Continuo)	13	0	2	5	72%
Osman	16	0	5	6	39%
Bassoon (Continuo)	13	0	2	5	37%
	13	0	2	5	37%
Oboe	12	0	2	5	37%
	12	0	1	5	37%
Violas	9	0	1	4	20%
Consalvo	8	0	0	2	11%

"Frode, sol a te rivolta" from "Il Pastor Fido," HWV 8 (1733)

edward.maurath

3:24	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	69	6	6	95%
	25	46	7	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	69	6	6	95%
	25	46	7	4	100%
Violoncello (Continuo)	22	0	6	4	100%
Soprano as Eurilia	12	0	4	5	68%
Violini Tutti	14	0	1	6	55%
Contrabassi	16	0	2	4	48%
Violoncelli (Continuo)	16	0	2	4	48%

BWV245N2 - EVANGELIST Jesus ging mit seinen Jungern

edward.maurath

3:07	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	21	0	8	5	100%
Evangelist	16	0	5	4	77%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	21	0	8	5	100%
Evangelist	16	0	5	4	77%
Cembalo Continuo	16	30	7	4	67%
	21	2	9	4	72%
Organo Continuo	20	18	6	4	49%
	20	3	5	4	51%
	18	0	5	4	49%
Bassoon Continuo	16	0	3	3	26%
Contrabassi Continuo	16	0	3	3	26%
Oboe 1	17	0	5	3	26%
Viole	17	0	3	2	26%
Violini 1	20	0	3	2	26%
Violini 2	16	0	3	2	26%
Violoncelli Continuo	16	0	3	3	26%
Oboe 2	17	0	5	3	23%
Alti	11	0	2	5	21%
Bassi	15	0	4	4	21%
Jesus	12	0	2	4	21%
Soprani	10	0	1	4	21%
Tenori	12	0	3	4	21%
Flute 1	14	0	1	2	13%
Flute 2	14	0	1	2	13%

BWV245N4 - Rec: Evangelist & Jesus: Auf Daß das Wort

edward.maurath

1:12	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	12	0	4	6	100%
Harpsichord	15	17	7	5	73%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	12	0	4	6	100%
Harpsichord	15	17	7	5	73%
	9	0	2	4	67%
Evangelist	17	0	6	3	73%
Organ Continuo	10	9	2	6	33%
	8	0	2	6	33%
	8	0	2	6	33%
Jesus	12	0	2	4	33%