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Unique Notes: 6 - 10

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Bach
Ich steh' an Deiner Krippen hier
Großer Bachist
0:43 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 1 5 100%
Bass Bass 12 0 0 4 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 1 5 100%
Bass Bass 12 0 0 4 100%
Contrabass Bass 14 0 0 4 100%
Euphonium Bass 12 0 0 4 100%
Flute Treble 14 0 0 5 100%
Soprano Treble 7 0 0 3 100%
Tenor Treble 8 0 0 4 100%
Violin Treble 15 0 1 6 100%
Violoncello Bass 14 0 0 5 100%
Oboe Treble 7 0 0 2 31%
 
J.S. Bach: Chorale: Es ist genug (BWV 60, #5) with analysis
BSG
1:21 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 3 6 100%
Bass Bass 15 0 5 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 3 6 100%
Bass Bass 15 0 5 6 100%
Contrabass Bass 15 0 5 6 100%
Soprano Treble 6 0 1 4 100%
Tenor Treble 12 0 4 5 100%
 
Petite Priere
Christopher Constance
0:55 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 8 0 0 3 100%
Alto Treble 8 0 0 3 96%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 8 0 0 3 100%
Alto Treble 8 0 0 3 96%
Tenor Treble 9 0 0 3 92%
Bass Bass 6 0 0 2 79%
 
Am Abend, da es kühle war. BWV 244, part II, nr. 74 (BWV), nr. 64 (NBA). Johann Sebastian Bach.
SDG
2:00 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 21 0 8 2 100%
Treble 20 0 8 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 21 0 8 2 100%
Treble 20 0 8 4 100%
Altviool 20 0 7 4 100%
Bariton Bass 20 0 7 6 100%
Continuo Bass 9 0 2 4 100%
Contrabass Bass 10 0 2 4 100%
 
BWV 243 10.Suscepit Israel
aspasd
1:51 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I.		 Treble 16 0 4 5 100%
Violoncelo Bass 18 0 4 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I.		 Treble 16 0 4 5 100%
Violoncelo Bass 18 0 4 3 100%
Alto. Treble 14 0 4 5 97%
Soprano
II.		 Treble 15 0 5 5 89%
Oboe
I./II.		 Treble 7 0 0 1 78%
 
BWV 639 — string arrangement for beginners
Alexander Evstyugov-Babaev
3:05 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
VC Bass 24 0 9 3 100%
Vn Treble 9 0 0 7 100%
Vn/Va Treble 19 0 6 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
VC Bass 24 0 9 3 100%
Vn Treble 9 0 0 7 100%
Vn/Va Treble 19 0 6 2 100%
 
Jesu, Joy of Man's Desiring - Bach - Brass Quintet!
Iowabob
2:45 Est. Play
Time
71 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 13 0 2 5 100%
Tuba Bass 16 0 3 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 13 0 2 5 100%
Tuba Bass 16 0 3 5 100%
B♭
Trumpet		 Treble 16 0 2 4 97%
Treble 25 0 8 4 97%
Trombone Bass 7 0 1 4 45%
 
Minuet in E flat Major - Bach, Carl Phillipp Emanuel - H 171
DanMurray
0:48 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 5 1 7 100%
Bass 10 0 0 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 5 1 7 100%
Bass 10 0 0 3 100%
 
Green Greens (Kirby) For String Orchestra, Quartet, Or Quintet
pockies
1:01 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 20 0 0 7 95%
Treble 19 0 0 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 20 0 0 7 95%
Treble 19 0 0 6 100%
Viola 19 0 1 6 100%
Violoncello Bass 17 0 0 6 100%
Double
Bass		 Bass 8 0 0 5 57%
 
ARIA: So oft ich meine Tobackspfeife BWV 515/515a
Bartók forever
1:53 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 5 3 6 100%
Bass 22 0 7 4 100%
Oboe Treble 9 0 1 6 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 5 3 6 100%
Bass 22 0 7 4 100%
Oboe Treble 9 0 1 6 50%
 
(WIP) Bach - BWV. 1067 - Orchestral Suite No. 2 in B minor - Badinerie (B minor)
Erisceres
0:33 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 29 4 2 100%
Bass 12 0 1 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 29 4 2 100%
Bass 12 0 1 3 100%
Contrabass Bass 12 0 1 3 100%
Flute Treble 14 0 3 4 100%
Viola 10 0 1 2 100%
Violin
I		 Treble 13 0 3 5 100%
Violin
II		 Treble 10 0 3 2 100%
Violoncello Bass 12 0 1 3 100%
 
J.S.Bach: Chorale: Zion hört die Wächter singen (BWV 140 #4), Continuo realization exercise by BSG
BSG
4:22 Est. Play
Time
75 Measures
1,889Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 21 0 7 6 100%
Realization Treble 17 66 3 4 99%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 21 0 7 6 100%
Realization Treble 17 66 3 4 99%
Continuo Bass 20 0 5 3 99%
Violoncello Bass 20 0 5 3 99%
Tenors Treble 10 0 0 6 45%