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Petra

Kantatenzyklus "Die Tageszeiten", Chor "Die Nacht", Georg Phillip Telemann

Petra

1:26	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		14	4	4	5	100 %
Alto		14	0	4	5	93 %
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		14	4	4	5	100 %
Alto		14	0	4	5	93 %
Tenor		12	0	2	4	84 %
Bass		19	8	4	4	78 %

BWV150.7

Petra

4:27	Est. Play Time
89	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
BC		18	1	4	5	90 %
Alt		13	0	1	7	57 %
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
BC		18	1	4	5	90 %
Alt		13	0	1	7	57 %
Bass		14	0	2	6	57 %
Tenor		10	0	3	7	56 %
Sopran		15	0	5	6	53 %

Innsbruck, ich muss dich lassen, Heinrich Isaac

Petra

1:16	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		7	0	1	5	100 %
Bass		10	0	1	4	100 %
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		7	0	1	5	100 %
Bass		10	0	1	4	100 %
Soprano		6	0	0	5	100 %
Tenor		7	0	0	5	100 %

Kantatenzyklus "Die Tageszeiten", Chor "Der Mittag", Georg Phillip Telemann

Petra

1:31	Est. Play Time
31	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		9	0	1	5	100 %
Bass		12	0	2	3	100 %
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		9	0	1	5	100 %
Bass		12	0	2	3	100 %
Soprano		13	2	2	3	100 %
Tenor		10	0	1	3	100 %

Es_blueht_eine_Rose_zur_Weihnachtszeit-Stolz-SSAA

Petra

2:00	Est. Play Time
60	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	47	6	6	100 %
		25	7	5	5	100 %
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	47	6	6	100 %
		25	7	5	5	100 %
A1		12	0	3	6	95 %
S2		12	0	3	6	95 %
A2		13	0	3	6	85 %
S1		13	0	2	6	85 %

Belta_poi_che_t'assenti_Gesualdo

Petra

2:08	Est. Play Time
64	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
A I		17	0	7	5	89 %
A II		18	0	9	6	89 %
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
A I		17	0	7	5	89 %
A II		18	0	9	6	89 %
T		18	0	7	6	89 %
S		17	0	6	6	84 %
B		17	0	6	6	83 %

Erbarme dich, mein Gott aus der Matthäuspassion, BWV 244, Nr.39, J. S. Bach

Petra

6:14	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		28	0	10	8	100 %
Violoncello		25	0	8	3	100 %
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		28	0	10	8	100 %
Violoncello		25	0	8	3	100 %
Violas		22	0	8	4	98 %
Violins 1		19	0	6	7	98 %
Violins 2		22	0	9	4	98 %
Alto		17	0	6	7	75 %

Georg Friedrich Händel He shall feed his flock

Petra

2:42	Est. Play Time
37	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.		24	0	7	6	99 %
		20	0	4	7	87 %
Alt		12	0	3	6	73 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.		24	0	7	6	99 %
		20	0	4	7	87 %
Alt		12	0	3	6	73 %

Abendlied

Petra

1:38	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S1		10	0	1	4	94 %
S2		11	0	3	5	88 %
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S1		10	0	1	4	94 %
S2		11	0	3	5	88 %
T2		14	0	3	6	88 %
B		13	0	1	4	86 %
A		10	0	2	4	82 %
T1		9	0	1	5	76 %

BWV150.4

Petra

1:32	Est. Play Time
29	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass		17	0	6	7	100 %
BC		20	0	6	7	100 %
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass		17	0	6	7	100 %
BC		20	0	6	7	100 %
Tenor		16	0	4	7	100 %
Alt		15	0	6	7	97 %
Sopran		12	0	3	7	97 %

Kantatenzyklus "Die Tageszeiten", Chor "Der Abend", Georg Phillip Telemann

Petra

1:47	Est. Play Time
55	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		16	6	4	4	100 %
Alto		13	0	4	4	94 %
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		16	6	4	4	100 %
Alto		13	0	4	4	94 %
Tenor		15	0	4	3	89 %
Bass		15	0	5	5	80 %

Tomkins_Too_much_lamented

Petra

4:58	Est. Play Time
149	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt		14	0	4	8	95 %
Sopran2		14	0	5	6	93 %
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt		14	0	4	8	95 %
Sopran2		14	0	5	6	93 %
Tenor		16	0	4	8	90 %
Sopran1		13	0	4	6	89 %
Bass		20	0	7	8	78 %

Deutsche Messe Franz Schubert

Petra

11:18	Est. Play Time
195	Measures
	2,159Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
O		26	126	11	7	100 %
		25	39	6	7	100 %
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
O		26	126	11	7	100 %
		25	39	6	7	100 %
S A		21	0	7	7	96 %
B		19	0	5	8	93 %
T		16	0	6	7	93 %

BWV150.6

Petra

2:10	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel, Orgel (RH)		28	29	11	5	100 %
Klavier, Soprano		14	0	5	5	90 %
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel, Orgel (RH)		28	29	11	5	100 %
Klavier, Soprano		14	0	5	5	90 %
Klavier, Alto		13	0	4	4	85 %
Klavier, Tenore		15	0	5	4	83 %
Klavier, Basso		17	0	5	4	78 %

Pur ti miro

Petra

6:03	Est. Play Time
125	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klavier, Piano		18	22	4	4	89 %
		26	13	5	4	87 %
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klavier, Piano		18	22	4	4	89 %
		26	13	5	4	87 %
Sopran, Soprano		10	0	1	7	95 %
Bass		12	0	3	7	93 %

BWV150.2

Petra

3:04	Est. Play Time
53	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
BC		32	0	13	7	100 %
Alt		18	0	7	5	87 %
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
BC		32	0	13	7	100 %
Alt		18	0	7	5	87 %
Sopran		18	0	7	6	85 %
Bass		18	0	7	6	79 %
Tenor		17	0	7	4	75 %

Limportant_c'est_la_rose

Petra

0:48	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt		11	0	0	5	100 %
Sopran		10	0	1	4	100 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt		11	0	0	5	100 %
Sopran		10	0	1	4	100 %

Hine Ma Tov

Petra

0:48	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		8	0	0	3	100 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		8	0	0	3	100 %

Sound the trumpet Purcell Alt/Bass

Petra

2:58	Est. Play Time
90	Measures
	1,263Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo, Continuo		21	68	5	6	88 %
		1	0	0	1	1 %
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo, Continuo		21	68	5	6	88 %
		1	0	0	1	1 %
		15	1	2	3	100 %
B Kornett, Trumpet 3		12	0	1	7	100 %
Alt		13	0	3	9	84 %
Bass		12	0	2	9	84 %

Music for a while

Petra

3:22	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		16	5	4	7	90 %
		20	1	5	2	100 %
Alto		12	0	3	9	92 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		16	5	4	7	90 %
		20	1	5	2	100 %
Alto		12	0	3	9	92 %

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