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Petra

Kantatenzyklus "Die Tageszeiten", Chor "Die Nacht", Georg Phillip Telemann

Petra

1:26	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	14	4	4	5	100%
Alto	14	0	4	5	93%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	14	4	4	5	100%
Alto	14	0	4	5	93%
Tenor	12	0	2	4	84%
Bass	19	8	4	4	78%

Erbarme dich, mein Gott aus der Matthäuspassion, BWV 244, Nr.39, J. S. Bach

Petra

6:14	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	28	0	10	8	100%
Violoncello	25	0	8	3	100%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	28	10	8	100%
Violoncello	25	8	3	100%
Violas	22	8	4	98%
Violins 1	19	6	7	98%
Violins 2	22	9	4	98%
Alto	17	6	7	75%

Georg Friedrich Händel He shall feed his flock

Petra

2:42	Est. Play Time
37	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	24	7	6	99%
	20	4	7	87%
Alt	12	3	6	73%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	24	7	6	99%
	20	4	7	87%
Alt	12	3	6	73%

Abendlied

Petra

1:38	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S1	10	0	1	4	94%
S2	11	0	3	5	88%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S1	10	1	4	94%
S2	11	3	5	88%
T2	14	3	6	88%
B	13	1	4	86%
A	10	2	4	82%
T1	9	1	5	76%

Kantatenzyklus "Die Tageszeiten", Chor "Der Abend", Georg Phillip Telemann

Petra

1:47	Est. Play Time
55	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	16	6	4	4	100%
Alto	13	0	4	4	94%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	16	6	4	4	100%
Alto	13	0	4	4	94%
Tenor	15	0	4	3	89%
Bass	15	0	5	5	80%

BWV150.6

Petra

2:10	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel, Orgel (RH)	28	29	11	5	100%
Klavier, Soprano	14	0	5	5	90%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel, Orgel (RH)	28	29	11	5	100%
Klavier, Soprano	14	0	5	5	90%
Klavier, Alto	13	0	4	4	85%
Klavier, Tenore	15	0	5	4	83%
Klavier, Basso	17	0	5	4	78%

BWV150.2

Petra

3:04	Est. Play Time
53	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
BC	32	0	13	7	100%
Alt	18	0	7	5	87%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
BC	32	13	7	100%
Alt	18	7	5	87%
Sopran	18	7	6	85%
Bass	18	7	6	79%
Tenor	17	7	4	75%

Music for a while

Petra

3:22	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	5	4	7	90%
	20	1	5	2	100%
Alto	12	0	3	9	92%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	5	4	7	90%
	20	1	5	2	100%
Alto	12	0	3	9	92%

Come come let us drink

Petra

1:12	Est. Play Time
37	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	0	4	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	0	4	4	100%

Meister, wir haben die ganze Nacht gearbeitet

Petra

1:32	Est. Play Time
46	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	10	2	6	100%
Alt	12	2	8	93%
Bass	16	5	7	87%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	10	2	6	100%
Alt	12	2	8	93%
Bass	16	5	7	87%

Die beiden Rüben

Petra

1:44	Est. Play Time
40	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	15	3	4	90%
Bass	16	4	4	90%
Soprano	15	4	4	90%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	15	3	4	90%
Bass	16	4	4	90%
Soprano	15	4	4	90%

So gehe hin und iß dein Brot

Petra

1:25	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt	9	0	1	5	100%
Bass	10	0	2	5	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt	9	0	1	5	100%
Bass	10	0	2	5	100%
Sopran	11	0	2	5	100%
Tenor	9	0	0	5	100%
Klavier	18	36	3	4	93%
	23	36	3	5	88%

Johann Sebastian Bach: BWV244-59

Petra

2:04	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	19	0	6	5	73%
Tenor	17	0	5	5	68%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	19	6	5	73%
Tenor	17	5	5	68%
Alt	17	6	5	65%
Sopran	15	6	5	59%
Evangelist	13	5	3	30%
Pilatus	8	1	3	8%

BWV131 Kantate Weinen, Klagen, Sorgen, Zagen, Nr.4

Petra

3:46	Est. Play Time
39	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel, B.c.(Org)	24	7	8	100%
Oboe, Ob	18	4	5	92%
Alt, Alt	13	4	8	66%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel, B.c.(Org)	24	7	8	100%
Oboe, Ob	18	4	5	92%
Alt, Alt	13	4	8	66%

BWV131 Kantate Aus der Tiefen rufe ich Herr zu Dir -Nr3

Petra

3:27	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
BC	21	0	8	5	100%
Tenor	17	0	5	7	95%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
BC	21	8	5	100%
Tenor	17	5	7	95%
Bass	18	6	4	93%
Alt	16	6	7	88%
Sopran	17	4	5	81%

Tschaikowski:Tanz der Zuckerfee

Petra

1:36	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	0	4	2	100%
Bass	13	0	3	4	96%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	4	2	100%
Bass	13	3	4	96%
Tenor	11	3	3	96%
Soprano	12	2	3	83%

Johann Sebastian Bach: BWV244-36

Petra

1:39	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor2	14	0	4	6	74%
Alt2	12	0	3	6	70%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor2	14	4	6	74%
Alt2	12	3	6	70%
Bass2	17	5	6	62%
Sopran2	13	4	6	57%
Alt	16	6	5	26%

Henry Purcell Funeral Sentences Man that is born to a woman

Petra

2:30	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
BC	21	0	6	4	100%
Tenor	14	0	2	8	98%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
BC	21	6	4	100%
Tenor	14	2	8	98%
Alt	13	4	8	93%
Bass	20	5	6	89%
Sopran	13	2	8	89%

Claudio Monteverdi: Missa 1650-Sanctus

Petra

2:22	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	14	0	6	7	96%
Alt	13	0	5	7	90%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	14	6	7	96%
Alt	13	5	7	90%
Bass	16	6	6	86%
Sopran	15	6	6	84%

Johann Sebastian Bach:BWV244-67

Petra

2:24	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt2	16	0	6	5	92%
Sopran2	17	0	6	6	92%
View all 9 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt2	16	6	5	92%
Sopran2	17	6	6	92%
Bass1	19	6	5	89%
Bass2	18	5	5	89%
Sopran1	16	5	6	89%
Tenor2	16	5	5	89%
Alt1	16	6	5	86%
Tenor1	15	5	5	83%
Evangelist	11	3	3	11%