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Bartók forever

Inventio 1 C Major BWV 772

Bartók forever

1:06	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	1	5	7	100 %
		23	0	5	6	100 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	1	5	7	100 %
		23	0	5	6	100 %

D. Scarlatti - Sonata A Major K. 322

Bartók forever

4:04	Est. Play Time
82	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		25	0	10	4	100 %
		19	0	5	2	98 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		25	0	10	4	100 %
		19	0	5	2	98 %

Io son ferito

Bartók forever

4:56	Est. Play Time
74	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_2	14	0	4	6	95 %
Part_3	14	0	4	4	91 %
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Part_2	14	4	6	95 %
Part_3	14	4	4	91 %
Part_1	11	3	5	85 %
Part_4	11	2	5	84 %
Part_5	13	4	5	78 %

Simple "westward" modulating progressions based on the Cycle/Circle of 5ths

Bartók forever

1:20	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	35	19	6	98 %
		31	0	16	6	100 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	35	19	6	98 %
		31	0	16	6	100 %

D. Scarlatti - Sonata D Major K. 345

Bartók forever

5:57	Est. Play Time
120	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		21	9	5	3	100 %
		26	18	6	3	96 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		21	9	5	3	100 %
		26	18	6	3	96 %

Inventio 2 c Minor BWV 773

Bartók forever

2:20	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	0	6	6	100 %
		25	0	4	6	93 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	0	6	6	100 %
		25	0	4	6	93 %

Praeludium und Fuge über den Namen B A C H BWV 898

Bartók forever

4:18	Est. Play Time
106	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	21	11	8	97 %
		30	7	12	10	89 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	21	11	8	97 %
		30	7	12	10	89 %

Warum betrübst du dich (Aria) BWV 516

Bartók forever

1:16	Est. Play Time
18	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	20	16	5	6	100 %
	14	0	2	5	100 %
Stimme	13	0	4	6	100 %

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	20	16	5	6	100 %
	14	0	2	5	100 %
Stimme	13	0	4	6	100 %

Scherzo

Bartók forever

0:30	Est. Play Time
25	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		7	10	2	3	100 %
		7	9	2	3	95 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		7	10	2	3	100 %
		7	9	2	3	95 %

Sonata Eb Major K. 306

Bartók forever

5:55	Est. Play Time
110	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		23	0	9	7	98 %
		32	13	11	4	100 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		23	0	9	7	98 %
		32	13	11	4	100 %

Johann Georg Albrechtsberger (1736-1809): Kurze Regeln des reinsten Satzes

Bartók forever

5:27	Est. Play Time
159	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopran (C-Schlüssel)	15	0	5	5	97 %
Tenor (C-Schlüssel)	17	0	5	5	97 %
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopran (C-Schlüssel)	15	0	5	5	97 %
Tenor (C-Schlüssel)	17	0	5	5	97 %
Alt (C-Schlüssel)	14	0	3	5	97 %
Bass	14	3	4	5	76 %
Klavier	10	8	3	1	5 %
	5	2	0	1	4 %

La Battaglia

Bartók forever

2:31	Est. Play Time
114	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pieno	14	0	1	6	100 %
	17	0	2	5	100 %
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pieno	14	1	6	100 %
	17	2	5	100 %
Ottava e flauto	12	1	5	56 %
	14	2	5	56 %
Ottava, Flauto e Principale	6	0	5	11 %
	5	0	5	11 %
Vuoto	5	0	2	7 %
	3	0	1	7 %

Meine Seel erhebt den Herrn

Bartók forever

0:24	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		14	0	4	6	100 %
		12	0	1	6	100 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		14	0	4	6	100 %
		12	0	1	6	100 %

Allons enfants...

Bartók forever

0:56	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	14	0	2	6	72 %
	14	0	2	6	72 %
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	14	0	2	6	72 %
	14	0	2	6	72 %
	11	0	2	8	100 %
	11	0	2	8	100 %
Pipe Organ	18	0	6	9	93 %
Panflöte	17	37	5	10	90 %

Chromatic Invention (1)

Bartók forever

0:56	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	0	11	4	100 %
		31	0	15	4	100 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	0	11	4	100 %
		31	0	15	4	100 %

A Hornepype (shortened)

Bartók forever

3:19	Est. Play Time
76	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		22	3	3	9	100 %
		13	11	0	7	93 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		22	3	3	9	100 %
		13	11	0	7	93 %

Modus Ludendi Pleno Organo Pedaliter. SSWV 157

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3:03	Est. Play Time
33	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	15	4	5	98 %
	18	6	5	98 %
	15	4	5	98 %

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	15	4	5	98 %
	18	6	5	98 %
	15	4	5	98 %

Variations

Bartók forever

2:05	Est. Play Time
69	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	11	9	4	90 %
		34	27	11	4	84 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	11	9	4	90 %
		34	27	11	4	84 %

What Then Is Love But Mourning

Bartók forever

0:39	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Countertenor		7	0	1	4	100 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Countertenor		7	0	1	4	100 %

Canaris

Bartók forever

0:54	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		19	1	7	6	100 %
		18	0	2	6	71 %

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		19	1	7	6	100 %
		18	0	2	6	71 %