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Bartók forever

Once upon a time

Bartók forever

2:05	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	14	1	3	4	54%
Tuba	19	0	8	5	54%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	14	1	3	4	54%
Tuba	19	0	8	5	54%
Flügelhorn	14	0	2	4	48%
	7	0	1	4	15%
Flöte	18	0	7	4	44%
Horn in F	19	0	7	5	41%
Klarinette in B	10	0	4	5	28%
Pauke	3	0	0	3	19%

Mariä Wiegenlied Op. 76 No. 52

Bartók forever

1:38	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	47	11	6	100%
	23	5	4	4	100%
Voice	12	0	4	6	81%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	47	11	6	100%
	23	5	4	4	100%
Voice	12	0	4	6	81%

Cantio Belgica SSWV 108 (shortened)

Bartók forever

2:18	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	16	0	4	6	98%
Orgel	18	0	5	7	97%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	16	4	6	98%
Orgel	18	5	7	97%
	14	1	7	93%
Fagott	9	1	6	94%
Violoncello	11	1	6	76%
Klarinette in B	12	3	7	61%

ARIA: So oft ich meine Tobackspfeife BWV 515/515a

Bartók forever

1:53	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	5	3	6	100%
	22	0	7	4	100%
Oboe	9	0	1	6	50%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	5	3	6	100%
	22	0	7	4	100%
Oboe	9	0	1	6	50%

What power art thou? (Purcell, King Arthur Act III aka "Cold Scene")

Bartók forever

2:32	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	29	98	10	2	100%
	15	0	5	2	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	29	98	10	2	100%
	15	0	5	2	100%
Violine I/II	19	0	7	2	100%
	18	0	6	2	100%
Basso Continuo	15	0	5	2	100%
Bratsche	19	0	6	2	100%
Bass	16	0	6	4	69%

Scalar Rhythm Shifting

Bartók forever

2:28	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		10	0	0	1	100%
		10	0	0	1	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		10	0	0	1	100%
		10	0	0	1	100%

BWV 515/515a So oft ich meine Tobacks-Pfeife

Bartók forever

2:27	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	5	3	6	100%
	22	0	7	4	100%
Oboe	9	0	1	6	50%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	5	3	6	100%
	22	0	7	4	100%
Oboe	9	0	1	6	50%

Cantio Belgica (Wehe Windgen wehe) SSWV 108 (shortened)

Bartók forever

2:18	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	16	0	4	6	98%
Orgel	18	0	5	7	97%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	16	4	6	98%
Orgel	18	5	7	97%
	14	1	7	93%
Fagott	9	1	6	94%
Violoncello	11	1	6	76%
Klarinette in B	12	3	7	61%

Two Giggs

Bartók forever

2:06	Est. Play Time
47	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal	17	6	3	6	100%
	17	4	3	5	97%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal	17	6	3	6	100%
	17	4	3	5	97%
	18	16	4	6	84%
	21	16	4	6	84%

"Im Walde" from "Liederkreis", op. 39, 1840

Bartók forever

1:28	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	34	7	4	100%
	17	12	3	4	100%
Voice	12	0	3	6	73%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	34	7	4	100%
	17	12	3	4	100%
Voice	12	0	3	6	73%

Dolcissima mia vita

Bartók forever

1:58	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	14	0	5	7	93%
Sopran	13	0	5	8	91%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	14	5	7	93%
Sopran	13	5	8	91%
Alt	15	6	8	89%
Mezzosopran	15	6	7	89%
Bass	18	6	8	76%

Allegro (Fuga à 4) from Suite No 3 HWV 428

Bartók forever

1:53	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	0	10	9	97%
		24	1	7	10	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	0	10	9	97%
		24	1	7	10	93%

April is in my mistress' face

Bartók forever

1:00	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	0	2	4	100%
Alto	8	0	1	5	97%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	2	4	100%
Alto	8	1	5	97%
Tenor	8	1	4	92%
Bass	11	2	5	89%

Sinfonia 5 BWV 791 arr. for two Vlns. and B. c.

Bartók forever

2:00	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	22	0	6	3	100%
Violine 1	14	0	2	5	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	22	0	6	3	100%
Violine 1	14	0	2	5	100%
Violoncello	22	0	6	3	100%
Violine 2	17	0	4	5	97%
Realization	18	37	6	5	93%