Tags

counterpoint
J. S. Bach: Stirb in mir (BWV 169 #5)
BSG
5:54 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cto Bass 30 0 12 2 100%
Viola 22 0 8 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cto Bass 30 0 12 2 100%
Viola 22 0 8 4 100%
Violin
1		 Treble 18 0 5 5 100%
Violin
2		 Treble 21 0 9 4 100%
Alto Treble 20 0 8 6 60%
Organ Treble 26 0 9 6 60%
 
J.S. Bach: Chorale: Es ist genug (BWV 60, #5) with analysis
BSG
1:21 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 3 6 100%
Bass Bass 15 0 5 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 3 6 100%
Bass Bass 15 0 5 6 100%
Contrabass Bass 15 0 5 6 100%
Soprano Treble 6 0 1 4 100%
Tenor Treble 12 0 4 5 100%
 
Double Violin Concerto in D Minor, RV 514
Jayden Fung
9:41 Est. Play
Time
328 Measures
4,311Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
I		 Treble 39 2 16 9 96%
Violin
II		 Treble 35 2 14 8 92%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
I		 Treble 39 2 16 9 96%
Violin
II		 Treble 35 2 14 8 92%
Basso
Continuo		 Bass 24 0 7 6 85%
Harpsichord Treble 0 0 0 0 0%
Bass 23 0 6 5 83%
Contrabass Bass 23 0 6 5 83%
Violins
I		 Treble 31 0 12 7 66%
Violins
II		 Treble 29 0 11 6 62%
Viola 27 0 11 5 60%
 
J. S. Bach: Ein' feste Burg ist unser Gott (BWV 80/I)
BSG
7:36 Est. Play
Time
228 Measures
3,159Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 18 54 7 4 33%
Bass 26 0 10 7 96%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 18 54 7 4 33%
Bass 26 0 10 7 96%
Vcl Bass 26 3 10 7 96%
Tenor Treble 18 0 7 5 86%
Viola 18 0 7 5 86%
Alto Treble 18 0 6 6 84%
Violin
2		 Treble 18 0 6 6 84%
Soprano Treble 18 0 7 5 79%
Violin
1		 Treble 18 0 7 6 79%
Bass Bass 17 0 5 6 71%
Tromba
1		 Treble 14 0 2 6 38%
Ped Bass 10 0 2 5 33%
Trombone Bass 10 0 2 5 33%
Tromba
2,3		 Treble 11 20 1 4 22%
Timpani Bass 2 0 0 3 21%
Oboe Treble 13 16 3 5 20%
 
J. S. Bach: Dona nobis pacem (BWV 232 final mvt)
BSG
3:12 Est. Play
Time
46 Measures
2,802Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
1		 Treble 12 0 2 4 98%
Treble 14 0 3 5 93%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
1		 Treble 12 0 2 4 98%
Treble 14 0 3 5 93%
Bass 22 1 6 5 100%
15 0 3 5 100%
CtoR Treble 17 45 4 7 100%
Bass 18 0 5 6 100%
Tenor Treble 15 0 3 5 100%
Alto Treble 12 0 2 4 98%
Continuo Bass 20 1 6 5 98%
Contrabass Bass 20 1 6 5 98%
Bass Bass 19 0 6 5 93%
Flute Treble 14 0 3 5 93%
Soprano Treble 14 0 3 5 93%
Oboe Treble 18 34 5 6 82%
Trombe
1
amp;amp;
2		 Treble 11 0 1 5 51%
Timpani Bass 2 0 0 5 22%
Tromba
3		 Treble 11 0 1 5 22%
 
J. S. Bach: Sarabande (B minor orchestral suite, BWV 1067, #3)
BSG
3:15 Est. Play
Time
34 Measures
1,126Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute,
Vln
1		 Treble 18 0 6 7 100%
Violin Treble 18 0 6 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute,
Vln
1		 Treble 18 0 6 7 100%
Violin Treble 18 0 6 7 100%
Violin
2		 Treble 18 0 5 6 97%
Contrabass Bass 18 0 5 5 94%
Vcl/Continuo Bass 18 0 5 5 94%
Viola 17 0 5 6 94%
Harpsichord Treble 21 18 7 12 44%
Bass 18 0 5 5 92%
 
Pergolesi/Magatagan/BSG: Stabat Mater Dolorosa quartet
BSG
4:46 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 20 0 6 3 100%
Violin
1		 Treble 23 0 8 8 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 20 0 6 3 100%
Violin
1		 Treble 23 0 8 8 100%
Violin
2		 Treble 21 0 7 8 100%
Viola 18 0 6 8 96%
 
J. S. Bach: Contrapunctus XIV (extant torso, from BWV 1080)
BSG
8:40 Est. Play
Time
239 Measures
2,289Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 25 0 9 7 90%
21 0 7 7 82%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 25 0 9 7 90%
21 0 7 7 82%
22 0 8 7 84%
27 0 11 7 92%
Reed
Contrabass		 Bass 22 0 7 7 62%
 
J. S. Bach: Arioso - Betrachte, meine Seele (aus Johannespassion, BWV 245)
BSG
2:00 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Liuto Treble 15 0 4 2 89%
Bass 25 0 9 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Liuto Treble 15 0 4 2 89%
Bass 25 0 9 4 100%
Cto Bass 16 0 5 1 100%
Vn
1		 Treble 18 0 7 1 100%
Vn
2		 Treble 19 0 6 1 100%
Bass Bass 16 0 5 4 83%
 
Op. 27 - Double Canon
Bradley de Lucia
2:47 Est. Play
Time
95 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 3 5 74%
Treble 15 0 2 5 95%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 3 5 74%
Treble 15 0 2 5 95%
Bass 15 0 2 5 97%
18 0 3 5 77%
 
Vigo Kovačić - Fugue in c minor
Vigo Kovačić
1:49 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavir Treble 28 0 9 8 93%
Bass 35 5 14 8 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavir Treble 28 0 9 8 93%
Bass 35 5 14 8 90%
 
Invention No. 1
StaccatoFreak
1:06 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 8 5 5 100%
Bass 25 2 5 5 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 8 5 5 100%
Bass 25 2 5 5 97%
 
J.D. Zelenka: Lamentatio I (complete, from ZWV 53)
BSG
16:22 Est. Play
Time
150 Measures
1,706Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 10 8 96%
Contrabass Bass 23 0 10 8 96%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 10 8 96%
Contrabass Bass 23 0 10 8 96%
Violin
1		 Treble 28 0 11 11 75%
Violin
2		 Treble 27 0 11 9 75%
Bass Bass 16 0 5 9 74%
Viola 23 0 7 9 59%
Oboe
1		 Treble 19 0 8 9 31%
Oboe
2		 Treble 19 0 7 8 29%
 
J.S. Bach: Sinfonia from "Geist und Seele wird verwirret", BWV 35
BSG
7:28 Est. Play
Time
132 Measures
3,176Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 29 0 12 6 100%
Organ
LH		 Bass 29 1 12 6 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 29 0 12 6 100%
Organ
LH		 Bass 29 1 12 6 100%
Violoncello Contrabasso Bass 29 0 12 6 100%
Violin
1		 Treble 30 0 12 7 86%
Organo Obbligato Treble 26 0 10 7 86%
Oboe
1		 Treble 28 0 11 7 85%
Viola 27 0 10 6 85%
Oboe
2		 Treble 25 0 10 7 83%
Violin
2		 Treble 30 0 12 7 83%
Taille 25 0 9 6 80%
 
Fugue in G minor
Thomas-S
1:47 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 19 0 7 5 97%
Bass 12 0 3 5 90%
Bass 21 0 5 5 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 19 0 7 5 97%
Bass 12 0 3 5 90%
Bass 21 0 5 5 95%
 
J. S. Bach: Fantasia in G minor, BWV 917, "Fantasia duobus subjectis"
intasei
2:43 Est. Play
Time
61 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 2 8 7 88%
Bass 27 2 9 8 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 2 8 7 88%
Bass 27 2 9 8 94%
 
Fugue
Marc Sabatella
1:19 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 0 8 5 93%
Bass 25 0 7 6 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 0 8 5 93%
Bass 25 0 7 6 80%
 
J. S. Bach: Kyrie I (Missa H-moll, BWV 232)
BSG
10:12 Est. Play
Time
127 Measures
3,611Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
CB Bass 27 0 9 7 100%
Org
e
cto		 Bass 27 0 9 7 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
CB Bass 27 0 9 7 100%
Org
e
cto		 Bass 27 0 9 7 100%
Vcl/Cb Bass 27 0 9 7 100%
Ob.
da
Cacc.		 Treble 25 2 10 7 98%
Flute Treble 22 1 9 7 90%
Bassoon Bass 24 0 8 7 88%
Viola 26 0 10 6 88%
Violin
2		 Treble 25 0 11 7 85%
Violin
1		 Treble 24 0 8 7 84%
Tenor Treble 19 0 7 6 72%
Alto Treble 21 0 8 6 67%
Bass Bass 21 0 8 7 62%
Soprano
1		 Treble 22 0 8 6 61%
Soprano
2		 Treble 20 3 8 6 53%
Church
Organ		 Bass 10 0 4 3 2%
 
J. S. Bach/Tovey: Contrapunctus XIV (D. F. Tovey completion)
BSG
11:32 Est. Play
Time
317 Measures
3,431Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 26 0 9 7 91%
22 0 8 7 86%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 26 0 9 7 91%
22 0 8 7 86%
22 0 8 7 87%
27 0 11 8 92%
Reed
Contrabass		 Bass 25 0 8 7 70%
 
J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9)
BSG
7:34 Est. Play
Time
106 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 16 0 5 5 100%
Soprano Treble 18 0 6 6 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 16 0 5 5 100%
Soprano Treble 18 0 6 6 99%
Treble 16 0 5 5 98%
Alto Treble 12 0 2 3 36%