Tags

counterpoint
J. S. Bach: Stirb in mir (BWV 169 #5)
BSG
5:54 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cto Bass 30 0 12 2 100 %
Viola 22 0 8 4 100 %
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cto Bass 30 0 12 2 100 %
Viola 22 0 8 4 100 %
Violin
1		 Treble 18 0 5 5 100 %
Violin
2		 Treble 21 0 9 4 100 %
Alto Treble 20 0 8 6 60 %
Organ Treble 26 0 9 6 60 %
 
J.S. Bach: Chorale: Es ist genug (BWV 60, #5) with analysis
BSG
1:21 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 3 6 100 %
Bass Bass 15 0 5 6 100 %
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 3 6 100 %
Bass Bass 15 0 5 6 100 %
Contrabass Bass 15 0 5 6 100 %
Soprano Treble 6 0 1 4 100 %
Tenor Treble 12 0 4 5 100 %
 
Vigo Kovačić - Fugue in c minor
Vigo Kovačić
1:49 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavir Treble 28 0 9 8 93 %
Bass 35 5 14 8 90 %
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavir Treble 28 0 9 8 93 %
Bass 35 5 14 8 90 %
 
Fugue in G minor
Thomas-S
1:47 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 19 0 7 5 97 %
Bass 12 0 3 5 90 %
Bass 21 0 5 5 95 %
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 19 0 7 5 97 %
Bass 12 0 3 5 90 %
Bass 21 0 5 5 95 %
 
Invention No. 1
StaccatoFreak
1:06 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 8 5 5 100 %
Bass 25 2 5 5 97 %
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 8 5 5 100 %
Bass 25 2 5 5 97 %
 
Pergolesi/Magatagan/BSG: Stabat Mater Dolorosa quartet
BSG
4:46 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 20 0 6 3 100 %
Violin
1		 Treble 23 0 8 8 100 %
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 20 0 6 3 100 %
Violin
1		 Treble 23 0 8 8 100 %
Violin
2		 Treble 21 0 7 8 100 %
Viola 18 0 6 8 96 %
 
J. S. Bach: Arioso - Betrachte, meine Seele (aus Johannespassion, BWV 245)
BSG
2:00 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Liuto Treble 15 0 4 2 89 %
Bass 25 0 9 4 100 %
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Liuto Treble 15 0 4 2 89 %
Bass 25 0 9 4 100 %
Cto Bass 16 0 5 1 100 %
Vn
1		 Treble 18 0 7 1 100 %
Vn
2		 Treble 19 0 6 1 100 %
Bass Bass 16 0 5 4 83 %
 
J. S. Bach: Fantasia in G minor, BWV 917, "Fantasia duobus subjectis"
intasei
2:43 Est. Play
Time
61 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 2 8 7 88 %
Bass 27 2 9 8 94 %
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 2 8 7 88 %
Bass 27 2 9 8 94 %
 
Op. 27 - Double Canon
Bradley de Lucia
2:47 Est. Play
Time
95 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 3 5 74 %
Treble 15 0 2 5 95 %
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 3 5 74 %
Treble 15 0 2 5 95 %
Bass 15 0 2 5 97 %
18 0 3 5 77 %
 
J. S. Bach: Sarabande (B minor orchestral suite, BWV 1067, #3)
BSG
3:15 Est. Play
Time
34 Measures
1,126Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute,
Vln
1		 Treble 18 0 6 7 100 %
Violin Treble 18 0 6 7 100 %
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute,
Vln
1		 Treble 18 0 6 7 100 %
Violin Treble 18 0 6 7 100 %
Violin
2		 Treble 18 0 5 6 97 %
Contrabass Bass 18 0 5 5 94 %
Vcl/Continuo Bass 18 0 5 5 94 %
Viola 17 0 5 6 94 %
Harpsichord Treble 21 18 7 12 44 %
Bass 18 0 5 5 92 %
 
J.D. Zelenka: Lamentatio I (complete, from ZWV 53)
BSG
16:22 Est. Play
Time
150 Measures
1,706Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 10 8 96 %
Contrabass Bass 23 0 10 8 96 %
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 10 8 96 %
Contrabass Bass 23 0 10 8 96 %
Violin
1		 Treble 28 0 11 11 75 %
Violin
2		 Treble 27 0 11 9 75 %
Bass Bass 16 0 5 9 74 %
Viola 23 0 7 9 59 %
Oboe
1		 Treble 19 0 8 9 31 %
Oboe
2		 Treble 19 0 7 8 29 %
 
Baroque Again
Howard Bosler
3:31 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 1 5 5 100 %
Bass 22 3 3 5 100 %
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 1 5 5 100 %
Bass 22 3 3 5 100 %