Play Along Piano

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counterpoint

J. S. Bach: Fantasia in G minor, BWV 917, "Fantasia duobus subjectis"

intasei

2:43	Est. Play Time
61	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	2	8	7	88%
		27	2	9	8	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	2	8	7	88%
		27	2	9	8	94%

Op. 27 - Double Canon

Bradley de Lucia

2:47	Est. Play Time
95	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	0	3	5	74%
		15	0	2	5	95%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	0	3	5	74%
		15	0	2	5	95%
		15	0	2	5	97%
		18	0	3	5	77%

J. S. Bach: Sarabande (B minor orchestral suite, BWV 1067, #3)

BSG

3:15	Est. Play Time
34	Measures
	1,126Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute, Vln 1		18	0	6	7	100%
Violin		18	0	6	7	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute, Vln 1		18	0	6	7	100%
Violin		18	0	6	7	100%
Violin 2		18	0	5	6	97%
Contrabass		18	0	5	5	94%
Vcl/Continuo		18	0	5	5	94%
Viola		17	0	5	6	94%
Harpsichord		21	18	7	12	44%
		18	0	5	5	92%

Invention in G minor

kaled.dabboussi.3

3:06	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klavier		23	1	7	4	100%
		20	0	7	7	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klavier		23	1	7	4	100%
		20	0	7	7	100%

J.S. Bach: Sinfonia 9, F minor (BWV 795) (w/ detailed commentary!)

BSG

3:19	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		23	0	8	6	100%
Bassoon		28	0	10	5	97%
Flute		22	0	9	6	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		23	0	8	6	100%
Bassoon		28	0	10	5	97%
Flute		22	0	9	6	94%

J. S. Bach: Dona nobis pacem (BWV 232 final mvt)

BSG

3:12	Est. Play Time
46	Measures
	2,802Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1		12	0	2	4	98%
		14	0	3	5	93%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1		12	0	2	4	98%
		14	0	3	5	93%
		22	1	6	5	100%
		15	0	3	5	100%
CtoR		17	45	4	7	100%
		18	0	5	6	100%
Tenor		15	0	3	5	100%
Alto		12	0	2	4	98%
Continuo		20	1	6	5	98%
Contrabass		20	1	6	5	98%
Bass		19	0	6	5	93%
Flute		14	0	3	5	93%
Soprano		14	0	3	5	93%
Oboe		18	34	5	6	82%
Trombe 1 amp;amp; 2		11	0	1	5	51%
Timpani		2	0	0	5	22%
Tromba 3		11	0	1	5	22%

J.S. Bach, Well Tempered Clavier Book I, Fugue 8 in D-sharp Minor

sjforman

2:54	Est. Play Time
87	Measures
	2,284Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	0	4	8	99%
		30	0	5	5	46%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	0	4	8	99%
		30	0	5	5	46%
Soprano		19	0	2	7	99%
Alto		26	0	3	8	50%
Bass		30	0	5	5	46%

Trio in C# minor for oboe, English horn and cello (Opus 22a)

schoutens

2:21	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
English Horn		26	0	10	8	98%
Oboe		23	0	10	8	96%
Violoncello		25	0	10	8	85%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
English Horn		26	0	10	8	98%
Oboe		23	0	10	8	96%
Violoncello		25	0	10	8	85%

Trio

Marc Sabatella

2:28	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	0	5	6	100%
		21	0	6	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	0	5	6	100%
		21	0	6	4	100%

T.L de Victoria: Eram quasi agnus

BSG

2:19	Est. Play Time
54	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	2	6	98%
Soprano		14	0	4	6	98%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	2	6	98%
Soprano		14	0	4	6	98%
Tenor		10	0	2	6	94%
Baritone		12	0	3	6	59%

Two-Part Invention (reworked)

Aisido

2:50	Est. Play Time
54	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	2	6	6	100%
		18	0	5	8	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	2	6	6	100%
		18	0	5	8	98%

J.S. Bach: Chorale: Es woll uns Gott genädig sein (BWV 76, #7)

BSG

2:43	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		17	0	4	6	100%
		16	0	6	4	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		17	0	4	6	100%
		16	0	6	4	100%
Realization		16	46	5	7	100%
Tromba		11	0	1	5	100%
Viola		18	0	6	6	100%
Continuo		25	0	8	4	92%
Violoncello		25	0	8	4	92%
Alto		14	0	4	5	81%
Bass		16	0	4	4	81%
Soprano		11	0	1	4	81%
Tenor		15	0	5	6	81%

F. Couperin: Troisième Leçon pour Mercredy Sainct à deux voix

BSG

2:51	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pan Flute		17	26	4	5	100%
Violoncello		20	0	4	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pan Flute		17	26	4	5	100%
Violoncello		20	0	4	5	100%
Soprano		13	0	2	10	95%
		13	0	2	10	93%

J.S. Bach: Duetto: Gott, du hast es wohl gefüget (BWV 63, #3)

BSG

3:10	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		23	0	7	3	100%
Realization		20	57	8	8	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		23	0	7	3	100%
Realization		20	57	8	8	100%
Oboe		20	0	8	9	74%
Bass		15	0	3	5	67%
Soprano		17	0	6	7	64%

Contrapunctus I

kyagielski

2:36	Est. Play Time
78	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F		23	0	8	6	91%
B♭ Cornet		20	0	7	7	86%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F		23	0	8	6	91%
B♭ Cornet		20	0	7	7	86%
Tuba		22	0	8	6	82%
Trombone		19	0	6	6	78%

Baroque Variations in C Major

Vextrove

2:12	Est. Play Time
72	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Bass		35	20	12	2	100%
Piano, MELODY		29	42	12	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Bass		35	20	12	2	100%
Piano, MELODY		29	42	12	2	100%

Fugue on "Rock N Roll McDonald's" [HSCC #9]

Dun Ought 3 - The Prisoner of Azkaban

3:18	Est. Play Time
71	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		33	0	12	9	91%
		30	0	11	9	99%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		33	0	12	9	91%
		30	0	11	9	99%

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