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HWV 17

"Da tempeste il legno infranto" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

8:36	Est. Play Time
100	Measures
	2,042Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	49	4	6	100%
	20	55	4	6	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	49	4	6	100%
	20	55	4	6	99%
Harp Continuo	21	46	4	6	100%
	20	54	4	6	99%
Violoncello Continuo	19	0	4	5	99%
Violini	19	16	3	5	76%
Contrabassi Continuo	16	0	2	3	75%
Violoncelli Continuo	16	0	2	3	75%
Cleopatra	16	0	2	5	72%

"Caro! Bella! Più amabile belta" from "Giulio Cesare," HWV 17, (1724)

edward.maurath

8:58	Est. Play Time
62	Measures
	1,053Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	28	4	6	97%
	21	31	5	7	97%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	28	4	6	97%
	21	31	5	7	97%
Violoncello Continuo	19	0	3	7	97%
Cleopatra	15	0	3	7	80%
Cesare	13	0	4	7	74%
Violini 1	21	0	2	6	63%
Oboe 1	21	0	2	5	59%
Violini 2	20	0	1	6	57%
Oboe 2	20	0	1	5	53%
Violoncelli Contnuo	15	0	1	6	48%
Contrabassi Continuo	15	0	1	6	46%
Fagotto Continuo	13	0	0	5	38%

"Son nata a lagrimar" from HWV 17, Giulio Cesare in Egitto

edward.maurath

6:33	Est. Play Time
40	Measures
	1,153Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	0	5	4	100%
	19	0	5	4	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	0	5	4	100%
	19	0	5	4	100%
Harpsichord	19	0	5	4	100%
	19	0	5	4	100%
Celli	19	0	5	4	100%
Kontrebaß	19	0	5	4	100%
Violoncello	19	0	5	4	100%
Violas	14	0	4	4	95%
Vln 1	23	54	7	5	95%
Sesto	14	0	5	5	74%
Cornelia	13	0	5	5	72%

Handel: La March - D Major

edward.maurath

1:54	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lute	13	15	2	3	93%
	17	32	3	5	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lute	13	15	2	3	93%
	17	32	3	5	100%
Bassoon	12	3	2	5	100%
BSN	15	2	1	5	100%
Kontrebaß	15	0	1	5	100%
Oboe 1	12	0	1	5	100%
Oboe 2	13	2	3	5	100%
Vcl	15	0	1	5	100%
Vla	12	3	2	5	100%
Vln	15	39	3	5	100%
Trumpet at concert pitch	12	1	1	5	75%

Cornelia, "Priva son d'ogni conforto" from HWV 17, Giulio Cesare

edward.maurath

12:33	Est. Play Time
114	Measures
	1,315Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	17	1	3	2	100%
	17	1	3	2	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	17	1	3	2	100%
	17	1	3	2	100%
Lute	17	1	3	2	100%
	17	1	3	2	100%
Celli	17	0	3	2	100%
Continuo	17	0	3	3	100%
Contrebaß	17	0	3	2	100%
Violas	16	0	5	3	100%
Violins	23	60	8	6	100%
Vln 2	23	60	8	4	100%
Flute	20	0	5	6	89%
Cornelia	15	0	5	7	88%

HWV17a2n16y1724: Cleopatra, "Venere belle" in A Major

edward.maurath

11:30	Est. Play Time
123	Measures
	1,072Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	31	5	5	62%
	26	50	8	5	90%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	31	5	5	62%
	26	50	8	5	90%
Harp	17	18	3	5	45%
	25	61	8	5	90%
Continuo	20	0	5	5	90%
Violino solo	22	0	6	6	85%
Cleopatra	16	0	5	5	67%
Violini	17	0	1	5	38%
Celli	12	0	0	5	35%
Kontrebaß	12	0	0	5	35%

Dal mio cenno si venaumiliata (1730) HWV 17 "Giulio Cesare"

edward.maurath

2:03	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	22	18	4	5	100%
	20	0	5	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	22	18	4	5	100%
	20	0	5	4	100%
Violoncello	20	0	5	4	100%
Tolomeo	14	0	3	5	76%
Violini	21	0	3	3	74%
Violoncellos	14	0	2	3	71%
Violone	14	0	2	3	71%

"Presti omai l'Egizia terra" From HWV 17

edward.maurath

2:46	Est. Play Time
54	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord Continuo	16	10	2	4	100%
	17	10	2	4	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord Continuo	16	10	2	4	100%
	17	10	2	4	100%
Cello Continuo	17	0	2	4	100%
Contrabasses	17	0	2	4	100%
Violoncellos Continuo	17	0	2	4	100%
Violins 1	18	0	1	5	98%
Violins 2	19	0	2	5	98%
Violas	13	0	1	4	81%
Cesare	13	0	2	7	74%

"Dal fulgor di questa spada" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

2:40	Est. Play Time
107	Measures
	1,037Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	55	7	5	99%
	24	40	5	5	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	55	7	5	99%
	24	40	5	5	100%
Violoncello Continuo	22	0	5	5	100%
Contrabassi Continuo	21	0	5	4	91%
Violoncelli Continuo	21	0	5	4	91%
Violini	22	1	5	6	88%
Achilla	18	0	6	5	67%

"Tutto può donna vezzosa, s'amorosa" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

19:47	Est. Play Time
146	Measures
	1,291Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	82	10	7	98%
	19	7	6	5	81%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	82	10	7	98%
	19	7	6	5	81%
Violini Tutti	21	0	5	7	76%
Cleopatra	15	0	4	6	62%
Violoncello Continuo	18	0	4	5	61%
Oboe	12	0	1	7	59%
Contrabassi Continuo	17	0	2	5	51%
Violoncelli Continuo	17	0	2	5	51%
Bassoon Continuo	15	0	0	5	44%
Viole	10	0	0	5	34%
Bassoon Viola	10	0	0	5	16%

Se a me non sei crudele, ogn' or from "Giulio Cesare," HWV 17 (1724)

edward.maurath

5:15	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	26	24	9	8	100%
	25	5	7	9	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	26	24	9	8	100%
	25	5	7	9	100%
Contrabass	23	0	6	9	100%
Violin	24	0	7	9	100%
Violoncello	24	0	7	9	100%
Violoncellos	23	0	6	9	100%
ACHILLA	17	0	4	8	77%

Empio, diro, tu sei, from HWV 17, (1724)

edward.maurath

4:44	Est. Play Time
64	Measures
	1,120Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	10	8	5	100%
	27	16	8	6	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	10	8	5	100%
	27	16	8	6	100%
Celli	27	0	8	6	100%
Continuo	27	0	8	6	100%
Kontrebaß	27	0	8	6	100%
Violini	24	0	12	4	82%
Cesare	16	0	6	6	65%

HWV17a2n05y1724 "Se in fiorto ameno prato" from "Giulio Cesare in Egitto"

edward.maurath

6:49	Est. Play Time
97	Measures
	1,535Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	20	0	6	9	85%
Harp	21	27	6	8	84%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	20	0	6	9	85%
Harp	21	27	6	8	84%
	28	68	10	8	84%
Harpsichord	20	48	6	8	84%
	27	51	9	8	84%
Cesare	15	0	6	8	71%
Bassoon	14	7	0	7	60%
Continuo	22	0	6	5	55%
Vln 1	16	0	4	8	37%
Celli	16	0	2	5	35%
Kontrebaß	16	0	2	5	35%
Vln 2	13	0	0	6	32%
Violas	10	0	0	7	29%

"Non disperar, chi sa?" from HWV 17

edward.maurath

0:01	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	24	12	6	6	98%
	23	4	6	5	98%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	24	12	6	6	98%
	23	4	6	5	98%
Harpsichord	24	10	7	6	98%
	23	5	7	5	98%
Continuo	23	0	6	5	98%
Cleopatra	16	0	5	5	72%
Violini	16	0	2	6	62%
Celli	17	0	1	3	56%
Violas	11	0	0	4	33%
Kontrebaß	13	0	0	2	21%

"Non ha piu che temere quest" from "Giulio Cesare," HWV 17, (1724)

edward.maurath

3:51	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	8	4	4	100%
	22	20	5	4	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	8	4	4	100%
	22	20	5	4	100%
Harp Continuo	20	18	5	4	100%
	21	13	4	4	100%
Violoncello Continuo	20	0	4	4	100%
Contrabassi Continuo	17	0	3	4	93%
Violini	19	0	5	3	93%
Violoncelli Contniuo	18	0	3	4	93%
Cornelia	14	0	4	7	76%

HWV17A3N02Y1724 Sinfonia in D Major, "La battaglia"

edward.maurath

0:52	Est. Play Time
19	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	13	0	1	3	100%
	11	0	1	3	100%
View all 11 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	13	1	3	100%
	11	1	3	100%
Harpsichord	13	1	3	100%
	13	1	3	100%
Oboe	13	2	4	100%
	18	2	2	100%
Celli	13	1	3	100%
Continuo	13	1	3	100%
Kontrebaß	13	1	3	100%
Violas	11	1	3	100%
Violini	18	2	2	100%

Sinfonia in G Major

edward.maurath

3:04	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	0	1	4	91%
	15	0	1	4	91%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	0	1	4	91%
	15	0	1	4	91%
Fagotto	17	4	1	4	91%
Oboe 1	13	0	1	4	91%
Oboe 2	11	0	1	5	91%
Viole	11	0	0	4	91%
Violini 1	13	0	1	4	91%
Violini 2	16	0	1	4	91%
Violoncello Continuo	15	0	1	4	91%
Contrabassi Continuo	15	0	1	4	83%
Violoncelli Continuo	15	0	1	4	83%
Corni G	11	18	0	5	67%
Corni D	11	15	1	5	35%

HWV17A3N06Y1724-Cleopatra, "Piangerò, la sorte mia" in E Major

edward.maurath

6:16	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Celli	21	0	5	6	100%
Kontrbaß	21	0	5	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Celli	21	0	5	6	100%
Kontrbaß	21	0	5	6	100%
Cleopatra	15	0	2	8	88%
Vln 1	20	0	4	5	80%
Harpsichord	18	9	3	6	78%
	18	6	3	6	78%
Continuo	17	0	3	6	78%
Vln 2	20	0	4	5	64%
Flute	11	0	1	4	51%

"Tu la mia stella sei" from HWV 17, Giulio Cesare, 1724

edward.maurath

7:42	Est. Play Time
92	Measures
	1,250Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	37	7	6	95%
	21	36	7	6	95%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	37	7	6	95%
	21	36	7	6	95%
Harp Continuo	21	38	7	6	95%
	21	36	7	6	95%
Violoncello Continuo	19	0	5	6	95%
Cleopatra	17	0	6	9	83%
Violini	25	28	6	8	82%
Contrabassi Continuo	17	0	3	6	75%
Violoncelli Continuo	17	0	3	6	75%

"L' aure che spira tiranno e fiero" from "Giulio Cesare," HWV 17

edward.maurath

6:55	Est. Play Time
108	Measures
	1,899Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	67	6	6	100%
	24	0	6	6	94%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	67	6	6	100%
	24	0	6	6	94%
Harp (Continuo)	21	67	6	6	100%
	24	0	6	6	94%
Violoncello (Continuo)	23	0	6	6	94%
Bassoon (Continuo)	23	0	6	6	91%
Oboe	19	0	5	7	89%
Violini 1	23	0	5	5	89%
Violini 2	23	0	5	6	89%
Contrabassi (Continuo)	23	0	6	6	81%
Violoncelli (Continuo)	23	0	6	6	81%
Soprano as Sesto	17	0	5	7	69%
Bassoon (VLI)	19	0	2	5	46%
Viole	16	0	2	5	46%