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HWV 17

HWV17A2N20Y1724 Cleopatra, "Se pieta di me non senti" in f sharp minor

edward.maurath

7:04	Est. Play Time
51	Measures
	1,747Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		20	43	8	5	92%
		26	13	8	5	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		20	43	8	5	92%
		26	13	8	5	100%
Harp Continuo		20	42	8	5	92%
		25	13	7	5	100%
Bassoon Continuo		20	0	6	4	100%
Violins 1 and 2		26	0	10	5	96%
Celli Continuo		18	0	5	4	94%
Contrabass Continuo		18	0	5	4	94%
Violoncello Continuo		18	0	5	4	94%
Violas		16	0	4	5	90%
Violins 3		17	0	6	5	90%
Soprano as Cleopatra		17	0	6	6	73%
Bassoon Obligato		13	0	2	4	29%

"Al lampo del armi" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

4:17	Est. Play Time
62	Measures
	1,714Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		23	0	5	3	100%
		23	0	5	3	100%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		23	0	5	3	100%
		23	0	5	3	100%
Harp Continuo		23	0	5	3	100%
		23	0	5	3	100%
Contrabassi Continuo		23	0	5	3	100%
Violoncelli Continuo		23	0	5	3	100%
Violoncello Continuo		23	0	5	3	100%
Violini		18	0	4	5	95%
Cesare		11	0	2	5	78%
Bassi		8	0	0	2	4%
Contralti		9	10	0	2	4%
Soprani		5	0	0	2	4%

"Ritorni omai nel nostro core" from "Giulio Cesare," HWV 17, (1724)

edward.maurath

2:32	Est. Play Time
107	Measures
	2,086Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Contniuo		19	15	4	6	100%
		20	25	3	6	100%
View all 19 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Contniuo		19	15	4	6	100%
		20	25	3	6	100%
Basso Continuo		19	0	2	5	100%
Fagotto (Viole)		21	0	2	4	100%
Oboe 1		15	0	2	5	100%
Oboe 2		14	0	4	5	100%
Contrabassi Continuo		14	0	2	3	79%
Viole		11	0	2	4	79%
Violini 1		13	0	2	4	79%
Violini 2		11	0	2	4	79%
Violoncelli Continuo		14	0	2	3	79%
Corni re		8	0	0	3	73%
Corni sol		7	0	0	3	72%
Bassi		13	0	2	3	69%
Contralti		9	0	1	4	69%
Soprani		13	0	2	4	69%
Tenori		8	0	2	4	69%
Cleopatra		8	0	0	4	23%
Cesare		9	0	2	4	22%

HWV17A3N07Y1724vEJM Cesare, "Aure, deh, per pieta" in F Major

edward.maurath

15:34	Est. Play Time
190	Measures
	1,986Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		22	53	8	8	91%
		28	43	9	8	98%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		22	53	8	8	91%
		28	43	9	8	98%
Continuo		25	0	8	8	98%
Vln 1		21	0	5	8	93%
Vln 2		21	0	7	8	92%
Violas		18	0	5	8	82%
Celli		23	0	7	8	81%
Kontrebaß		23	0	7	8	81%
Cesare		13	0	4	7	72%

HWV17a2n12y1724 - Cornelia, "Cessa omai di sospirare!" in F Major

edward.maurath

4:44	Est. Play Time
81	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		20	4	5	7	78%
		23	12	6	6	99%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		20	4	5	7	78%
		23	12	6	6	99%
Harpsichord		17	4	5	7	65%
		23	11	6	6	99%
Continuo		21	0	5	7	99%
Vln 1		16	0	4	7	79%
Vln 2		17	0	5	7	79%
Celli		19	0	3	6	62%
Contrabasses		22	0	3	6	62%
Cornelia		12	0	3	7	62%
Flute		13	0	4	7	59%
Violas		16	0	4	7	56%

"Che sento Oh dio Morra Cleopatra ancora," from "Giulio Cesare in Egitto"

edward.maurath

1:17	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		15	0	5	5	100%
		15	0	5	5	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		15	0	5	5	100%
		15	0	5	5	100%
Harpsichord		15	0	5	5	100%
		15	0	5	5	100%
Celli		15	0	5	5	100%
Kontrebaß		15	0	5	5	100%
Violas		12	0	5	5	100%
Vln 1		13	0	6	5	100%
Vln 2		10	0	4	5	100%
Cleopatra		14	0	6	3	95%

"Alma del gran Pompeo" from HWV 17, "Giulio Cesare," (1724)

edward.maurath

2:20	Est. Play Time
29	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		17	4	6	4	100%
		20	4	6	4	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		17	4	6	4	100%
		20	4	6	4	100%
Harpsichord		17	4	6	4	100%
		20	4	6	4	100%
Celli		16	0	5	4	100%
Continuo		16	0	5	4	100%
Contrabasses		15	0	5	4	100%
Violas		14	0	5	4	100%
Vln 1		14	0	5	6	100%
Vln 2		14	0	4	6	100%
Cesare		15	0	6	4	83%

"Cara speme" from "Giulio Cesare in Egitto," HWV 17, (1724)

edward.maurath

3:29	Est. Play Time
29	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		22	29	5	6	100%
		23	32	5	7	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		22	29	5	6	100%
		23	32	5	7	100%
Harp Continuo		22	28	5	7	100%
		23	34	5	7	100%
Violoncello Continuo		20	0	4	7	100%
Sesto		14	0	3	8	83%
Contrabassi Continuo		9	0	0	4	8%
Violini		9	0	0	6	8%
Violoncelli Continuo		9	0	0	4	8%

Cesare, "Non e si vago e bello" from HWV 17, (1724)

edward.maurath

4:10	Est. Play Time
40	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		20	8	6	4	100%
		21	16	6	4	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		20	8	6	4	100%
		21	16	6	4	100%
Harpsichord		20	8	6	4	100%
		22	17	6	4	100%
Celli		21	0	5	4	100%
Continuo		21	0	5	5	100%
Kontrebaß		21	0	5	4	100%
Violini		14	4	1	5	90%
Cesare		14	0	3	5	79%
Violas		11	0	0	4	16%

HWV17A2N25 Sesto & Cornelia, "Ecco in tutto perduta"

edward.maurath

1:29	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo		15	0	9	3	100%
Sesto		14	0	7	3	59%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo		15	0	9	3	100%
Sesto		14	0	7	3	59%
Harp		15	17	7	4	55%
		15	15	12	4	57%
Harpsichord		10	11	3	3	48%
		15	13	8	3	52%
Cornelia		12	0	4	4	48%

HWV17a1n29y1725 "Madre!"

edward.maurath

0:56	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		18	18	8	4	100%
		9	0	2	3	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		18	18	8	4	100%
		9	0	2	3	100%
Violoncello		9	0	2	3	100%
Sesto		11	0	4	3	93%
Harpsichord		6	2	2	1	14%
		2	0	1	2	14%
Cornelia		4	0	2	1	14%

HWV17A3N19 - Recitative, "Quì Curio vincitor"

edward.maurath

2:44	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo		17	0	7	5	100%
Harpsichord		10	9	3	5	46%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo		17	0	7	5	100%
Harpsichord		10	9	3	5	46%
		19	26	7	5	51%
Cesare		12	0	4	5	45%
Harp		17	20	6	6	42%
		15	16	5	5	44%
Sesto		9	0	4	3	22%
Cornelia		11	0	3	3	18%
Nireno		7	0	0	3	14%
Cleopatra		7	0	2	4	10%
Lute		5	1	1	2	4%
		12	3	5	2	6%

HWV17A3N09Y1724 Cesare, "Quel torrente che cade dal monte" in C Major

edward.maurath

2:48	Est. Play Time
157	Measures
	1,037Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		20	2	4	3	99%
		21	4	4	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		20	2	4	3	99%
		21	4	4	4	100%
Violoncello Continuo		21	0	4	4	97%
Cesare		15	0	3	6	71%
Violins		22	0	5	7	69%
Kontrebaß		15	0	1	3	43%
Celli		14	0	0	3	41%

"S'armi a miei danni" from "Giulio Cesare in Egitto," HWV 17, 1725

edward.maurath

9:11	Est. Play Time
109	Measures
	1,118Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		26	50	9	8	74%
		24	6	4	4	99%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		26	50	9	8	74%
		24	6	4	4	99%
Continuo		21	0	3	4	99%
Sesto		16	0	6	7	68%
Violin		19	0	2	8	62%
		17	0	2	6	62%
Celli		18	0	1	4	61%
Kontrebaß		16	0	1	4	61%
Viola		12	0	1	4	49%

"Nel tuo seno" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

2:34	Est. Play Time
27	Measures
	1,274Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		13	12	2	6	96%
		17	9	1	5	96%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		13	12	2	6	96%
		17	9	1	5	96%
Harp Contnuo		21	42	3	6	96%
		18	14	2	5	96%
Contrabassi Continuo		14	0	1	5	96%
Violini 1		19	0	2	6	96%
Violini 2		19	0	2	6	96%
Violoncelli Continuo		15	0	1	5	96%
Violoncello Continuo		15	0	1	5	96%
Cornelia Contralto		10	0	2	5	78%

Chorus, "Viva il nostro Alcide" from "Giulio Cesare" HWV 17 (1724)

edward.maurath

2:17	Est. Play Time
64	Measures
	1,288Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord Continuo		15	3	1	3	100%
		15	5	1	3	100%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord Continuo		15	3	1	3	100%
		15	5	1	3	100%
Bassoon (Violas)		12	0	1	5	100%
Bassoon Continuo		15	0	1	2	100%
Contrabasses Continuo		15	0	1	2	100%
Oboe 1		15	7	3	6	100%
Oboe 2		15	0	3	5	100%
Violas		12	0	1	5	100%
Violins 1		15	7	3	6	100%
Violins 2		15	0	3	5	100%
Violoncellos Continuo		15	0	1	2	100%
Horn A		9	18	0	5	69%
Horn D		9	18	2	5	69%
Basses		12	1	1	4	41%
CONTRALTOS		11	0	2	3	41%
Sopranos		9	2	2	6	41%
Tenors		9	5	1	3	41%

"Svegliatevi nel core" from HWV 17, (1724)

edward.maurath

3:08	Est. Play Time
64	Measures
	1,364Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		22	6	6	5	100%
		23	9	4	6	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		22	6	6	5	100%
		23	9	4	6	100%
Harpsichord		21	2	4	5	100%
		24	10	7	6	100%
Celli		21	0	4	5	100%
Continuo		21	1	4	5	100%
Contrabasses		21	0	4	5	100%
Vln 1		23	0	5	5	98%
Vln 2		19	0	4	5	98%
Castrato as Sesto		15	0	3	6	80%
Flute		13	17	2	4	25%

"La speranza all alma mia gride e dice" from HWV 17 "Giulio Cesare in Egitto"

edward.maurath

7:29	Est. Play Time
121	Measures
	1,405Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		14	50	3	6	98%
		19	37	2	7	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		14	50	3	6	98%
		19	37	2	7	100%
Violoncello Continuo		15	0	2	4	100%
Cleopatra		12	0	3	7	68%
Contrabassi Continuo		11	0	1	4	39%
Violini		17	0	1	4	39%
Violoncelli Continuo		12	0	1	4	39%

"Tu sei il cor di questo core" from Giulio Cesare in Egitto, HWV 17, (1724)

edward.maurath

3:35	Est. Play Time
65	Measures
	1,464Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		22	44	7	5	100%
		26	53	8	5	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		22	44	7	5	100%
		26	53	8	5	100%
Harpsichord		22	44	7	5	100%
		26	53	8	5	100%
Bassoon		21	0	5	7	100%
Celli		25	0	8	5	100%
Continuo		25	0	8	5	100%
Kontrebaß		25	0	8	5	100%
Violini		26	2	8	7	95%
Achilla		18	0	5	7	74%

HWV17A3N11Y1725 Sesto, "Sperai ne m'inganni"

edward.maurath

3:33	Est. Play Time
114	Measures
	1,491Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		23	29	7	9	69%
		19	2	4	7	99%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		23	29	7	9	69%
		19	2	4	7	99%
Cello		18	0	4	7	99%
Sesto		14	0	4	8	76%
Violini		20	0	4	9	70%
Violoncellos		17	0	3	7	68%
Violone		17	0	3	7	68%

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