Active Filters:
Clef: BassBass
Composition: Piano
Unique Chords: None
Unique Notes: 16 - 20
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
All of me
László Markó
0:32 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Zongora Treble 21 32 10 3 100%
Bass 18 0 7 1 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Zongora Treble 21 32 10 3 100%
Bass 18 0 7 1 100%
 
Abendlied (Der Mond ist aufgegangen)
Max Reger
0:23 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopran Alt Treble 13 0 3 3 100%
Tenor Bass Bass 18 0 5 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopran Alt Treble 13 0 3 3 100%
Tenor Bass Bass 18 0 5 6 100%
 
All of me
László Markó
0:32 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Zongora Treble 16 18 7 3 100%
Bass 19 0 7 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Zongora Treble 16 18 7 3 100%
Bass 19 0 7 2 100%
 
"Ah, vous dirai-je maman" Variation II
jude h
0:40 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 19 6 5 100%
Bass 19 0 5 2 53%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 19 6 5 100%
Bass 19 0 5 2 53%
 
Allegro 10
spasoft
0:48 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 3 5 5 100%
Bass 18 0 4 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 3 5 5 100%
Bass 18 0 4 6 100%
 
1. Ach, dass nicht die letzte Stunde, Schemelli, J.S. Bach, BWV 439.
Gertim
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 4 4 100%
T B Bass 18 0 5 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 4 4 100%
T B Bass 18 0 5 4 100%
 
2. Ach Gott, erhör' mein Seufzen!, J.S. Bach, BWV 254.
SDG
0:42 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 2 4 100%
Tenor/Bass Bass 18 0 4 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 2 4 100%
Tenor/Bass Bass 18 0 4 4 100%
 
All Star but it's a Bach chorale following the conventions of the Common Practice Period
-ctrl-
0:54 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 3 98%
Tenor/Bass Bass 17 0 4 3 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 3 98%
Tenor/Bass Bass 17 0 4 3 98%
 
Alabaster
brindle
1:34 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 9 1 3 100%
Bass 20 0 2 4 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 9 1 3 100%
Bass 20 0 2 4 93%
 
15. Allein zu dir, Herr Jesu Christ, J.S. Bach, BWV 261, Choral Gesänge, Breitkopf.
Gertim
1:25 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 20 0 7 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 20 0 7 5 100%
 
Alfonsina y el Mar - Violino e Cello
Julio Silveira
2:09 Est. Play
Time
87 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 18 0 8 7 98%
Violin Treble 15 0 6 6 87%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 18 0 8 7 98%
Violin Treble 15 0 6 6 87%
 
A6
daviesx661
1:06 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 3 6 100%
Bass 18 0 4 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 3 6 100%
Bass 18 0 4 4 100%
 
Air - Henry Purcell
korben
0:32 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 0 1 4 100%
Bass 17 0 4 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 0 1 4 100%
Bass 17 0 4 2 100%
 
6. Ach Gott, vom Himmel sieh' darein, BWV 77 #6, Cantate 'Du sollst Gott, deinen Herren lieben. J.S. Bach, Zelter.
SDG
0:50 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 3 6 100%
Tenor/Bass Bass 19 0 5 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 3 6 100%
Tenor/Bass Bass 19 0 5 7 100%
 
Adapted Chords Waltz
Theerakhun Charoensedtasin
0:41 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Piano		 Treble 19 0 2 3 100%
Bass 16 0 3 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Piano		 Treble 19 0 2 3 100%
Bass 16 0 3 3 100%
 
adagio
upstbolt
2:26 Est. Play
Time
60 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 0 7 9 95%
Bass 18 0 8 1 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 0 7 9 95%
Bass 18 0 8 1 100%
 
9. Ach Gott, wie manches Herzeleid, BWV 153.9, J.S. Bach, J. Clauder, Moller.
SDG
0:39 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 3 3 100%
Tenor/Bass Bass 17 0 2 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 3 3 100%
Tenor/Bass Bass 17 0 2 5 100%
 
Ab Major 2 part Counterpoint
Ara Zaratsyan
0:44 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 0 2 2 100%
Bass 19 0 2 6 86%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 0 2 2 100%
Bass 19 0 2 6 86%
 
3. Ach Gott und Herr, B.A. 39, No.3, BWV, BWV 255.
SDG
0:30 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 1 4 100%
Tenor/Bass Bass 18 0 3 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 1 4 100%
Tenor/Bass Bass 18 0 3 2 100%
 
After the Storm
Trixcis
2:36 Est. Play
Time
78 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
(a)		 Treble 25 2 2 4 100%
Bass 17 0 0 4 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
(a)		 Treble 25 2 2 4 100%
Bass 17 0 0 4 99%