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Bach, J.S., Aria (bass): Nichts ist es spat und frühe (G minor)

pental

3:36	Est. Play Time
97	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Violoncello Contibuo		26	0	8	5	100%
Baritone		17	0	6	5	68%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Violoncello Contibuo		26	0	8	5	100%
Baritone		17	0	6	5	68%

Handel, G.F., O Sing unto the Lord a New Song

pental

3:11	Est. Play Time
60	Measures
	1,136Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	35	9	7	99%
	27	19	7	7	93%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	35	9	7	99%
	27	19	7	7	93%
Organ	27	0	5	5	100%
Oboe	17	0	5	7	98%
Violino I	22	0	6	7	98%
Canto	15	0	4	8	95%
Bassoon	17	0	4	5	93%
Violino II	25	0	8	6	93%
Violoncello	21	0	5	5	93%
Contrabass	20	0	4	5	92%
Basso	16	0	5	8	90%
Tenore	16	0	6	7	78%

Haydn Joseph, 2, Allegretto, Piano Trio in E major, Hob.XV:28

pental

3:12	Est. Play Time
65	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	36	7	10	10	100%
	36	26	13	10	97%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	36	7	10	10	100%
	36	26	13	10	97%
Violin	28	5	10	7	57%
Violoncello	19	0	4	6	57%

02- Polonaise in G minor C.P.E. Bach

pental

0:52	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	0	2	5	96%
		16	0	3	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	0	2	5	96%
		16	0	3	3	100%

Debussy Mandoline

pental

2:12	Est. Play Time
70	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	40	48	16	2	88%
	43	35	17	4	98%
Voice	18	0	7	6	92%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	40	48	16	2	88%
	43	35	17	4	98%
Voice	18	0	7	6	92%

Sanglots Francis Poulenc

pental

4:24	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	41	31	20	4	87%
	36	80	21	7	98%
Chant	19	0	13	7	88%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	41	31	20	4	87%
	36	80	21	7	98%
Chant	19	0	13	7	88%

Handel Allegro Siebente Suite in g moll - HWV 432

pental

1:56	Est. Play Time
69	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	2	8	5	100%
		20	0	5	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	2	8	5	100%
		20	0	5	5	100%

Debussy_Claude_-_Ariettes_Oublies_No.4_-_Chevaux_de_Bois

pental

5:49	Est. Play Time
102	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	40	32	21	7	93%
	44	28	21	6	97%
Chant Voice	20	0	13	9	84%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	40	32	21	7	93%
	44	28	21	6	97%
Chant Voice	20	0	13	9	84%

Spring Ivor Gurney

pental

1:13	Est. Play Time
74	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	74	14	8	98%
	28	37	7	7	77%
Voice	16	0	6	7	62%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	74	14	8	98%
	28	37	7	7	77%
Voice	16	0	6	7	62%

Cornelius_Peter_-_An_Bertha_Op.15_No.3_-_In_der_Ferne

pental

2:43	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	75	10	6	100%
	40	37	15	5	100%
Voice	16	0	5	5	74%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	75	10	6	100%
	40	37	15	5	100%
Voice	16	0	5	5	74%

Es treibt mich hin Robert Schumann

pental

2:08	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	29	5	5	100%
	24	19	7	5	100%
Stimme	20	0	6	5	75%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	29	5	5	100%
	24	19	7	5	100%
Stimme	20	0	6	5	75%

Missa brevis Sancti Joannis J. Haydn 03 Credo

pental

3:23	Est. Play Time
82	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I	27	2	9	7	100%
Violino II	26	2	7	7	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I	27	2	9	7	100%
Violino II	26	2	7	7	100%
Organo Violoncello e Basso	23	0	7	4	98%
Basso	19	0	6	7	94%
Tenore	17	0	5	7	87%
Alto	14	0	4	7	85%
Soprano	17	0	5	7	85%

Salve Regina F. Schubert (T.T.B.B)

pental

4:55	Est. Play Time
119	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso I	13	0	4	7	100%
Tenore II	13	0	5	7	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso I	13	4	7	100%
Tenore II	13	5	7	100%
TENORE I	15	6	8	99%
Basso II	16	6	7	97%

Cornelius_Peter_-_6_Lieder_Op.5_No.4_-_Ode

pental

1:42	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	83	13	6	100%
	25	48	9	6	98%
Voice	17	0	9	6	77%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	83	13	6	100%
	25	48	9	6	98%
Voice	17	0	9	6	77%