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Franz_Robert-_Op.1_No.1_-_Ihr_Auge

pental

1:27	Est. Play Time
47	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	19	30	6	6	97%
	21	14	5	6	97%
Singstimme Voice	11	0	2	6	87%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	19	30	6	6	97%
	21	14	5	6	97%
Singstimme Voice	11	0	2	6	87%

Hoc est præceptum meum Francisco Guerrero

pental

5:30	Est. Play Time
124	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	0	4	7	98%
Soprano I	16	0	5	6	92%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	4	7	98%
Soprano I	16	5	6	92%
Soprano II	16	5	7	88%
Tenore	11	2	7	85%
Basso	14	4	7	81%

Go, crystal tears (SATB) John Dowland

pental

1:07	Est. Play Time
19	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Liuto	10	15	2	6	100%
	16	14	5	5	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Liuto	10	15	2	6	100%
	16	14	5	5	100%
Alto	7	0	1	7	100%
Soprano	8	0	2	7	100%
Tenore	12	0	2	7	100%
Basso	14	0	4	6	88%

Canzone a 2: Cornetto o violino e trombone Giulio Belli (1560-1622)

pental

3:50	Est. Play Time
102	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Cornettino o violino	12	2	7	100%
Organ	16	1	6	100%
Trombone	12	1	7	97%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Cornettino o violino	12	2	7	100%
Organ	16	1	6	100%
Trombone	12	1	7	97%

Missa "Au travail suis" Kyrie Johannes Ockeghem

pental

2:32	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	11	0	2	6	92%
Superius	14	0	3	6	92%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	11	2	6	92%
Superius	14	3	6	92%
Tenor	13	1	6	90%
Bassus	13	1	5	69%

Per signum crucis Francisco Guerrero

pental

2:33	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	0	2	7	98%
Soprano	10	0	1	7	95%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	2	7	98%
Soprano	10	1	7	95%
Tenore	12	3	6	88%
Basso	11	1	5	84%

Morgen- Richard Strauss op.27 N°4

pental

3:26	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	24	4	7	100%
	26	11	5	7	100%
Voice	11	0	2	7	55%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	24	4	7	100%
	26	11	5	7	100%
Voice	11	0	2	7	55%

Richafort Requiem in Memoriam Josquin Desprez V. Sanctus

pental

3:42	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	12	0	2	7	96%
Bassus	15	0	3	7	90%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	12	2	7	96%
Bassus	15	3	7	90%
Tenor	11	1	7	90%
Superius	10	3	6	79%
Canon 2	8	1	6	58%
Canon 1	7	0	6	52%

Calvisius Veni sancte Spiritus

pental

5:20	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	11	0	2	7	100%
Bassus	13	0	3	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	11	2	7	100%
Bassus	13	3	6	100%
Cantus	13	4	6	100%
Tenor	12	2	7	100%

1-Loveliest of trees from A Shropshire Lad Butterworth George

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0:01	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	27	37	5	9	82%
	30	16	8	7	72%
Voice	12	0	2	6	73%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	27	37	5	9	82%
	30	16	8	7	72%
Voice	12	0	2	6	73%

9 THE DIVINE IMAGE R. Vaughan Williams

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2:15	Est. Play Time
63	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		15	0	2	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		15	0	2	6	100%

5. Sanctus Missa Pro Defunctis a 4 de Morales

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2:59	Est. Play Time
87	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	8	0	2	5	98%
Tenor 1	12	0	2	5	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	8	2	5	98%
Tenor 1	12	2	5	97%
Tenor 2	12	2	6	95%
Bassus	10	1	5	93%
Voice	2	0	1	1%

Le Rosssignol Clément Janequin (1485-1558)

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2:36	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	0	2	6	100%
Bass	11	0	1	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	2	6	100%
Bass	11	1	6	100%
Tenor	10	1	6	100%
Soprano	12	3	5	97%

Come again Dowland

pental

3:00	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	19	2	6	88%
	13	4	0	6	100%
Voice	9	0	0	7	89%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	19	2	6	88%
	13	4	0	6	100%
Voice	9	0	0	7	89%

VI. Agnus Dei Missa Pro Defunctis a 4 de Morales

pental

2:48	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor I	9	0	2	5	96%
Tenor II	11	0	2	6	96%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor I	9	2	5	96%
Tenor II	11	2	6	96%
Altus	8	2	5	93%
Bassus	11	2	3	91%
Voice	6	0	1	4%