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Menuet con 5 Variazoni C.P.E. Bach

pental

6:03	Est. Play Time
130	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	2	4	10	98%
		22	1	4	8	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	2	4	10	98%
		22	1	4	8	89%

Brahms_Johannes_-_7_Lieder_Op.48_No.5_-_Trost_in_Tranen

pental

3:23	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	50	15	2	100%
		25	27	7	2	100%
Voice		13	0	4	2	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	50	15	2	100%
		25	27	7	2	100%
Voice		13	0	4	2	89%

Missa "Au travail suis" Gloria Johannes Ockeghem

pental

4:17	Est. Play Time
128	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassus		13	0	4	9	75%
Superius		14	0	4	6	73%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassus		13	0	4	9	75%
Superius		14	0	4	6	73%
Tenor		11	0	0	6	70%
Altus		13	0	4	8	67%

Morgen- Richard Strauss op.27 N°4

pental

3:26	Est. Play Time
43	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	24	4	7	100%
		26	11	5	7	100%
Voice		11	0	2	7	55%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	24	4	7	100%
		26	11	5	7	100%
Voice		11	0	2	7	55%

Missa "Au travail suis" Agnus Dei Johannes Ockeghem

pental

4:12	Est. Play Time
31	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus		10	0	2	5	97%
Tenor		11	0	2	5	94%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus		10	0	2	5	97%
Tenor		11	0	2	5	94%
Bassus		10	0	0	5	90%
Superius		10	0	3	6	90%

Brahms_Johannes_-_7_Lieder_Op.48_No.6_-_Vergangen_ist_mir_Glck_und_Heil

pental

4:05	Est. Play Time
50	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		17	24	3	3	97%
		14	0	1	3	94%
Singstimme Voice		12	0	1	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		17	24	3	3	97%
		14	0	1	3	94%
Singstimme Voice		12	0	1	3	100%

2. Chinoiserie De Falla

pental

4:19	Est. Play Time
82	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	6	9	8	75%
		33	6	8	6	78%
Voice		16	0	4	8	78%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	6	9	8	75%
		33	6	8	6	78%
Voice		16	0	4	8	78%

I. Come away, come away, death Gerald Finzi

pental

5:00	Est. Play Time
82	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	43	6	6	99%
		29	32	9	5	99%
Voice		13	0	3	6	80%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	43	6	6	99%
		29	32	9	5	99%
Voice		13	0	3	6	80%

4- The Water Mill R. Vaughan Williams

pental

3:35	Est. Play Time
93	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	43	8	8	99%
		30	16	9	7	100%
Voice		13	0	4	7	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	43	8	8	99%
		30	16	9	7	100%
Voice		13	0	4	7	97%

Solvejgs Song Edvard Grieg

pental

3:49	Est. Play Time
78	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		23	28	6	5	94%
		27	15	4	4	87%
Voice		14	0	3	9	80%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		23	28	6	5	94%
		27	15	4	4	87%
Voice		14	0	3	9	80%

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