Active Filters:
Measures: 35 - 60
Measures: > 150
Participation: 1%-49%
Participation: 50%-79%
Clear All Filters

Uploaders

papisenior
Gloire à Toi qui étais mort (Amazing grace) SABaryton
papisenior
7:00 Est. Play
Time
153 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 6 0 0 5 78%
Baryton Bass 6 0 0 5 78%
Soprano Treble 6 0 0 5 56%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 6 0 0 5 78%
Baryton Bass 6 0 0 5 78%
Soprano Treble 6 0 0 5 56%
 
Vivaldi - Gloria - 5 Propter magnam - Etude chorale - Basses
papisenior
1:09 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncelle Treble 26 13 7 5 98%
Violon Treble 24 16 8 5 92%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncelle Treble 26 13 7 5 98%
Violon Treble 24 16 8 5 92%
Ténor Treble 13 0 3 5 89%
Alto Treble 11 0 4 5 86%
Bass Bass 14 0 4 5 84%
Soprano Treble 13 0 4 5 76%
 
Vivaldi - Gloria - 5 Propter magnam - Etude chorale - Tutti
papisenior
1:09 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncelle Treble 26 13 7 5 98%
Violon Treble 24 16 8 5 92%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncelle Treble 26 13 7 5 98%
Violon Treble 24 16 8 5 92%
Tenor Treble 13 0 3 5 89%
Alto Treble 11 0 4 5 86%
Bass Bass 14 0 4 5 84%
Soprano Treble 13 0 4 5 76%
 
N° 13 - En los surcos del amor
papisenior
2:01 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flûte Treble 10 0 1 5 100%
Hautbois Treble 9 0 1 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flûte Treble 10 0 1 5 100%
Hautbois Treble 9 0 1 5 100%
Basson Bass 10 0 1 5 82%
Ténor Treble 9 0 1 5 78%
 
IV- Missa Brevis -J. Haydn Benedictus (sans accompagnement)
papisenior
0:01 Est. Play
Time
162 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
solo		 Treble 18 0 7 7 71%
Bas Bass 10 0 2 4 29%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
solo		 Treble 18 0 7 7 71%
Bas Bass 10 0 2 4 29%
Alto Treble 10 0 1 3 22%
Tenor Treble 8 0 0 3 22%
Soprani Treble 7 0 0 3 20%
 
Oh_Happy_Day - mélodie (voix)
papisenior
2:51 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 8 0 1 5 97%
Baryton Bass 7 0 0 5 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 8 0 1 5 97%
Baryton Bass 7 0 0 5 97%
Soprano Treble 9 2 1 5 97%
Voix Treble 10 0 2 6 68%
 
N° 13 - En los surcos del amor - Basses + autres en sourdine
papisenior
1:52 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flûte Treble 10 0 1 5 100%
Hautbois Treble 9 0 1 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flûte Treble 10 0 1 5 100%
Hautbois Treble 9 0 1 5 100%
Basson Bass 10 0 1 5 82%
Ténor Treble 9 0 1 5 78%
 
Gloria de Guillou
papisenior
3:12 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 6 0 0 4 40%
Bass Bass 7 0 0 4 40%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 6 0 0 4 40%
Bass Bass 7 0 0 4 40%
Soprano Treble 9 0 0 4 40%
Ténor Bass 6 0 0 4 40%
 
Jésus est le chemin
papisenior
4:01 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 8 0 0 6 63%
Tenor Bass 4 0 2 6 51%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 8 0 0 6 63%
Tenor Bass 4 0 2 6 51%
Alto Treble 7 0 0 6 33%
Bass Bass 10 0 2 6 24%