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edward.maurath
HWVA3N15 - "Se Fiera belva"
edward.maurath
6:18 Est. Play
Time
71 Measures
1,346Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 19 19 6 6 77%
Bass 23 9 6 8 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 19 19 6 6 77%
Bass 23 9 6 8 100%
Cembalo Continuo Treble 17 8 5 6 65%
Bass 23 34 7 8 100%
Contrebasso Continuo Bass 20 0 5 5 91%
Violini Treble 28 0 9 5 91%
Violoncello Continuo Bass 20 0 5 5 90%
Castrato Alto
as Bertarido		 15 0 5 5 66%
Bassoon Continuo Bass 21 0 5 4 65%
Viola 14 0 1 5 42%
 
HWV7A2N4b - "Il Tricerbero humiliato"
edward.maurath
3:16 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 21 6 9 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 21 6 9 100%
Contrabasses Bass 21 0 5 9 100%
Violins
1		 Treble 21 0 4 9 100%
Violins
2		 Treble 19 0 4 9 100%
Violoncello Bass 21 0 5 9 100%
Violoncellos Bass 21 0 5 9 100%
Rinaldo 17 0 4 8 79%
Viola 10 0 1 6 25%
 
HWV63A1N5 - "For Sion lamentations make" in f minor
edward.maurath
3:06 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
Bassoon Bass 19 0 6 8 100%
Bassoon Continuo Bass 24 0 9 6 100%
Contrabassi Continuo Bass 19 0 7 5 100%
Inferred Bassoon 23 0 7 6 100%
Viole 16 0 4 7 100%
Violini 1 Treble 20 0 8 6 100%
Violini 2 Treble 17 0 7 6 100%
Violoncelli Continuo Bass 20 0 7 5 100%
Alti 10 0 4 7 83%
Soprani 14 0 5 7 83%
Bassi Bass 16 0 5 7 79%
Tenori 12 0 4 7 76%
Oboe 1 Treble 12 0 3 7 72%
Oboe 2 Treble 15 0 6 7 72%
 
HWV7A3N3b - "Andante, o forti" in G Major
edward.maurath
0:40 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 24 10 7 100%
Bass 21 23 10 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 24 10 7 100%
Bass 21 23 10 7 100%
Basso Continuo Bass 17 0 6 7 100%
Violoncello Bass 17 0 6 7 100%
Contrabass Bass 16 0 6 7 97%
Violins Treble 19 0 6 7 97%
Mago
as bass		 Bass 12 0 3 7 75%
Viola 7 0 3 5 15%
 
HWV56N48 - The Trumpet shall sound
edward.maurath
6:43 Est. Play
Time
215 Measures
1,825Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Continuo Bass 21 0 5 7 99%
Harpsichord Treble 19 81 5 7 92%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Continuo Bass 21 0 5 7 99%
Harpsichord Treble 19 81 5 7 92%
Bass 24 43 7 7 90%
Bass Voice Bass 16 0 4 8 70%
Trumpet Treble 9 0 1 7 64%
Viola 14 0 1 6 52%
Violin
1		 Treble 14 0 1 6 52%
Violin
2		 Treble 11 0 1 6 52%
Violoncello Continuo Bass 16 0 1 6 52%
Violone Continuo Bass 15 0 1 6 52%
 
HWV1A2N21 - Zweier Augen Majestät
edward.maurath
2:35 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 44 6 5 100%
Bass 21 2 5 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 44 6 5 100%
Bass 21 2 5 2 100%
Bassoon Bass 17 0 6 5 60%
Bass 21 0 5 2 100%
 
HWV1A2N30 - Sanerà la piaga un dì
edward.maurath
3:30 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 45 6 4 98%
Bass 23 14 5 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 45 6 4 98%
Bass 23 14 5 2 100%
Bassoon Continuo Bass 22 0 5 2 98%
Soprano as
Almira		 Treble 15 0 3 6 87%
 
HWV27A3N21 - Arsace "Fatto è Giove un Dio d'inferno"
edward.maurath
5:20 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 40 6 7 79%
Bass 30 38 9 5 97%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 40 6 7 79%
Bass 30 38 9 5 97%
Violoncello Continuo Bass 23 0 7 5 97%
Arsace 18 0 6 7 74%
Violini Treble 21 5 4 4 66%
Contrabassi Continuo Bass 19 0 4 5 63%
Contrabasso Continuo Bass 19 0 4 5 63%
Violoncelli Continuo Bass 19 0 4 5 63%
 
HWV1A2N4 - Lass ein sanftes Händedrücken
edward.maurath
2:30 Est. Play
Time
85 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 43 7 4 96%
Bass 24 26 7 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 43 7 4 96%
Bass 24 26 7 4 100%
Bassoon Continuo Bass 20 0 4 4 100%
Double Bass Bass 19 0 4 4 100%
Bass
as Consalvo		 Bass 12 0 3 6 65%
Oboe
1		 Treble 15 0 2 5 53%
Oboe
2		 Treble 16 0 4 5 52%
 
HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)
edward.maurath
2:58 Est. Play
Time
77 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 24 6 8 97%
Bass 22 28 5 6 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 24 6 8 97%
Bass 22 28 5 6 100%
Violoncello (Continuo) Bass 19 0 3 6 100%
Alto
as Dorinda		 15 0 4 8 78%
Contrabasses Bass 8 0 0 3 8%
Viola 10 0 0 3 8%
Violins I



 Treble 11 0 0 5 8%
Violins II



 Treble 10 0 0 3 8%
Violoncellos Bass 8 0 0 3 8%
 
HWV26A1 - Se il mar promette calma - G Major
edward.maurath
4:08 Est. Play
Time
65 Measures
1,469Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 21 41 6 4 87%
Bass 26 17 7 4 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 21 41 6 4 87%
Bass 26 17 7 4 98%
Viola 22 0 7 3 97%
Violino
1		 Treble 23 0 6 7 97%
Violino
2		 Treble 24 0 7 6 97%
Double
Bass Continuo		 Bass 22 0 7 3 95%
Violoncello Continuo Bass 23 0 7 3 95%
Bass
as Clodomiro		 Bass 17 0 6 8 75%
Bassoon Continuo Bass 23 0 7 4 75%
 
HWV8A2N13 - "Un sospiretto d'un labbro pallido" (Dorinda)
edward.maurath
4:17 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 29 9 7 97%
Bass 25 19 5 7 97%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 29 9 7 97%
Bass 25 19 5 7 97%
Violoncello Bass 24 0 5 6 97%
Contrabass Bass 24 0 5 5 88%
Dorinda 17 0 6 6 75%
Violins
1		 Treble 22 0 7 7 56%
Contrabasses Bass 17 0 4 3 47%
Violoncellos Bass 17 0 4 3 47%
Bassoon Bass 10 0 2 3 13%
Oboe Treble 14 0 2 5 13%
 
HWV19A3N22 - Rodelinda, "Mio caro bene!"
edward.maurath
5:29 Est. Play
Time
58 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 86 6 9 100%
Bass 22 37 5 6 99%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 86 6 9 100%
Bass 22 37 5 6 99%
Violoncello Continuo Bass 17 2 1 3 86%
Violins Treble 15 0 2 8 73%
Rodelinda Treble 13 0 3 5 68%
Contrabasses Bass 14 0 0 3 60%
Violincello Continuo Bass 14 0 0 3 60%
Violas 13 0 2 5 55%
Bassoon Continuo Bass 14 0 0 3 15%
Oboe Treble 10 0 0 6 14%
 
HWV58A1N15 - Ino: Turn, hopeless lover, turn thy eyes
edward.maurath
6:34 Est. Play
Time
132 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 27 78 8 7 93%
Bass 28 18 9 7 95%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 27 78 8 7 93%
Bass 28 18 9 7 95%
Organ Continuo Treble 27 78 8 7 93%
Bass 28 18 9 7 95%
Violoncello Continuo Bass 26 0 8 7 95%
Alto
as Ino		 Treble 13 0 4 7 67%
Double
Bass Continuo		 Bass 17 0 3 5 16%
Solo Violoncello Bass 15 0 3 7 11%
Violins Treble 9 0 0 5 7%
 
HWV1A2N14 "Nein, nein, Fernando, nein!"
edward.maurath
2:11 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 5 100%
Almira Treble 14 0 3 6 52%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 5 100%
Almira Treble 14 0 3 6 52%
Fernando 14 0 4 6 46%
Harp Treble 19 25 6 4 42%
Bass 13 11 3 4 42%
Harpsi Treble 16 17 4 3 33%
Bass 17 15 5 3 33%
Lute Treble 17 17 6 2 25%
Bass 21 15 7 2 29%
Osman 11 0 1 3 17%