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Unique Chords: None
Unique Chords: 3-6
Unique Notes: 6 - 10
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edward.maurath
HWV27A3N20 - Arsace Recitative, "Passo di duolo in duolo"
edward.maurath
0:16 Est. Play
Time
4 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
Harpsichord Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
Violoncello Bass 5 0 1 2 100%
Flute Treble 7 0 0 3 75%
 
HWV8A1N7 - "Lontan del mio tesoro" in C Major
edward.maurath
5:20 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 40 3 8 70%
Bass 23 24 4 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 40 3 8 70%
Bass 23 24 4 5 100%
Violoncello Bass 20 0 3 5 100%
Mirtillo 17 0 6 6 76%
Contrabasses Bass 8 0 0 5 10%
Viola 9 0 0 4 10%
Violins
1		 Treble 9 0 0 5 10%
Violins
2		 Treble 10 0 0 4 10%
Violoncellos Bass 8 0 0 5 10%
 
HWV1A3N44 "Hoffe nur der rechten Zeit" (choral fragment)
edward.maurath
0:40 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 12 13 3 5 100%
Bass 12 10 2 5 92%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 12 13 3 5 100%
Bass 12 10 2 5 92%
Organ Treble 12 13 3 5 100%
Bass 12 10 2 5 92%
Soprano 8 1 1 5 77%
Bassoon Bass 9 0 0 5 75%
Bass 9 0 0 5 75%
Celli Bass 7 0 0 5 75%
Kontrebaß Bass 7 0 0 5 75%
Tenor 8 0 3 5 70%
Bass Bass 9 0 0 5 67%
Viole 3 0 0 5 67%
Violini Treble 12 0 2 5 67%
Oboe Treble 9 0 2 5 55%
 
HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)
edward.maurath
2:58 Est. Play
Time
77 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 24 6 8 97%
Bass 22 28 5 6 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 24 6 8 97%
Bass 22 28 5 6 100%
Violoncello (Continuo) Bass 19 0 3 6 100%
Alto
as Dorinda		 15 0 4 8 78%
Contrabasses Bass 8 0 0 3 8%
Viola 10 0 0 3 8%
Violins I



 Treble 11 0 0 5 8%
Violins II



 Treble 10 0 0 3 8%
Violoncellos Bass 8 0 0 3 8%
 
HWV19A3N22 - Rodelinda, "Mio caro bene!"
edward.maurath
5:29 Est. Play
Time
58 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 86 6 9 100%
Bass 22 37 5 6 99%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 86 6 9 100%
Bass 22 37 5 6 99%
Violoncello Continuo Bass 17 2 1 3 86%
Violins Treble 15 0 2 8 73%
Rodelinda Treble 13 0 3 5 68%
Contrabasses Bass 14 0 0 3 60%
Violincello Continuo Bass 14 0 0 3 60%
Violas 13 0 2 5 55%
Bassoon Continuo Bass 14 0 0 3 15%
Oboe Treble 10 0 0 6 14%
 
HWV5A3N17 - "Gran Donna, a cui oggi Castilglia deve" (Evaneo)
edward.maurath
0:33 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Evaneo 10 0 1 3 100%
Violoncello (Continuo) Bass 6 0 0 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Evaneo 10 0 1 3 100%
Violoncello (Continuo) Bass 6 0 0 3 100%
Cembalo (Continuo) Treble 10 13 2 4 92%
Bass 10 6 1 5 92%
 
HWV58A1N15 - Ino: Turn, hopeless lover, turn thy eyes
edward.maurath
6:34 Est. Play
Time
132 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 27 78 8 7 93%
Bass 28 18 9 7 95%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 27 78 8 7 93%
Bass 28 18 9 7 95%
Organ Continuo Treble 27 78 8 7 93%
Bass 28 18 9 7 95%
Violoncello Continuo Bass 26 0 8 7 95%
Alto
as Ino		 Treble 13 0 4 7 67%
Double
Bass Continuo		 Bass 17 0 3 5 16%
Solo Violoncello Bass 15 0 3 7 11%
Violins Treble 9 0 0 5 7%
 
HWV19A1N11 - Bertarido, "Dove sei? Amato bene!"
edward.maurath
3:55 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 74 5 7 100%
Bass 17 19 2 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 74 5 7 100%
Bass 17 19 2 4 100%
Violoncello Continuo Bass 16 0 2 4 100%
Bertarido Treble 13 0 2 6 76%
Vln
1		 Treble 14 0 0 7 57%
Contrabass Continuo Bass 11 0 0 4 53%
Viola 10 0 0 4 47%
Vln
2		 Treble 11 0 0 5 47%
 
HWV7A2N10 - "Lascia ch'io pianga" in F Major (Almirena)
edward.maurath
1:54 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 44 5 4 100%
Bass 16 0 2 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 44 5 4 100%
Bass 16 0 2 5 100%
Cello Bass 15 0 2 5 100%
Almirena 12 0 3 6 81%
Bass Bass 10 0 0 5 71%
Viola 10 0 1 5 71%
Violin
I		 Treble 10 0 1 5 71%
Violin
II		 Treble 9 0 1 5 71%
Violoncellos Bass 10 0 0 5 71%