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Unique Durations: 4-5
Unique Chords: 1-2
Unique Notes: 11 - 15
Unique Notes: 16 - 20
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edward.maurath
HWV1A3N11 - Gönne nach den Thränengüssen mir
edward.maurath
1:31 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 17 35 6 5 100%
Bass 15 2 3 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 17 35 6 5 100%
Bass 15 2 3 5 100%
Bassoon Continuo Bass 14 0 3 5 100%
Bass
as Raymondo		 Bass 17 0 5 8 75%
Oboe Treble 8 0 2 3 71%
 
HWV1A1 - Leset ihr funkelnden Augen
edward.maurath
1:51 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
Bassoon Continuo Bass 19 0 4 2 62%
Bass 14 1 2 2 57%
Bass
as Consalvo		 Bass 13 1 4 4 60%
Violin
1		 Treble 12 0 0 4 57%
Violin
2		 Treble 12 0 2 2 57%
Violoncello Continuoi Bass 14 1 2 2 57%
 
HWV19N9 - Sinfonia in g minor
edward.maurath
1:00 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 7 3 3 89%
Bass 16 2 2 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 7 3 3 89%
Bass 16 2 2 5 100%
Bassoon Continuo Bass 16 0 2 5 100%
Contrabass Continuo Bass 16 0 2 5 100%
Viola 12 0 1 5 100%
Violoncello Continuo Bass 16 0 2 5 100%
Vln
1		 Treble 14 0 3 8 100%
Vln
2		 Treble 13 0 3 7 100%
Oboe Treble 19 0 5 8 94%
 
HWV1A2N26 - Svenerò chi fa guerra a questo cor
edward.maurath
1:23 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 23 3 3 100%
Bass 17 2 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 23 3 3 100%
Bass 17 2 2 4 100%
Violoncello Continuo Bass 16 0 2 4 100%
Violone Continuo Bass 16 0 2 4 100%
Tenor
as Osman		 12 0 1 5 89%
 
BWV245N11 - Wer hat dich so geschlagen - Chorale in A Major
edward.maurath
1:36 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 12 7 2 4 100%
Bass 16 1 5 5 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 12 7 2 4 100%
Bass 16 1 5 5 100%
Organo Continuo Treble 10 2 1 5 100%
Bass 16 0 5 5 100%
Alti 10 0 1 5 100%
Bassi Bass 16 0 5 5 100%
Bassono Grosso Continuo Bass 16 0 5 5 100%
Bassoon Continuo Bass 16 0 5 5 100%
Contrabassi Continuo Bass 16 0 5 5 100%
Flauto Traverso Treble 7 0 0 5 100%
Oboe Treble 7 0 0 5 100%
Soprani 7 0 0 5 100%
Tenori Treble 9 0 2 4 100%
Viola 10 0 1 5 100%
Violin 1 Treble 7 0 0 5 100%
Violin 2 Treble 10 0 1 5 100%
Violoncelli Continuo Bass 16 0 5 5 100%
 
Handel: La March - D Major
edward.maurath
1:54 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Lute Treble 13 15 2 3 93%
Bass 17 32 3 5 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Lute Treble 13 15 2 3 93%
Bass 17 32 3 5 100%
Bassoon Bass 12 3 2 5 100%
BSN Bass 15 2 1 5 100%
Kontrebaß Bass 15 0 1 5 100%
Oboe
1		 Treble 12 0 1 5 100%
Oboe
2		 Treble 13 2 3 5 100%
Vcl Bass 15 0 1 5 100%
Vla 12 3 2 5 100%
Vln Treble 15 39 3 5 100%
Trumpet
at concert
pitch		 Treble 12 1 1 5 75%
 
BWV245N15 - Christus, der uns selig macht
edward.maurath
1:18 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 11 11 3 4 100%
Bass 16 2 6 4 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 11 11 3 4 100%
Bass 16 2 6 4 100%
Alti 13 0 4 4 100%
Bassi Bass 16 0 6 4 100%
Bassono Grosso Continuo Bass 16 0 6 4 100%
Bassoon Continuo Bass 16 0 6 4 100%
Contrabassi Continuo Bass 16 0 6 4 100%
FlautI TraversI Treble 9 0 1 4 100%
Oboe 1 Treble 9 0 1 4 100%
Oboe 2 Treble 11 0 4 4 100%
Organo Continuo Treble 14 20 5 4 100%
Soprani 9 0 1 4 100%
Tenori Treble 8 0 2 4 100%
Viola 8 0 2 4 100%
Violin 1 Treble 9 0 1 4 100%
Violin 2 Treble 13 0 4 4 100%
Violoncelli Continuo Bass 16 0 6 4 100%
 
"Nasce il sol, e l'aura vola ride" from "Rodrigo," HWV 5 (1707)
edward.maurath
3:49 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 18 0 3 4 84%
Violins
2		 Treble 17 2 4 4 84%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 18 0 3 4 84%
Violins
2		 Treble 17 2 4 4 84%
Flute Treble 15 0 3 4 75%
Treble 17 2 3 4 75%
Esilena 16 0 6 4 71%
Cembalo (Continuo) Treble 22 37 7 5 63%
Bass 21 28 6 5 63%
Violoncello (Continuo) Bass 18 0 3 5 63%
Contrabasses Bass 14 0 0 5 43%
Violoncellos (Continuo) Bass 14 0 0 5 43%
 
"Tuio passi son dardi," from "Il Pastor Fido," HWV 8 (1734-1735)
edward.maurath
2:43 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Bass 16 1 3 5 100%
20 25 5 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Bass 16 1 3 5 100%
20 25 5 6 100%
Organ Treble 16 0 4 8 100%
Bass 15 0 3 5 100%
Continuo Bass 16 0 3 5 100%
Contrabasses Bass 16 0 3 5 100%
Flute Treble 16 0 4 8 100%
Harp Bass 15 0 3 5 100%
Theorbo Bass 15 0 3 5 100%
Violas 14 0 3 5 100%
Violins
1		 Treble 13 0 3 7 100%
Violins
2		 Treble 16 0 5 5 100%
Apollo 13 0 4 5 87%
Erato 13 0 4 7 86%
 
"Fredde ceneri d'amor, chelanguite in questo cor," act 2 of "Rodrigo," HWV 5 (1707)
edward.maurath
5:54 Est. Play
Time
74 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violas 15 0 4 5 85%
Flute Treble 16 0 5 5 67%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violas 15 0 4 5 85%
Flute Treble 16 0 5 5 67%
Treble 14 0 4 5 64%
Violins
1		 Treble 16 0 5 5 67%
Florinda 16 0 6 5 66%
Violins
2		 Treble 14 1 4 5 64%
Cembalo (Continuo) Treble 15 16 4 5 24%
Bass 4 2 0 2 5%
Harp (Continuo) Treble 15 16 4 5 24%
Bass 4 2 0 2 5%
 
HWV56N02 - Messiah - Comfort ye, my people
edward.maurath
3:17 Est. Play
Time
37 Measures
1,502Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HPSI
LH		 Bass 21 69 3 7 97%
HSC
RH		 Treble 21 57 6 7 97%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HPSI
LH		 Bass 21 69 3 7 97%
HSC
RH		 Treble 21 57 6 7 97%
VNE Bass 16 1 3 5 95%
Bassoon Bass 13 0 1 4 92%
Bassoon Continuoi Bass 15 0 3 7 92%
Oboi Treble 19 44 4 6 92%
Vcl Bass 15 1 3 5 92%
Vla 13 0 1 5 92%
Vln
1		 Treble 16 0 3 8 92%
Vln
2		 Treble 16 0 3 5 92%
Tenor Treble 14 0 4 6 84%
 
HWV56N04 - Messiah - And the Glory of the Lord
edward.maurath
5:54 Est. Play
Time
138 Measures
1,883Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 17 74 3 5 98%
Bass 16 41 2 4 94%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 17 74 3 5 98%
Bass 16 41 2 4 94%
Cello Bass 22 1 4 5 98%
Violone Bass 22 1 4 5 98%
Violin
2		 Treble 19 1 3 6 79%
Bassoon Bass 17 0 4 4 78%
Oboi Treble 15 2 2 5 77%
Viola 17 0 4 4 77%
Alti 11 1 2 5 75%
Violin
1		 Treble 17 0 2 6 75%
Tenori 11 0 2 5 72%
Bassoon Continuo Bass 22 0 4 4 72%
Bassi Bass 16 0 3 4 63%
Soprani 13 0 2 5 63%
 
HWV56N03 Messiah "Every valley shall be exalted"
edward.maurath
4:39 Est. Play
Time
84 Measures
2,408Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played

HSC
RH		 Treble 18 59 3 2 100%
HSC
LH		 Bass 20 60 3 3 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played

HSC
RH		 Treble 18 59 3 2 100%
HSC
LH		 Bass 20 60 3 3 100%
Bassoon Continuo Bass 18 0 3 4 99%
Cello Bass 18 0 3 4 99%
Violone Bass 17 0 3 4 99%
Vln
I		 Treble 20 0 3 5 87%
Vln
II		 Treble 18 1 2 5 87%
Bassoon 16 0 2 3 86%
Vla 16 0 2 3 86%
Oboe Treble 22 1 4 6 83%
Tenor Treble 13 0 2 6 73%
 
Lament not thus, O Queen, in vain, from HWV 61, (1744)
edward.maurath
4:49 Est. Play
Time
56 Measures
1,157Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 20 57 4 6 91%
Bass 25 104 5 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 20 57 4 6 91%
Bass 25 104 5 6 100%
Violoncello Continuo Bass 21 0 4 5 98%
Daniel 12 1 3 5 84%
Double Bassi Bass 16 0 1 5 41%
Violin Treble 16 2 2 6 41%
Violoncelli Bass 16 0 1 5 41%
 
HWV56N06Y1741 - Messiah - But who may abide?
edward.maurath
8:31 Est. Play
Time
137 Measures
1,275Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC
LH		 Bass 24 105 5 5 100%
Violoncello Continuo Bass 22 0 4 5 99%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC
LH		 Bass 24 105 5 5 100%
Violoncello Continuo Bass 22 0 4 5 99%
HSC
RH		 Treble 21 106 9 5 96%
Vln
1		 Treble 19 1 6 5 77%
Vcl Bass 22 0 4 4 75%
VNE Bass 20 0 4 4 75%
Vln
2		 Treble 20 1 5 4 73%
Vla 17 0 3 4 71%
Bass solo Bass 17 0 4 7 64%