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Play Time: 1:00 - 1:30
Unique Durations: 1-3
Unique Durations: > 9
Unique Notes: 6 - 10
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edward.maurath
HWV1A2N23 - Ich kann nicht mehr verschuriegen
edward.maurath
1:26 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano as
Almira		 Treble 14 0 4 5 96%
Cembalo Continuo Treble 14 24 3 4 83%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano as
Almira		 Treble 14 0 4 5 96%
Cembalo Continuo Treble 14 24 3 4 83%
Bass 14 1 3 3 78%
Viola 9 0 2 3 78%
Violin
1		 Treble 8 0 1 3 78%
Violin
2		 Treble 7 0 2 3 78%
Violoncello Continuo Bass 12 0 3 3 78%
Bassoon Continuo Bass 11 0 2 3 74%
 
HWV5A2N8 Baldanzosa pietà, quanto contrasto (Rodrigo)
edward.maurath
1:02 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo (Continuo) Treble 16 19 6 3 100%
Bass 18 16 4 2 93%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo (Continuo) Treble 16 19 6 3 100%
Bass 18 16 4 2 93%
Florinda 10 0 1 3 100%
Violoncello (Continuo) Bass 9 0 2 3 100%
 
HWV5A3N21 - "Signore, poich'è lo sdegno"
edward.maurath
1:15 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 13 0 3 3 100%
Organo (Continuo) Treble 16 19 4 2 52%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 13 0 3 3 100%
Organo (Continuo) Treble 16 19 4 2 52%
Bass 16 11 6 4 52%
Florinda 11 0 0 4 52%
Cembalo (Continuo) Treble 9 10 0 3 48%
Bass 12 10 1 4 50%
Evaneo 9 0 2 4 48%
 
BWV 245 N 22 - Durch dein gefängnis, Gottes Sohn muß uns die Freiheit kommen
edward.maurath
1:00 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 14 23 4 4 100%
Bass 14 1 3 2 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 14 23 4 4 100%
Bass 14 1 3 2 100%
Alti 12 0 3 2 100%
Bassi Bass 13 0 3 2 100%
Bassono Grosso Continuo Bass 14 0 3 2 100%
Bassoon Continuo Bass 14 0 3 2 100%
Contrabassi Continuo Bass 14 0 3 2 100%
Flauto Traverso Treble 8 0 0 3 100%
Oboe Treble 8 0 0 3 100%
Organo Continuo Treble 14 23 4 2 100%
Soprani 8 0 0 3 100%
Tenori 12 0 2 4 100%
Viola 12 0 2 4 100%
Violin 1 Treble 8 0 0 3 100%
Violin 2 Treble 12 0 3 2 100%
Violoncelli Continuo Bass 14 0 3 2 100%
 
BWV 245 N 14 - Chorale: Petrus, der nicht denkt zurück
edward.maurath
1:04 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 29 5 4 100%
Bass 15 0 4 3 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 29 5 4 100%
Bass 15 0 4 3 100%
Alti 10 0 2 3 100%
Bassi Bass 13 0 3 3 100%
Bassono Grosso Continuo Bass 15 0 4 3 100%
Bassoon Continuo Bass 15 0 4 3 100%
Contrabassi Continuo Bass 15 0 4 3 100%
Flauto Traverso Treble 8 0 1 5 100%
Oboe 1 Treble 8 0 1 5 100%
Oboe 2 Treble 10 0 2 3 100%
Organo Continuo Treble 10 6 2 3 100%
Soprani 8 0 1 5 100%
Tenori Treble 13 0 4 4 100%
Viola 14 0 4 4 100%
Violin 1 Treble 8 0 1 5 100%
Violin 2 Treble 10 0 2 3 100%
Violoncelli Continuo Bass 15 0 4 3 100%
 
BWV 21 #04 Wie, hast du dich
edward.maurath
1:12 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Continuo Bass 10 0 3 3 100%
Contrabassi Continuo Bass 10 0 3 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Continuo Bass 10 0 3 3 100%
Contrabassi Continuo Bass 10 0 3 3 100%
Organo Continuo Treble 13 11 5 6 100%
Tenore Treble 17 0 6 4 100%
Viola 11 0 3 7 100%
Violin 1 Treble 12 0 5 6 100%
Violin 2 Treble 13 0 4 6 100%
Violoncelli Continuo Bass 10 0 3 3 100%
 
HWV17A2N25 Sesto & Cornelia, "Ecco in tutto perduta"
edward.maurath
1:29 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 15 0 9 3 100%
Sesto 14 0 7 3 59%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 15 0 9 3 100%
Sesto 14 0 7 3 59%
Harp Treble 15 17 7 4 55%
Bass 15 15 12 4 57%
Harpsichord Treble 10 11 3 3 48%
Bass 15 13 8 3 52%
Cornelia 12 0 4 4 48%
 
HWV56N38Z2 - How beautiful are the feet
edward.maurath
1:17 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hpsi
RH		 Treble 23 68 6 3 100%
HPSI
LH		 Bass 18 24 8 3 98%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hpsi
RH		 Treble 23 68 6 3 100%
HPSI
LH		 Bass 18 24 8 3 98%
Vcl Bass 17 0 4 4 96%
Alt 12 0 2 5 63%
Sop 12 0 2 5 58%
Vln
1		 Treble 11 0 2 4 35%
Vla 8 0 2 3 29%
Violoncellos Bass 11 0 1 3 27%
Vln
2		 Treble 7 0 1 4 27%
VNE Bass 11 0 1 3 27%
 
HWV56N27 - All they that see him laugh him to scorn
edward.maurath
1:07 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 18 22 6 7 100%
Bass 20 17 5 8 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 18 22 6 7 100%
Bass 20 17 5 8 100%
Cello Bass 14 0 3 7 100%
Contrabass Bass 14 0 3 7 100%
Vln
I		 Treble 15 0 5 6 100%
Vln
II		 Treble 14 0 3 6 100%
Viola 8 0 2 6 82%
Tenor Treble 8 0 2 3 64%