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edward.maurath

HWV1A2N16vEJM, "No, no, non voglio" (Almira)

edward.maurath

1:41	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	36	5	4	100%
	24	29	7	4	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	36	5	4	100%
	24	29	7	4	100%
Harpsichord	17	36	5	4	98%
	24	29	7	4	100%
Violoncello	20	0	6	4	100%
Almira	14	0	6	4	88%

HWV5A3N21 - "Signore, poich'è lo sdegno"

edward.maurath

1:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
	16	11	6	4	52%
Florinda	11	0	0	4	52%
Cembalo (Continuo)	9	10	0	3	48%
	12	10	1	4	50%
Evaneo	9	0	2	4	48%

HWV7A2N10 - "Lascia ch'io pianga" in F Major (Almirena)

edward.maurath

1:54	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	44	5	4	100%
	16	0	2	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	44	5	4	100%
	16	0	2	5	100%
Cello	15	0	2	5	100%
Almirena	12	0	3	6	81%
Bass	10	0	0	5	71%
Viola	10	0	1	5	71%
Violin I	10	0	1	5	71%
Violin II	9	0	1	5	71%
Violoncellos	10	0	0	5	71%

BWV 245 N 22 - Durch dein gefängnis, Gottes Sohn muß uns die Freiheit kommen

edward.maurath

1:00	Est. Play Time
8	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	14	23	4	4	100%
	14	1	3	2	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	14	23	4	4	100%
	14	1	3	2	100%
Alti	12	0	3	2	100%
Bassi	13	0	3	2	100%
Bassono Grosso Continuo	14	0	3	2	100%
Bassoon Continuo	14	0	3	2	100%
Contrabassi Continuo	14	0	3	2	100%
Flauto Traverso	8	0	0	3	100%
Oboe	8	0	0	3	100%
Organo Continuo	14	23	4	2	100%
Soprani	8	0	0	3	100%
Tenori	12	0	2	4	100%
Viola	12	0	2	4	100%
Violin 1	8	0	0	3	100%
Violin 2	12	0	3	2	100%
Violoncelli Continuo	14	0	3	2	100%

"Vo' far guerra, e vincer voglio" from "Rinaldo," HWV 7, 1711

edward.maurath

1:46	Est. Play Time
96	Measures
	1,603Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Solo	24	71	5	8	85%
	25	50	6	8	97%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Solo	24	71	5	8	85%
	25	50	6	8	97%
Violoncello (Continuo)	18	0	4	7	53%
Violin	18	0	4	7	45%
	17	0	4	7	45%
Contrabassi (Continuo)	18	0	4	6	44%
Violoncelli (Continuo)	18	0	4	6	44%
Armida (Soprano)	14	0	3	8	43%
Viola	14	0	4	4	43%
Oboe	12	0	0	7	30%
	13	0	2	7	30%
Bassoon (Continuo)	14	0	0	6	27%

Handel: La March - D Major

edward.maurath

1:54	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lute	13	15	2	3	93%
	17	32	3	5	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lute	13	15	2	3	93%
	17	32	3	5	100%
Bassoon	12	3	2	5	100%
BSN	15	2	1	5	100%
Kontrebaß	15	0	1	5	100%
Oboe 1	12	0	1	5	100%
Oboe 2	13	2	3	5	100%
Vcl	15	0	1	5	100%
Vla	12	3	2	5	100%
Vln	15	39	3	5	100%
Trumpet at concert pitch	12	1	1	5	75%

HWB 8-B Terpsicore - Sarabande

edward.maurath

1:50	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	34	7	5	100%
	16	0	4	5	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	34	7	5	100%
	16	0	4	5	100%
Basso Continuo	16	0	4	5	100%
Contrabasses	16	0	4	5	100%
Violas	15	0	4	5	100%
Violins 1	19	0	6	9	100%
Violins 2	16	0	5	7	100%

Handel: Almira, "Wer umb Geld und Hoheit willen," (Consalvo)

edward.maurath

1:59	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	17	41	4	4	100%
	19	0	3	4	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	17	41	4	4	100%
	19	0	3	4	100%
Continuo	19	0	3	4	100%
Consalvo	16	0	4	4	76%

BWV245N15 - Christus, der uns selig macht

edward.maurath

1:18	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	11	11	3	4	100%
	16	2	6	4	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	11	11	3	4	100%
	16	2	6	4	100%
Alti	13	0	4	4	100%
Bassi	16	0	6	4	100%
Bassono Grosso Continuo	16	0	6	4	100%
Bassoon Continuo	16	0	6	4	100%
Contrabassi Continuo	16	0	6	4	100%
FlautI TraversI	9	0	1	4	100%
Oboe 1	9	0	1	4	100%
Oboe 2	11	0	4	4	100%
Organo Continuo	14	20	5	4	100%
Soprani	9	0	1	4	100%
Tenori	8	0	2	4	100%
Viola	8	0	2	4	100%
Violin 1	9	0	1	4	100%
Violin 2	13	0	4	4	100%
Violoncelli Continuo	16	0	6	4	100%

Dal mio cenno si venaumiliata (1730) HWV 17 "Giulio Cesare"

edward.maurath

2:03	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	22	18	4	5	100%
	20	0	5	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	22	18	4	5	100%
	20	0	5	4	100%
Violoncello	20	0	5	4	100%
Tolomeo	14	0	3	5	76%
Violini	21	0	3	3	74%
Violoncellos	14	0	2	3	71%
Violone	14	0	2	3	71%

BWV 245 N 14 - Chorale: Petrus, der nicht denkt zurück

edward.maurath

1:04	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	16	29	5	4	100%
	15	0	4	3	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	16	29	5	4	100%
	15	0	4	3	100%
Alti	10	0	2	3	100%
Bassi	13	0	3	3	100%
Bassono Grosso Continuo	15	0	4	3	100%
Bassoon Continuo	15	0	4	3	100%
Contrabassi Continuo	15	0	4	3	100%
Flauto Traverso	8	0	1	5	100%
Oboe 1	8	0	1	5	100%
Oboe 2	10	0	2	3	100%
Organo Continuo	10	6	2	3	100%
Soprani	8	0	1	5	100%
Tenori	13	0	4	4	100%
Viola	14	0	4	4	100%
Violin 1	8	0	1	5	100%
Violin 2	10	0	2	3	100%
Violoncelli Continuo	15	0	4	3	100%

BWV245N4 - Rec: Evangelist & Jesus: Auf Daß das Wort

edward.maurath

1:12	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	12	0	4	6	100%
Harpsichord	15	17	7	5	73%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	12	0	4	6	100%
Harpsichord	15	17	7	5	73%
	9	0	2	4	67%
Evangelist	17	0	6	3	73%
Organ Continuo	10	9	2	6	33%
	8	0	2	6	33%
	8	0	2	6	33%
Jesus	12	0	2	4	33%

HWV 8-B Terpsicore GIGUE

edward.maurath

2:01	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	25	3	8	100%
	11	1	1	6	96%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	25	3	8	100%
	11	1	1	6	96%
Violas	11	0	1	6	100%
Violins 1	17	0	1	7	100%
Violins 2	14	0	3	7	100%
Continuo	11	0	1	6	96%
Contrabass	11	0	1	6	96%

HWV56N05Y1742 - Mesiah - Thus saith the Lord

edward.maurath

1:40	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso	13	0	3	4	94%
Cello	18	0	4	3	94%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso	13	0	3	4	94%
Cello	18	0	4	3	94%
Viola	10	0	0	3	94%
Violin I	14	0	2	3	94%
Violin II	13	0	3	3	94%
Violone	18	0	4	3	94%
BC LH	18	20	5	5	90%
BC RH	16	18	5	4	61%