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Unique Chords: 7-10
Unique Notes: 16 - 20
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edward.maurath
HWV58A3N2 - Leave me, loathsome light
edward.maurath
3:13 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 18 10 3 5 96%
Bass 18 1 3 3 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 18 10 3 5 96%
Bass 18 1 3 3 100%
Organ Continuo Treble 21 10 3 5 96%
Bass 18 2 3 3 100%
Cello Continuo Bass 18 0 3 3 100%
Double
Bass Continuo		 Bass 17 0 3 3 100%
Viola 16 0 3 4 90%
Violin
1		 Treble 15 0 1 3 90%
Violin
2		 Treble 16 0 3 5 90%
Bass Bass 13 0 2 6 79%
 
BWV 999: Prelude in c minor for lautenwerk
edward.maurath
1:55 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 1 7 2 100%
Bass 18 0 7 2 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 1 7 2 100%
Bass 18 0 7 2 100%
Harpsichord Treble 17 1 7 2 100%
Bass 18 0 7 2 100%
Lute Treble 17 1 7 2 100%
Bass 18 0 7 2 100%
 
HWV19A3N20 - Vivi, tiranno (Bertarido) in Bb Major
edward.maurath
5:15 Est. Play
Time
113 Measures
1,931Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 23 51 5 7 82%
Bass 20 1 4 6 98%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 23 51 5 7 82%
Bass 20 1 4 6 98%
Cembalo Continuo Treble 22 51 5 7 79%
Bass 23 21 5 6 98%
Bassoon Continuo Bass 20 0 4 6 95%
Violin
2		 Treble 21 0 6 5 87%
Violoncello Continuo Bass 19 0 4 5 82%
Double
Bass Continuo		 Bass 19 0 4 5 81%
Viola 16 0 2 4 81%
Castrato Alto
as Bertarido		 Treble 14 0 4 8 66%
Violini
1		 Treble 15 0 4 5 65%
Oboe
1		 Treble 15 0 3 6 42%
Oboe
2		 Treble 20 0 6 6 42%
 
HWV8A1N9b - Tenor Aria for Sivio "Di goder il bel ch'adoro"
edward.maurath
1:48 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 20 4 5 100%
Bass 16 7 2 6 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 20 4 5 100%
Bass 16 7 2 6 100%
Violin
1		 Treble 10 0 1 6 92%
Violin
2		 Treble 15 0 1 7 92%
Violoncello Bass 15 0 2 5 79%
Silvio 11 0 2 6 77%
Contrabasses Bass 14 0 2 4 69%
Violoncellos Bass 14 0 2 4 69%
 
HWV19N9 - Sinfonia in g minor
edward.maurath
1:00 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 7 3 3 89%
Bass 16 2 2 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 7 3 3 89%
Bass 16 2 2 5 100%
Bassoon Continuo Bass 16 0 2 5 100%
Contrabass Continuo Bass 16 0 2 5 100%
Viola 12 0 1 5 100%
Violoncello Continuo Bass 16 0 2 5 100%
Vln
1		 Treble 14 0 3 8 100%
Vln
2		 Treble 13 0 3 7 100%
Oboe Treble 19 0 5 8 94%
 
HWV1A2N26 - Svenerò chi fa guerra a questo cor
edward.maurath
1:23 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 23 3 3 100%
Bass 17 2 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 23 3 3 100%
Bass 17 2 2 4 100%
Violoncello Continuo Bass 16 0 2 4 100%
Violone Continuo Bass 16 0 2 4 100%
Tenor
as Osman		 12 0 1 5 89%
 
BWV 245 N 3 v EJM CHORALE O grosse Lieb g minor
edward.maurath
0:45 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 14 20 5 5 100%
Bass 16 0 5 3 100%
View all 18 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 14 20 5 5 100%
Bass 16 0 5 3 100%
Bass 17 0 5 3 100%
Cembalo Continuo Treble 14 20 5 5 100%
Bass 19 2 5 3 100%
Alto 11 0 2 4 100%
Bassi Bassoon Continuo Bass 17 0 5 3 100%
Basso Bass 15 0 4 4 100%
Contrabassi Continuo Bass 16 0 5 3 100%
Contralti Oboe 2 Treble 9 0 2 3 100%
Contralti Violini 2 Treble 11 0 2 4 100%
Soprani Flute 1
amp;amp;
2		 Treble 11 0 2 4 100%
Soprani Oboe 1 Treble 11 0 2 4 100%
Soprani Violini 1 Treble 11 0 2 4 100%
Soprano 11 0 2 4 100%
Tenor 12 0 3 4 100%
Tenori Viole 12 0 3 4 100%
Violoncello Continuo Bass 17 0 5 3 100%
 
BWV245N11 - Wer hat dich so geschlagen - Chorale in A Major
edward.maurath
1:36 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 12 7 2 4 100%
Bass 16 1 5 5 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 12 7 2 4 100%
Bass 16 1 5 5 100%
Organo Continuo Treble 10 2 1 5 100%
Bass 16 0 5 5 100%
Alti 10 0 1 5 100%
Bassi Bass 16 0 5 5 100%
Bassono Grosso Continuo Bass 16 0 5 5 100%
Bassoon Continuo Bass 16 0 5 5 100%
Contrabassi Continuo Bass 16 0 5 5 100%
Flauto Traverso Treble 7 0 0 5 100%
Oboe Treble 7 0 0 5 100%
Soprani 7 0 0 5 100%
Tenori Treble 9 0 2 4 100%
Viola 10 0 1 5 100%
Violin 1 Treble 7 0 0 5 100%
Violin 2 Treble 10 0 1 5 100%
Violoncelli Continuo Bass 16 0 5 5 100%
 
Cornelia, "Priva son d'ogni conforto" from HWV 17, Giulio Cesare
edward.maurath
12:33 Est. Play
Time
114 Measures
1,315Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 17 1 3 2 100%
Bass 17 1 3 2 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 17 1 3 2 100%
Bass 17 1 3 2 100%
Lute Treble 17 1 3 2 100%
Bass 17 1 3 2 100%
Celli Bass 17 0 3 2 100%
Continuo Bass 17 0 3 3 100%
Contrebaß Bass 17 0 3 2 100%
Violas 16 0 5 3 100%
Violins Treble 23 60 8 6 100%
Vln
2		 Treble 23 60 8 4 100%
Flute Treble 20 0 5 6 89%
Cornelia 15 0 5 7 88%
 
BWV245N15 - Christus, der uns selig macht
edward.maurath
1:18 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 11 11 3 4 100%
Bass 16 2 6 4 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 11 11 3 4 100%
Bass 16 2 6 4 100%
Alti 13 0 4 4 100%
Bassi Bass 16 0 6 4 100%
Bassono Grosso Continuo Bass 16 0 6 4 100%
Bassoon Continuo Bass 16 0 6 4 100%
Contrabassi Continuo Bass 16 0 6 4 100%
FlautI TraversI Treble 9 0 1 4 100%
Oboe 1 Treble 9 0 1 4 100%
Oboe 2 Treble 11 0 4 4 100%
Organo Continuo Treble 14 20 5 4 100%
Soprani 9 0 1 4 100%
Tenori Treble 8 0 2 4 100%
Viola 8 0 2 4 100%
Violin 1 Treble 9 0 1 4 100%
Violin 2 Treble 13 0 4 4 100%
Violoncelli Continuo Bass 16 0 6 4 100%
 
"Presti omai l'Egizia terra" From HWV 17
edward.maurath
2:46 Est. Play
Time
54 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Continuo Treble 16 10 2 4 100%
Bass 17 10 2 4 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Continuo Treble 16 10 2 4 100%
Bass 17 10 2 4 100%
Cello Continuo Bass 17 0 2 4 100%
Contrabasses Bass 17 0 2 4 100%
Violoncellos Continuo Bass 17 0 2 4 100%
Violins 1 Treble 18 0 1 5 98%
Violins 2 Treble 19 0 2 5 98%
Violas 13 0 1 4 81%
Cesare 13 0 2 7 74%
 
"Non ha piu che temere quest" from "Giulio Cesare," HWV 17, (1724)
edward.maurath
3:51 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 8 4 4 100%
Bass 22 20 5 4 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 8 4 4 100%
Bass 22 20 5 4 100%
Harp Continuo Treble 20 18 5 4 100%
Bass 21 13 4 4 100%
Violoncello Continuo Bass 20 0 4 4 100%
Contrabassi Continuo Bass 17 0 3 4 93%
Violini Treble 19 0 5 3 93%
Violoncelli Contniuo Bass 18 0 3 4 93%
Cornelia 14 0 4 7 76%
 
"Tuio passi son dardi," from "Il Pastor Fido," HWV 8 (1734-1735)
edward.maurath
2:43 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Bass 16 1 3 5 100%
20 25 5 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Bass 16 1 3 5 100%
20 25 5 6 100%
Organ Treble 16 0 4 8 100%
Bass 15 0 3 5 100%
Continuo Bass 16 0 3 5 100%
Contrabasses Bass 16 0 3 5 100%
Flute Treble 16 0 4 8 100%
Harp Bass 15 0 3 5 100%
Theorbo Bass 15 0 3 5 100%
Violas 14 0 3 5 100%
Violins
1		 Treble 13 0 3 7 100%
Violins
2		 Treble 16 0 5 5 100%
Apollo 13 0 4 5 87%
Erato 13 0 4 7 86%