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Measures: 20 - 35
Measures: 35 - 60
Participation: 80%-99%
Unique Accidentals: > 4
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edward.maurath
HWV63A1N5 - "For Sion lamentations make" in f minor
edward.maurath
3:06 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
Bassoon Bass 19 0 6 8 100%
Bassoon Continuo Bass 24 0 9 6 100%
Contrabassi Continuo Bass 19 0 7 5 100%
Inferred Bassoon 23 0 7 6 100%
Viole 16 0 4 7 100%
Violini 1 Treble 20 0 8 6 100%
Violini 2 Treble 17 0 7 6 100%
Violoncelli Continuo Bass 20 0 7 5 100%
Alti 10 0 4 7 83%
Soprani 14 0 5 7 83%
Bassi Bass 16 0 5 7 79%
Tenori 12 0 4 7 76%
Oboe 1 Treble 12 0 3 7 72%
Oboe 2 Treble 15 0 6 7 72%
 
HWV61A1N4 - The fate of babylon, Belshazzar, Nitrocris, 1744
edward.maurath
1:18 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 13 14 6 3 91%
Bass 17 16 6 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 13 14 6 3 91%
Bass 17 16 6 3 100%
Cello Bass 15 0 3 3 100%
NITOCRIS 13 0 4 5 65%
Daniel 11 0 3 3 35%
 
HWV58A2N17 - Jupiter, "Where 'er you walk" in B-Flat Major
edward.maurath
2:57 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 19 54 6 6 100%
Bass 22 6 6 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 19 54 6 6 100%
Bass 22 6 6 3 100%
Cello Bass 20 0 5 3 100%
Kontrebaß Bass 20 0 5 2 89%
Violas 18 0 4 4 85%
Vln
1		 Treble 22 0 6 6 85%
Vln
2		 Treble 20 0 6 3 85%
Tenor
as Jupiter		 12 0 3 7 78%
 
HWV5A3N6: Ah sommi Dei, cui la giustizia arruota (Esilena)
edward.maurath
2:16 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Contniuo) Bass 12 0 4 3 100%
Harp (Continuo) Treble 18 40 5 3 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Contniuo) Bass 12 0 4 3 100%
Harp (Continuo) Treble 18 40 5 3 97%
Bass 17 20 5 4 83%
Esilena 15 0 6 6 97%
 
HWV7A1N26 "Cor ingrato, ti rammembri" (c minor)
edward.maurath
2:01 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 35 7 7 97%
Bass 24 25 7 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 35 7 7 97%
Bass 24 25 7 6 100%
Violoncello Bass 24 0 7 6 100%
Rinaldo 14 0 4 8 92%
 
HWV63A1N2 - "Mourn, ye afflicted children" in c minor
edward.maurath
5:08 Est. Play
Time
47 Measures
1,196Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 7 6 5 94%
Bass 25 11 8 7 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 7 6 5 94%
Bass 25 11 8 7 100%
Contrabasses Bass 22 0 8 7 100%
Violas 21 0 7 6 100%
Violoncellos Bass 25 0 8 7 100%
Vln
1		 Treble 25 0 9 6 100%
Vln
2		 Treble 27 0 10 6 100%
Alto 15 0 5 4 87%
Tenor 15 0 5 4 87%
Bass Bass 22 0 11 4 85%
Soprano 19 0 9 5 85%
Oboe Treble 19 0 7 6 74%
Treble 19 0 7 6 74%
Bassoon Bass 23 0 8 5 74%
 
HWV7A2N8b - "Mio cor, che mi sai dir?" (b minor)
edward.maurath
4:43 Est. Play
Time
51 Measures
1,285Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 23 0 8 4 99%
Contrabassi (Continuo) Bass 22 0 7 4 97%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 23 0 8 4 99%
Contrabassi (Continuo) Bass 22 0 7 4 97%
Violoncelli (Continuo) Bass 21 0 7 4 97%
Cemballo
(Continuo)		 Treble 26 37 9 5 90%
Bass 33 23 12 6 96%
Violins I



 Treble 22 0 6 4 95%
Violins II



 Treble 21 0 5 4 91%
Tenor
as Goffredo		 14 0 5 6 60%
Bassoon
(Cembalo)		 Bass 18 0 4 4 47%
Oboe Treble 18 0 5 4 47%
 
HWV1A2N16vEJM, "No, no, non voglio" (Almira)
edward.maurath
1:41 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 36 5 4 100%
Bass 24 29 7 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 36 5 4 100%
Bass 24 29 7 4 100%
Harpsichord Treble 17 36 5 4 98%
Bass 24 29 7 4 100%
Violoncello Bass 20 0 6 4 100%
Almira 14 0 6 4 88%
 
BWV245N13½ "Zerschmettert mich, ihr Felsen und ihr Hügel" Aria for Tenor in A Major used 1725 only in place of "Ach, mein Sinn"
edward.maurath
8:12 Est. Play
Time
55 Measures
1,308Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 27 0 11 5 100%
Cembalo Continuo Bass 34 39 12 5 98%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 27 0 11 5 100%
Cembalo Continuo Bass 34 39 12 5 98%
Contrabassi Continuo Bass 27 0 11 5 95%
Viola 25 0 8 9 95%
Violoncelli Continuo Bass 27 0 11 5 95%
Violin 2 Treble 28 0 9 9 94%
Violin 1 Treble 30 0 10 7 93%
Tenore Solo Treble 21 0 8 5 74%
Organo Continuo Treble 16 22 6 4 28%