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Clef: BassBass
Play Time: 2:10 - 3:20
Unique Durations: 4-5
Unique Notes: > 20
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edward.maurath
HWV63A1N5 - "For Sion lamentations make" in f minor
edward.maurath
3:06 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
Bassoon Bass 19 0 6 8 100%
Bassoon Continuo Bass 24 0 9 6 100%
Contrabassi Continuo Bass 19 0 7 5 100%
Inferred Bassoon 23 0 7 6 100%
Viole 16 0 4 7 100%
Violini 1 Treble 20 0 8 6 100%
Violini 2 Treble 17 0 7 6 100%
Violoncelli Continuo Bass 20 0 7 5 100%
Alti 10 0 4 7 83%
Soprani 14 0 5 7 83%
Bassi Bass 16 0 5 7 79%
Tenori 12 0 4 7 76%
Oboe 1 Treble 12 0 3 7 72%
Oboe 2 Treble 15 0 6 7 72%
 
HWV1A2N4 - Lass ein sanftes Händedrücken
edward.maurath
2:30 Est. Play
Time
85 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 43 7 4 96%
Bass 24 26 7 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 43 7 4 96%
Bass 24 26 7 4 100%
Bassoon Continuo Bass 20 0 4 4 100%
Double Bass Bass 19 0 4 4 100%
Bass
as Consalvo		 Bass 12 0 3 6 65%
Oboe
1		 Treble 15 0 2 5 53%
Oboe
2		 Treble 16 0 4 5 52%
 
HWV63A1N4 - "From this dread scene" in g minor
edward.maurath
3:00 Est. Play
Time
84 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 21 4 9 5 53%
Bass 22 0 8 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 21 4 9 5 53%
Bass 22 0 8 5 100%
Contrabassi Continuo Bass 22 0 8 5 100%
Violoncelli Continuo Bass 22 0 8 5 100%
Violoncello Continuo Bass 22 0 8 5 100%
Alto 16 0 4 4 71%
Soprano 17 0 6 4 65%
Violini 1 Treble 22 0 7 5 53%
Violini 2 Treble 23 0 9 5 53%
 
BWV245N2 - EVANGELIST Jesus ging mit seinen Jungern
edward.maurath
3:07 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 21 0 8 5 100%
Evangelist 16 0 5 4 77%
View all 22 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 21 0 8 5 100%
Evangelist 16 0 5 4 77%
Cembalo Continuo Treble 16 30 7 4 67%
Bass 21 2 9 4 72%
Organo Continuo Treble 20 18 6 4 49%
Bass 20 3 5 4 51%
Bass 18 0 5 4 49%
Bassoon Continuo Bass 16 0 3 3 26%
Contrabassi Continuo Bass 16 0 3 3 26%
Oboe 1 Treble 17 0 5 3 26%
Viole 17 0 3 2 26%
Violini 1 Treble 20 0 3 2 26%
Violini 2 Treble 16 0 3 2 26%
Violoncelli Continuo Bass 16 0 3 3 26%
Oboe 2 Treble 17 0 5 3 23%
Alti 11 0 2 5 21%
Bassi Bass 15 0 4 4 21%
Jesus Bass 12 0 2 4 21%
Soprani 10 0 1 4 21%
Tenori 12 0 3 4 21%
Flute 1 Treble 14 0 1 2 13%
Flute 2 Treble 14 0 1 2 13%
 
"Dal fulgor di questa spada" from "Giulio Cesare," HWV 17 (1724)
edward.maurath
2:40 Est. Play
Time
107 Measures
1,037Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 55 7 5 99%
Bass 24 40 5 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 55 7 5 99%
Bass 24 40 5 5 100%
Violoncello Continuo Bass 22 0 5 5 100%
Contrabassi Continuo Bass 21 0 5 4 91%
Violoncelli Continuo Bass 21 0 5 4 91%
Violini Treble 22 1 5 6 88%
Achilla Bass 18 0 6 5 67%
 
"Di goder il bel ch'adoro" from 'Il Pastor Fido," HWV 8 (1712)
edward.maurath
3:19 Est. Play
Time
73 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 23 43 7 8 99%
Bass 27 19 5 5 96%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 23 43 7 8 99%
Bass 27 19 5 5 96%
Oboe Treble 11 0 0 7 79%
Treble 10 0 0 5 79%
Violins I



 Treble 11 0 0 7 79%
Violins II



 Treble 10 0 0 5 79%
Soprano as
Eurilla		 14 0 3 8 75%
Bassoon with
viola		 9 0 0 5 25%
Bassoon
(Continuo)		 Bass 9 0 0 5 25%
Contrabassi (Continuo) Bass 9 0 0 5 25%
Viola 9 0 0 5 25%
Violoncelli (Continuo) Bass 9 0 0 5 25%
Violoncello (Continuo) Bass 9 0 0 5 25%
 
"Ritorni omai nel nostro core" from "Giulio Cesare," HWV 17, (1724)
edward.maurath
2:32 Est. Play
Time
107 Measures
2,086Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Contniuo Treble 19 15 4 6 100%
Bass 20 25 3 6 100%
View all 19 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Contniuo Treble 19 15 4 6 100%
Bass 20 25 3 6 100%
Basso Continuo Bass 19 0 2 5 100%
Fagotto (Viole) Bass 21 0 2 4 100%
Oboe 1 Treble 15 0 2 5 100%
Oboe 2 Treble 14 0 4 5 100%
Contrabassi Continuo Bass 14 0 2 3 79%
Viole 11 0 2 4 79%
Violini 1 Treble 13 0 2 4 79%
Violini 2 Treble 11 0 2 4 79%
Violoncelli Continuo Bass 14 0 2 3 79%
Corni re Treble 8 0 0 3 73%
Corni sol Treble 7 0 0 3 72%
Bassi Bass 13 0 2 3 69%
Contralti 9 0 1 4 69%
Soprani 13 0 2 4 69%
Tenori 8 0 2 4 69%
Cleopatra 8 0 0 4 23%
Cesare 9 0 2 4 22%
 
"Sulla ruota di fortuna va girando la speranza," from "Rinaldo," HWV 7
edward.maurath
2:37 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 58 7 9 98%
Bass 26 40 7 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 58 7 9 98%
Bass 26 40 7 5 100%
Violoncello Bass 22 1 5 5 100%
Eustazio 12 0 3 9 68%
 
HWV56N43 - Thou shalt break them
edward.maurath
2:18 Est. Play
Time
74 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 15 66 4 4 100%
Bass 21 39 6 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 15 66 4 4 100%
Bass 21 39 6 4 100%
Cello Continuo Bass 21 0 6 3 100%
Violone Bass 18 0 6 3 100%
Violin Treble 30 0 11 4 88%
Tenor 14 0 3 5 68%
 
HWV56N50 - O Death! where is thy sting?
edward.maurath
2:32 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 18 68 6 6 100%
Bass 24 19 7 3 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 18 68 6 6 100%
Bass 24 19 7 3 100%
Alto Treble 12 0 3 5 100%
Cello Bass 24 0 7 5 100%
Violone Continuo Bass 23 0 7 3 100%
Tenore 13 0 3 6 95%
 
HWV17A3N09Y1724 Cesare, "Quel torrente che cade dal monte" in C Major
edward.maurath
2:48 Est. Play
Time
157 Measures
1,037Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 2 4 3 99%
Bass 21 4 4 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 2 4 3 99%
Bass 21 4 4 4 100%
Violoncello Continuo Bass 21 0 4 4 97%
Cesare 15 0 3 6 71%
Violins Treble 22 0 5 7 69%
Kontrebaß Bass 15 0 1 3 43%
Celli Bass 14 0 0 3 41%